| Date | Time | User | Type | Name | Attribute | ||
|---|---|---|---|---|---|---|---|
| 41 | 13th February 2024 | 16:51:00 | remus | ascent | Emotional Landscapes (Pre-Break) | climber_id | |
|
Before
None
After
941
|
|||||||
| 42 | 1st February 2024 | 09:27:03 | remus | - | - | notes_pretty | |
|
Before
<p><a href="/climber/1230/udo-neumann">Udo Neumann</a>:</p>
<blockquote>
<p>There are two factors which determine the quality of movement: Precisin on one side, speed on the other. If you are very precise, like <a href="/climber/605/marc-le-menestrel">Marc le Menestrel</a>, you tend to be rather slow. If you are fast you tend to be sloppy. It's always a trade-off. In my opinion, Klem is the climber at the moment who balances these factors best and potentially can climb the hardest things.</p>
<p>Of course there is more to hard climbing but this gives you an idea of Klem's style - very accurate and very speedy. A friend once described Klem as "digital", either 'on' or 'off'.</p>
<p>Spending time around him is like being surrounded by a nice, comforting but blurry cloud, whereas Klem himself seems to live in this ultrasharp, high contrast environment where things and thoughts happen very quickly. When tired or bored Klem falls asleep instantly, with little awareness of what's going on around him. [1]</p>
</blockquote>
<h3>References</h3>
<p>[1] <em>Klem Lostkot</em> by <a href="/climber/1706/mike-robertson">Mike Robertson</a>, <em>On The Edge</em> Issue 114, page 54</p>
After
<p><a href="/climber/1230/udo-neumann">Udo Neumann</a>:</p>
<blockquote>
<p>There are two factors which determine the quality of movement: Precision on one side, speed on the other. If you are very precise, like <a href="/climber/605/marc-le-menestrel">Marc le Menestrel</a>, you tend to be rather slow. If you are fast you tend to be sloppy. It's always a trade-off. In my opinion, Klem is the climber at the moment who balances these factors best and potentially can climb the hardest things.</p>
<p>Of course there is more to hard climbing but this gives you an idea of Klem's style - very accurate and very speedy. A friend once described Klem as "digital", either 'on' or 'off'.</p>
<p>Spending time around him is like being surrounded by a nice, comforting but blurry cloud, whereas Klem himself seems to live in this ultrasharp, high contrast environment where things and thoughts happen very quickly. When tired or bored Klem falls asleep instantly, with little awareness of what's going on around him. [1]</p>
</blockquote>
<h3>References</h3>
<p>[1] <em>Klem Lostkot</em> by <a href="/climber/1706/mike-robertson">Mike Robertson</a>, <em>On The Edge</em> Issue 114, page 54</p>
|
|||||||
| 43 | 1st February 2024 | 09:27:03 | remus | - | - | notes | |
|
Before
[Udo Neumann](/climber/1230/udo-neumann):
> There are two factors which determine the quality of movement: Precisin on one side, speed on the other. If you are very precise, like [Marc le Menestrel](/climber/605/marc-le-menestrel), you tend to be rather slow. If you are fast you tend to be sloppy. It's always a trade-off. In my opinion, Klem is the climber at the moment who balances these factors best and potentially can climb the hardest things.
> Of course there is more to hard climbing but this gives you an idea of Klem's style - very accurate and very speedy. A friend once described Klem as "digital", either 'on' or 'off'.
> Spending time around him is like being surrounded by a nice, comforting but blurry cloud, whereas Klem himself seems to live in this ultrasharp, high contrast environment where things and thoughts happen very quickly. When tired or bored Klem falls asleep instantly, with little awareness of what's going on around him. [1]
### References
[1] *Klem Lostkot* by [Mike Robertson](/climber/1706/mike-robertson), *On The Edge* Issue 114, page 54
After
[Udo Neumann](/climber/1230/udo-neumann):
> There are two factors which determine the quality of movement: Precision on one side, speed on the other. If you are very precise, like [Marc le Menestrel](/climber/605/marc-le-menestrel), you tend to be rather slow. If you are fast you tend to be sloppy. It's always a trade-off. In my opinion, Klem is the climber at the moment who balances these factors best and potentially can climb the hardest things.
> Of course there is more to hard climbing but this gives you an idea of Klem's style - very accurate and very speedy. A friend once described Klem as "digital", either 'on' or 'off'.
> Spending time around him is like being surrounded by a nice, comforting but blurry cloud, whereas Klem himself seems to live in this ultrasharp, high contrast environment where things and thoughts happen very quickly. When tired or bored Klem falls asleep instantly, with little awareness of what's going on around him. [1]
### References
[1] *Klem Lostkot* by [Mike Robertson](/climber/1706/mike-robertson), *On The Edge* Issue 114, page 54
Diff
--- before
+++ after
@@ -1,6 +1,6 @@
[Udo Neumann](/climber/1230/udo-neumann):
-> There are two factors which determine the quality of movement: Precisin on one side, speed on the other. If you are very precise, like [Marc le Menestrel](/climber/605/marc-le-menestrel), you tend to be rather slow. If you are fast you tend to be sloppy. It's always a trade-off. In my opinion, Klem is the climber at the moment who balances these factors best and potentially can climb the hardest things.
+> There are two factors which determine the quality of movement: Precision on one side, speed on the other. If you are very precise, like [Marc le Menestrel](/climber/605/marc-le-menestrel), you tend to be rather slow. If you are fast you tend to be sloppy. It's always a trade-off. In my opinion, Klem is the climber at the moment who balances these factors best and potentially can climb the hardest things.
> Of course there is more to hard climbing but this gives you an idea of Klem's style - very accurate and very speedy. A friend once described Klem as "digital", either 'on' or 'off'.
|
|||||||
| 44 | 1st February 2024 | 09:26:43 | remus | - | - | notes_pretty | |
|
Before
<h3>References</h3>
<p>[1] <em>Klem Lostkot</em> by <a href="/climber/1706/mike-robertson">Mike Robertson</a>, <em>On The Edge</em> Issue 114, page 54</p>
After
<p><a href="/climber/1230/udo-neumann">Udo Neumann</a>:</p>
<blockquote>
<p>There are two factors which determine the quality of movement: Precisin on one side, speed on the other. If you are very precise, like <a href="/climber/605/marc-le-menestrel">Marc le Menestrel</a>, you tend to be rather slow. If you are fast you tend to be sloppy. It's always a trade-off. In my opinion, Klem is the climber at the moment who balances these factors best and potentially can climb the hardest things.</p>
<p>Of course there is more to hard climbing but this gives you an idea of Klem's style - very accurate and very speedy. A friend once described Klem as "digital", either 'on' or 'off'.</p>
<p>Spending time around him is like being surrounded by a nice, comforting but blurry cloud, whereas Klem himself seems to live in this ultrasharp, high contrast environment where things and thoughts happen very quickly. When tired or bored Klem falls asleep instantly, with little awareness of what's going on around him. [1]</p>
</blockquote>
<h3>References</h3>
<p>[1] <em>Klem Lostkot</em> by <a href="/climber/1706/mike-robertson">Mike Robertson</a>, <em>On The Edge</em> Issue 114, page 54</p>
|
|||||||
| 45 | 1st February 2024 | 09:26:43 | remus | - | - | notes | |
|
Before
### References
[1] *Klem Lostkot* by [Mike Robertson](/climber/1706/mike-robertson), *On The Edge* Issue 114, page 54
After
[Udo Neumann](/climber/1230/udo-neumann):
> There are two factors which determine the quality of movement: Precisin on one side, speed on the other. If you are very precise, like [Marc le Menestrel](/climber/605/marc-le-menestrel), you tend to be rather slow. If you are fast you tend to be sloppy. It's always a trade-off. In my opinion, Klem is the climber at the moment who balances these factors best and potentially can climb the hardest things.
> Of course there is more to hard climbing but this gives you an idea of Klem's style - very accurate and very speedy. A friend once described Klem as "digital", either 'on' or 'off'.
> Spending time around him is like being surrounded by a nice, comforting but blurry cloud, whereas Klem himself seems to live in this ultrasharp, high contrast environment where things and thoughts happen very quickly. When tired or bored Klem falls asleep instantly, with little awareness of what's going on around him. [1]
### References
[1] *Klem Lostkot* by [Mike Robertson](/climber/1706/mike-robertson), *On The Edge* Issue 114, page 54
Diff
--- before
+++ after
@@ -1,3 +1,11 @@
+[Udo Neumann](/climber/1230/udo-neumann):
+
+> There are two factors which determine the quality of movement: Precisin on one side, speed on the other. If you are very precise, like [Marc le Menestrel](/climber/605/marc-le-menestrel), you tend to be rather slow. If you are fast you tend to be sloppy. It's always a trade-off. In my opinion, Klem is the climber at the moment who balances these factors best and potentially can climb the hardest things.
+
+> Of course there is more to hard climbing but this gives you an idea of Klem's style - very accurate and very speedy. A friend once described Klem as "digital", either 'on' or 'off'.
+
+> Spending time around him is like being surrounded by a nice, comforting but blurry cloud, whereas Klem himself seems to live in this ultrasharp, high contrast environment where things and thoughts happen very quickly. When tired or bored Klem falls asleep instantly, with little awareness of what's going on around him. [1]
+
### References
[1] *Klem Lostkot* by [Mike Robertson](/climber/1706/mike-robertson), *On The Edge* Issue 114, page 54
|
|||||||
| 46 | 1st February 2024 | 09:19:29 | remus | ascent | Wrestling With an Alligator | notes | |
|
Before
None
After
### References
[1] *Klem Lostkot* by [Mike Robertson](/climber/1706/mike-robertson), *On The Edge* Issue 114, page 54
Diff
--- before
+++ after
@@ -1 +1,3 @@
-
+### References
+
+[1] *Klem Lostkot* by [Mike Robertson](/climber/1706/mike-robertson), *On The Edge* Issue 114, page 54
|
|||||||
| 47 | 1st February 2024 | 09:19:29 | remus | ascent | Wrestling With an Alligator | notes_pretty | |
|
Before
None
After
<h3>References</h3>
<p>[1] <em>Klem Lostkot</em> by <a href="/climber/1706/mike-robertson">Mike Robertson</a>, <em>On The Edge</em> Issue 114, page 54</p>
|
|||||||
| 48 | 1st February 2024 | 09:18:13 | remus | ascent | The Power of Goodbye | climber_id | |
|
Before
None
After
941
|
|||||||
| 49 | 1st February 2024 | 09:18:13 | remus | ascent | The Power of Goodbye | ascent_dt_end | |
|
Before
None
After
2000-01-01
|
|||||||
| 50 | 1st February 2024 | 09:18:13 | remus | ascent | The Power of Goodbye | ascent_dt_start | |
|
Before
None
After
1999-01-01
|
|||||||
| 51 | 1st February 2024 | 09:18:13 | remus | ascent | The Power of Goodbye | ascent_type_id | |
|
Before
None
After
2
|
|||||||
| 52 | 1st February 2024 | 09:18:13 | remus | ascent | The Power of Goodbye | notes_pretty | |
|
Before
None
After
<h3>References</h3>
<p>[1] <em>Klem Lostkot</em> by <a href="/climber/1706/mike-robertson">Mike Robertson</a>, <em>On The Edge</em> Issue 114, page 54</p>
|
|||||||
| 53 | 1st February 2024 | 09:18:13 | remus | ascent | The Power of Goodbye | notes | |
|
Before
None
After
### References
[1] *Klem Lostkot* by [Mike Robertson](/climber/1706/mike-robertson), *On The Edge* Issue 114, page 54
Diff
--- before
+++ after
@@ -1 +1,3 @@
-
+### References
+
+[1] *Klem Lostkot* by [Mike Robertson](/climber/1706/mike-robertson), *On The Edge* Issue 114, page 54
|
|||||||
| 54 | 1st February 2024 | 09:18:13 | remus | ascent | The Power of Goodbye | ascent_style_id | |
|
Before
None
After
1
|
|||||||
| 55 | 1st February 2024 | 09:18:13 | remus | ascent | The Power of Goodbye | fa | |
|
Before
false
After
true
|
|||||||
| 56 | 1st February 2024 | 09:18:13 | remus | ascent | The Power of Goodbye | climb_id | |
|
Before
None
After
3073
|
|||||||
| 57 | 1st February 2024 | 09:16:17 | remus | ascent | Cave Rave | climber_id | |
|
Before
None
After
941
|
|||||||
| 58 | 1st February 2024 | 09:16:17 | remus | ascent | Cave Rave | ascent_dt_end | |
|
Before
None
After
1999-06-01
|
|||||||
| 59 | 1st February 2024 | 09:16:17 | remus | ascent | Cave Rave | ascent_dt_start | |
|
Before
None
After
1999-05-01
|
|||||||
| 60 | 1st February 2024 | 09:16:17 | remus | ascent | Cave Rave | ascent_type_id | |
|
Before
None
After
2
|
|||||||