| Country | Contributions | Between | Climbers | Crags | Summits | Climbs | Ascents | |
|---|---|---|---|---|---|---|---|---|
| 1 | United Kingdom | 11177 | 22nd May 2025 – 11th October 2026 | 117 | 13 | 0 | 586 | 1083 |
| 2 | France | 3432 | 22nd May 2025 – 29th September 2026 | 32 | 13 | 0 | 173 | 326 |
| 3 | USA | 1774 | 30th July 2025 – 20th September 2026 | 26 | 56 | 0 | 167 | 88 |
| 4 | Japan | 1478 | 19th July 2025 – 14th August 2026 | 14 | 25 | 0 | 107 | 73 |
| 5 | Spain | 319 | 31st July 2025 – 14th August 2026 | 3 | 9 | 0 | 35 | 13 |
| 6 | Switzerland | 229 | 31st July 2025 – 9th August 2026 | 2 | 5 | 0 | 21 | 15 |
| 7 | New Zealand | 216 | 19th August 2025 – 14th August 2026 | 1 | 1 | 0 | 17 | 13 |
| 8 | Canada | 170 | 10th September 2025 – 14th August 2026 | 1 | 9 | 0 | 25 | 3 |
| 9 | Italy | 166 | 12th August 2025 – 16th August 2026 | 2 | 7 | 0 | 19 | 7 |
| 10 | Germany | 151 | 8th November 2025 – 6th August 2026 | 4 | 6 | 0 | 10 | 5 |
| Date | Time | User | Type | Name | Attribute | ||
|---|---|---|---|---|---|---|---|
| 20141 | 13th August 2025 | 09:01:45 UTC | Mono | media | https://www.instagram.com/p/CnPXfinN_Dg/ | missing_right_to_reproduce | |
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| 20142 | 13th August 2025 | 09:01:45 UTC | Mono | media | https://www.instagram.com/p/CnPXfinN_Dg/ | embed_code | |
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transform: translateX(16px) translateY(-4px) rotate(30deg)"></div></div><div style="margin-left: auto;"> <div style=" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"></div> <div style=" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"></div> <div style=" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"></div></div></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"></div> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"></div></div></a><p style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; 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| 20143 | 13th August 2025 | 09:01:45 UTC | Mono | media | https://www.instagram.com/p/CnPXfinN_Dg/ | url | |
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| 20144 | 13th August 2025 | 09:01:44 UTC | Mono | ascent | James McHaffie's ascent of The Great Escape | suggested_grade_id | |
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| 20145 | 13th August 2025 | 09:01:03 UTC | Mono | ascent | John Dunne's ascent of The Great Escape | notes_pretty | |
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<p>John suggested a grade of HXS</p>
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| 20146 | 13th August 2025 | 09:01:03 UTC | Mono | ascent | John Dunne's ascent of The Great Escape | notes | |
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John suggested a grade of HXS
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| 20147 | 13th August 2025 | 08:59:11 UTC | Mono | ascent | John Dunne's ascent of Fast Forward | suggested_grade_id | |
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| 20148 | 13th August 2025 | 08:55:58 UTC | Mono | ascent | Dave MacLeod's ascent of The Great Escape | notes_pretty | |
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Before
<blockquote>
<p>The route would be three distinct pitches. Pitch two would almost certainly form the meat of the difficulties, but the top pitch might also be tricky, with a few options for where you could go. After abseiling to a big ledge at the top of the main pitch, I re-rigged the rope and continued down. As soon as I was over the lip, I was surprised to find that the whole line was not only obvious but very well chalked. I had enough experience to know that the route had seen attention from someone who really knew what they were doing. Each hold had been carefully cleaned, and every single foot smear had been marked with a tiny dab of chalk. I'd seen that done here and there on boulder problems before, but never for every foothold on a 45-metre mountain pitch like this. […]</p>
<p>On the way back up the rope, I also tried the top pitch. Unlike the one below, it had no chalk, and some of the holds were covered in thick, tough lichen. I spent about four hours scrubbing the whole wall with a wire brush to make the moves possible for me. It was clear this pitch was only a grade or so easier than the one below.</p>
<p>Back home in Glasgow, I made an assumption. Even if the main pitch had been done, whoever had done it had gone a different way for the top pitch since that was still dirty. Most likely, they would have taken the path of least resistance, escaping left after the big ledge. A month passed and I heard nothing in the climbing media or on the grapevine about the route having been done, so I resolved to get on the line I had cleaned. Regardless of whether the main pitch had been climbed or not, the headwall would add distinction and a lot of difficulty to the overall route.</p>
<p>Given that tense first meeting with John [Dunne] at Kendal, I was dismayed to learn that the route on Arran was his. After some confusion, I heard John had indeed climbed the exact same line as me, including the final pitch. I doubted this could be correct, since it was so dirty and the main pitch so thoroughly cleaned. But John rang me and asked me to describe in detail where I went, and he told me that was what he had done. He said the top pitch had been dirty, but he had just climbed through it. […] John called the climb The Great Escape. Had the first ascent been mine, I would have called it Macrochiera, after the giant spider crab, since the wall resembled the shape of the crab, with the flake of the crux pitch forming the left pincer. The right pincer is a much harder line and remains unclimbed to this day.</p>
</blockquote>
After
<blockquote>
<p>The route would be three distinct pitches. Pitch two would almost certainly form the meat of the difficulties, but the top pitch might also be tricky, with a few options for where you could go. After abseiling to a big ledge at the top of the main pitch, I re-rigged the rope and continued down. As soon as I was over the lip, I was surprised to find that the whole line was not only obvious but very well chalked. I had enough experience to know that the route had seen attention from someone who really knew what they were doing. Each hold had been carefully cleaned, and every single foot smear had been marked with a tiny dab of chalk. I'd seen that done here and there on boulder problems before, but never for every foothold on a 45-metre mountain pitch like this. […]</p>
<p>On the way back up the rope, I also tried the top pitch. Unlike the one below, it had no chalk, and some of the holds were covered in thick, tough lichen. I spent about four hours scrubbing the whole wall with a wire brush to make the moves possible for me. It was clear this pitch was only a grade or so easier than the one below.</p>
<p>Back home in Glasgow, I made an assumption. Even if the main pitch had been done, whoever had done it had gone a different way for the top pitch since that was still dirty. Most likely, they would have taken the path of least resistance, escaping left after the big ledge. A month passed and I heard nothing in the climbing media or on the grapevine about the route having been done, so I resolved to get on the line I had cleaned. Regardless of whether the main pitch had been climbed or not, the headwall would add distinction and a lot of difficulty to the overall route.</p>
<p>Given that tense first meeting with John [Dunne] at Kendal, I was dismayed to learn that the route on Arran was his. After some confusion, I heard John had indeed climbed the exact same line as me, including the final pitch. I doubted this could be correct, since it was so dirty and the main pitch so thoroughly cleaned. But John rang me and asked me to describe in detail where I went, and he told me that was what he had done. He said the top pitch had been dirty, but he had just climbed through it. […] John called the climb The Great Escape. Had the first ascent been mine, I would have called it Macrochiera, after the giant spider crab, since the wall resembled the shape of the crab, with the flake of the crux pitch forming the left pincer. The right pincer is a much harder line and remains unclimbed to this day.</p>
</blockquote>
<h3>References</h3>
<p>[1] Dave MacLeod, 'Moving the Needle', Rare Breed Productions, 2024</p>
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| 20149 | 13th August 2025 | 08:55:58 UTC | Mono | ascent | Dave MacLeod's ascent of The Great Escape | notes | |
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Before
>The route would be three distinct pitches. Pitch two would almost certainly form the meat of the difficulties, but the top pitch might also be tricky, with a few options for where you could go. After abseiling to a big ledge at the top of the main pitch, I re-rigged the rope and continued down. As soon as I was over the lip, I was surprised to find that the whole line was not only obvious but very well chalked. I had enough experience to know that the route had seen attention from someone who really knew what they were doing. Each hold had been carefully cleaned, and every single foot smear had been marked with a tiny dab of chalk. I'd seen that done here and there on boulder problems before, but never for every foothold on a 45-metre mountain pitch like this. […]
>On the way back up the rope, I also tried the top pitch. Unlike the one below, it had no chalk, and some of the holds were covered in thick, tough lichen. I spent about four hours scrubbing the whole wall with a wire brush to make the moves possible for me. It was clear this pitch was only a grade or so easier than the one below.
>Back home in Glasgow, I made an assumption. Even if the main pitch had been done, whoever had done it had gone a different way for the top pitch since that was still dirty. Most likely, they would have taken the path of least resistance, escaping left after the big ledge. A month passed and I heard nothing in the climbing media or on the grapevine about the route having been done, so I resolved to get on the line I had cleaned. Regardless of whether the main pitch had been climbed or not, the headwall would add distinction and a lot of difficulty to the overall route.
>Given that tense first meeting with John [Dunne] at Kendal, I was dismayed to learn that the route on Arran was his. After some confusion, I heard John had indeed climbed the exact same line as me, including the final pitch. I doubted this could be correct, since it was so dirty and the main pitch so thoroughly cleaned. But John rang me and asked me to describe in detail where I went, and he told me that was what he had done. He said the top pitch had been dirty, but he had just climbed through it. […] John called the climb The Great Escape. Had the first ascent been mine, I would have called it Macrochiera, after the giant spider crab, since the wall resembled the shape of the crab, with the flake of the crux pitch forming the left pincer. The right pincer is a much harder line and remains unclimbed to this day.
After
>The route would be three distinct pitches. Pitch two would almost certainly form the meat of the difficulties, but the top pitch might also be tricky, with a few options for where you could go. After abseiling to a big ledge at the top of the main pitch, I re-rigged the rope and continued down. As soon as I was over the lip, I was surprised to find that the whole line was not only obvious but very well chalked. I had enough experience to know that the route had seen attention from someone who really knew what they were doing. Each hold had been carefully cleaned, and every single foot smear had been marked with a tiny dab of chalk. I'd seen that done here and there on boulder problems before, but never for every foothold on a 45-metre mountain pitch like this. […]
>On the way back up the rope, I also tried the top pitch. Unlike the one below, it had no chalk, and some of the holds were covered in thick, tough lichen. I spent about four hours scrubbing the whole wall with a wire brush to make the moves possible for me. It was clear this pitch was only a grade or so easier than the one below.
>Back home in Glasgow, I made an assumption. Even if the main pitch had been done, whoever had done it had gone a different way for the top pitch since that was still dirty. Most likely, they would have taken the path of least resistance, escaping left after the big ledge. A month passed and I heard nothing in the climbing media or on the grapevine about the route having been done, so I resolved to get on the line I had cleaned. Regardless of whether the main pitch had been climbed or not, the headwall would add distinction and a lot of difficulty to the overall route.
>Given that tense first meeting with John [Dunne] at Kendal, I was dismayed to learn that the route on Arran was his. After some confusion, I heard John had indeed climbed the exact same line as me, including the final pitch. I doubted this could be correct, since it was so dirty and the main pitch so thoroughly cleaned. But John rang me and asked me to describe in detail where I went, and he told me that was what he had done. He said the top pitch had been dirty, but he had just climbed through it. […] John called the climb The Great Escape. Had the first ascent been mine, I would have called it Macrochiera, after the giant spider crab, since the wall resembled the shape of the crab, with the flake of the crux pitch forming the left pincer. The right pincer is a much harder line and remains unclimbed to this day.
### References
[1] Dave MacLeod, 'Moving the Needle', Rare Breed Productions, 2024
Diff
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| 20150 | 13th August 2025 | 08:54:47 UTC | Mono | ascent | Dave MacLeod's ascent of The Great Escape | notes_pretty | |
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<blockquote>
<p>The route would be three distinct pitches. Pitch two would almost certainly form the meat of the difficulties, but the top pitch might also be tricky, with a few options for where you could go. After abseiling to a big ledge at the top of the main pitch, I re-rigged the rope and continued down. As soon as I was over the lip, I was surprised to find that the whole line was not only obvious but very well chalked. I had enough experience to know that the route had seen attention from someone who really knew what they were doing. Each hold had been carefully cleaned, and every single foot smear had been marked with a tiny dab of chalk. I'd seen that done here and there on boulder problems before, but never for every foothold on a 45-metre mountain pitch like this. […]</p>
<p>On the way back up the rope, I also tried the top pitch. Unlike the one below, it had no chalk, and some of the holds were covered in thick, tough lichen. I spent about four hours scrubbing the whole wall with a wire brush to make the moves possible for me. It was clear this pitch was only a grade or so easier than the one below.</p>
<p>Back home in Glasgow, I made an assumption. Even if the main pitch had been done, whoever had done it had gone a different way for the top pitch since that was still dirty. Most likely, they would have taken the path of least resistance, escaping left after the big ledge. A month passed and I heard nothing in the climbing media or on the grapevine about the route having been done, so I resolved to get on the line I had cleaned. Regardless of whether the main pitch had been climbed or not, the headwall would add distinction and a lot of difficulty to the overall route.</p>
<p>Given that tense first meeting with John [Dunne] at Kendal, I was dismayed to learn that the route on Arran was his. After some confusion, I heard John had indeed climbed the exact same line as me, including the final pitch. I doubted this could be correct, since it was so dirty and the main pitch so thoroughly cleaned. But John rang me and asked me to describe in detail where I went, and he told me that was what he had done. He said the top pitch had been dirty, but he had just climbed through it. […] John called the climb The Great Escape. Had the first ascent been mine, I would have called it Macrochiera, after the giant spider crab, since the wall resembled the shape of the crab, with the flake of the crux pitch forming the left pincer. The right pincer is a much harder line and remains unclimbed to this day.</p>
</blockquote>
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| 20151 | 13th August 2025 | 08:54:47 UTC | Mono | ascent | Dave MacLeod's ascent of The Great Escape | notes | |
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Before
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After
>The route would be three distinct pitches. Pitch two would almost certainly form the meat of the difficulties, but the top pitch might also be tricky, with a few options for where you could go. After abseiling to a big ledge at the top of the main pitch, I re-rigged the rope and continued down. As soon as I was over the lip, I was surprised to find that the whole line was not only obvious but very well chalked. I had enough experience to know that the route had seen attention from someone who really knew what they were doing. Each hold had been carefully cleaned, and every single foot smear had been marked with a tiny dab of chalk. I'd seen that done here and there on boulder problems before, but never for every foothold on a 45-metre mountain pitch like this. […]
>On the way back up the rope, I also tried the top pitch. Unlike the one below, it had no chalk, and some of the holds were covered in thick, tough lichen. I spent about four hours scrubbing the whole wall with a wire brush to make the moves possible for me. It was clear this pitch was only a grade or so easier than the one below.
>Back home in Glasgow, I made an assumption. Even if the main pitch had been done, whoever had done it had gone a different way for the top pitch since that was still dirty. Most likely, they would have taken the path of least resistance, escaping left after the big ledge. A month passed and I heard nothing in the climbing media or on the grapevine about the route having been done, so I resolved to get on the line I had cleaned. Regardless of whether the main pitch had been climbed or not, the headwall would add distinction and a lot of difficulty to the overall route.
>Given that tense first meeting with John [Dunne] at Kendal, I was dismayed to learn that the route on Arran was his. After some confusion, I heard John had indeed climbed the exact same line as me, including the final pitch. I doubted this could be correct, since it was so dirty and the main pitch so thoroughly cleaned. But John rang me and asked me to describe in detail where I went, and he told me that was what he had done. He said the top pitch had been dirty, but he had just climbed through it. […] John called the climb The Great Escape. Had the first ascent been mine, I would have called it Macrochiera, after the giant spider crab, since the wall resembled the shape of the crab, with the flake of the crux pitch forming the left pincer. The right pincer is a much harder line and remains unclimbed to this day.
Diff
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| 20152 | 13th August 2025 | 08:19:28 UTC | Mono | media | https://www.instagram.com/p/CnPXfinN_Dg/ | missing_right_to_reproduce | |
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| 20153 | 13th August 2025 | 08:19:28 UTC | Mono | media | https://www.instagram.com/p/CnPXfinN_Dg/ | embed_code | |
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<blockquote class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/CnPXfinN_Dg/" data-instgrm-version="13" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"><div style="padding:16px;"> <a href="https://www.instagram.com/p/CnPXfinN_Dg/" style=" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;" target="_blank"> <div style=" display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div></div></div><div style="padding: 19% 0;"></div> <div style="display:block; height:50px; margin:0 auto 12px; width:50px;"><svg width="50px" height="50px" viewBox="0 0 60 60" version="1.1" xmlns="https://www.w3.org/2000/svg" xmlns:xlink="https://www.w3.org/1999/xlink"><g stroke="none" stroke-width="1" fill="none" fill-rule="evenodd"><g transform="translate(-511.000000, -20.000000)" fill="#000000"><g><path d="M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631"></path></g></g></g></svg></div><div style="padding-top: 8px;"> <div style=" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;"> View this post on Instagram</div></div><div style="padding: 12.5% 0;"></div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"><div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"></div> <div style="background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"></div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"></div></div><div style="margin-left: 8px;"> <div style=" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"></div> <div style=" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)"></div></div><div style="margin-left: auto;"> <div style=" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"></div> <div style=" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"></div> <div style=" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"></div></div></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"></div> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"></div></div></a><p style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;"></p></div></blockquote> <script async src="//www.instagram.com/embed.js"></script>
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| 20154 | 13th August 2025 | 08:19:28 UTC | Mono | media | https://www.instagram.com/p/CnPXfinN_Dg/ | url | |
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https://www.instagram.com/p/CnPXfinN_Dg/
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| 20155 | 13th August 2025 | 08:19:28 UTC | Mono | ascent | James McHaffie's ascent of The Great Escape | notes_pretty | |
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Before
<p>P2. Ryan Pasquill lead P1 + P3. </p>
<h3>References</h3>
<p>[1] <a href="https://www.ukclimbing.com/news/2016/05/mchaffie_and_dunne_on_the_great_escape-70475">https://www.ukclimbing.com/news/2016/05/mchaffie_and_dunne_on_the_great_escape-70475</a></p>
After
<p>P2. Ryan Pasquill lead P1 + P3. </p>
<h3>References</h3>
<p>[1] <a href="https://www.ukclimbing.com/news/2016/05/mchaffie_and_dunne_on_the_great_escape-70475">https://www.ukclimbing.com/news/2016/05/mchaffie_and_dunne_on_the_great_escape-70475</a></p>
<p>[2] <a href="https://www.instagram.com/p/CnPXfinN_Dg/">https://www.instagram.com/p/CnPXfinN_Dg/</a></p>
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| 20156 | 13th August 2025 | 08:19:28 UTC | Mono | ascent | James McHaffie's ascent of The Great Escape | notes | |
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Before
P2. Ryan Pasquill lead P1 + P3.
### References
[1] [https://www.ukclimbing.com/news/2016/05/mchaffie_and_dunne_on_the_great_escape-70475](https://www.ukclimbing.com/news/2016/05/mchaffie_and_dunne_on_the_great_escape-70475)
After
P2. Ryan Pasquill lead P1 + P3.
### References
[1] [https://www.ukclimbing.com/news/2016/05/mchaffie_and_dunne_on_the_great_escape-70475](https://www.ukclimbing.com/news/2016/05/mchaffie_and_dunne_on_the_great_escape-70475)
[2] [https://www.instagram.com/p/CnPXfinN_Dg/](https://www.instagram.com/p/CnPXfinN_Dg/)
Diff
--- before
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| 20157 | 12th August 2025 | 21:10:43 UTC | Mono | ascent | Dan McManus's ascent of The Great Escape | ascent_dt_end | |
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Before
None
After
2016-05-23
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| 20158 | 12th August 2025 | 21:10:43 UTC | Mono | ascent | Dan McManus's ascent of The Great Escape | ascent_dt_start | |
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None
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2016-05-23
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| 20159 | 12th August 2025 | 21:10:43 UTC | Mono | ascent | Dan McManus's ascent of The Great Escape | ascent_type_id | |
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Before
None
After
1
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| 20160 | 12th August 2025 | 21:10:43 UTC | Mono | ascent | Dan McManus's ascent of The Great Escape | notes_pretty | |
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Before
None
After
<p>With Tom Livingstone</p>
<h3>References</h3>
<p>[1] <a href="https://www.climber.co.uk/news/the-great-escape-repeated-again-by-dan-mcmanus-and-tom-livingstone/">https://www.climber.co.uk/news/the-great-escape-repeated-again-by-dan-mcmanus-and-tom-livingstone/</a></p>
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