| Date | Time | User | Type | Name | Attribute | ||
|---|---|---|---|---|---|---|---|
| 21 | 9th October 2024 | 17:51:50 | remus | ascent | Victorian Overmantel | ascent_style_id | |
|
Before
None
After
1
|
|||||||
| 22 | 9th October 2024 | 17:51:50 | remus | ascent | Victorian Overmantel | ascent_type_id | |
|
Before
None
After
2
|
|||||||
| 23 | 13th June 2024 | 05:42:28 | remus | ascent | Braille Trail | fa | |
|
Before
false
After
true
|
|||||||
| 24 | 13th June 2024 | 05:42:28 | remus | ascent | Braille Trail | ascent_dt_end | |
|
Before
None
After
1985-01-01
|
|||||||
| 25 | 13th June 2024 | 05:42:28 | remus | ascent | Braille Trail | ascent_dt_start | |
|
Before
None
After
1984-01-01
|
|||||||
| 26 | 13th June 2024 | 05:42:28 | remus | ascent | Braille Trail | ascent_type_id | |
|
Before
None
After
1
|
|||||||
| 27 | 13th June 2024 | 05:42:28 | remus | ascent | Braille Trail | ascent_style_id | |
|
Before
None
After
7
|
|||||||
| 28 | 13th June 2024 | 05:42:28 | remus | ascent | Braille Trail | climb_id | |
|
Before
None
After
3475
|
|||||||
| 29 | 13th June 2024 | 05:42:28 | remus | ascent | Braille Trail | climber_id | |
|
Before
None
After
561
|
|||||||
| 30 | 26th April 2024 | 11:51:10 | remus | ascent | The Very Big and the Very Small | ascent_dt_start | |
|
Before
1990-01-01
After
1990-07-03
|
|||||||
| 31 | 26th April 2024 | 11:51:10 | remus | ascent | The Very Big and the Very Small | ascent_dt_end | |
|
Before
1991-01-01
After
1990-07-03
|
|||||||
| 32 | 26th April 2024 | 11:43:11 | remus | ascent | The Quarryman | notes_pretty | |
|
Before
<p>Johnny climbed the first 2 pitches on the 10th september and the second two pitches on the 11th september. He alter climbed the route in a single push.</p>
<h3>References</h3>
<p>[1] <a href="https://www.youtube.com/watch?v=lLyF8zcP674">https://www.youtube.com/watch?v=lLyF8zcP674</a></p>
After
<blockquote>
<p>For god's sake, are you a foothold or not?! [2]</p>
</blockquote>
<p>Johnny climbed the first 2 pitches on the 10th september and the second two pitches on the 11th september. He alter climbed the route in a single push.</p>
<h3>References</h3>
<p>[1] <a href="https://www.youtube.com/watch?v=lLyF8zcP674">https://www.youtube.com/watch?v=lLyF8zcP674</a></p>
<p>[2] Llanberis Slate. United Kingdom: Ground Up, 2011.</p>
|
|||||||
| 33 | 26th April 2024 | 11:43:11 | remus | ascent | The Quarryman | notes | |
|
Before
Johnny climbed the first 2 pitches on the 10th september and the second two pitches on the 11th september. He alter climbed the route in a single push.
### References
[1] [https://www.youtube.com/watch?v=lLyF8zcP674](https://www.youtube.com/watch?v=lLyF8zcP674)
After
> For god's sake, are you a foothold or not?! [2]
Johnny climbed the first 2 pitches on the 10th september and the second two pitches on the 11th september. He alter climbed the route in a single push.
### References
[1] [https://www.youtube.com/watch?v=lLyF8zcP674](https://www.youtube.com/watch?v=lLyF8zcP674)
[2] Llanberis Slate. United Kingdom: Ground Up, 2011.
Diff
--- before
+++ after
@@ -1,5 +1,9 @@
+> For god's sake, are you a foothold or not?! [2]
+
Johnny climbed the first 2 pitches on the 10th september and the second two pitches on the 11th september. He alter climbed the route in a single push.
### References
-[1] [https://www.youtube.com/watch?v=lLyF8zcP674](https://www.youtube.com/watch?v=lLyF8zcP674)
+[1] [https://www.youtube.com/watch?v=lLyF8zcP674](https://www.youtube.com/watch?v=lLyF8zcP674)
+
+[2] Llanberis Slate. United Kingdom: Ground Up, 2011.
|
|||||||
| 34 | 25th April 2024 | 12:58:23 | remus | ascent | Indian Face | notes_pretty | |
|
Before
<blockquote>
<p>I went for the crux, the motion startling me like a car unexpectedly in gear in a crowded parking lot. I swarm through the roundness of the bulge to a crank on a brittle spike for a cluster of three crystals on the right; each finger crucial and separate like the keys for a piano chord. I change feet three times to rest my lower legs, each time having to jump my foot out to put the other in. The finger-holds are too poor to hang on should the toes catch on each other. All those foot-changing mistakes on easy moves by runners come to mind. There is no resting. I must go and climb for the top. I swarm up towards the sunlight, gasping for air. A brittle hold stays under mistreatment and then I really blow it. Fearful of a smear on now-non-sticky boots I use an edge and move up, a fall fatal, but the automaton stabs back through, wobbling, but giving its all and I grasp a large sidepull and tube upward. The ropes dangle uselessly from my waist. <a href="/climber/1385/arthur-birtwistle">Arthur Birtwistle</a> on <a href="/climb/2043/diagonal">Diagonal</a>, I grasp incuts and the tight movement swerves to a glide as gravity swings skyward ...</p>
</blockquote>
<h3>References</h3>
<p>[1] <a href="https://www.youtube.com/watch?v=JMX4NAw0NSE">https://www.youtube.com/watch?v=JMX4NAw0NSE</a></p>
<p>[2] <a href="https://www.youtube.com/watch?v=sNb5_PYRhQA">https://www.youtube.com/watch?v=sNb5_PYRhQA</a></p>
<p>[3] Photos from the first ascent by <a href="https://www.flickr.com/photos/30814373@N02/albums/72157712866661618/">https://www.flickr.com/photos/30814373@N02/albums/72157712866661618/</a></p>
After
<blockquote>
<p>I went for the crux, the motion startling me like a car unexpectedly in gear in a crowded parking lot. I swarm through the roundness of the bulge to a crank on a brittle spike for a cluster of three crystals on the right; each finger crucial and separate like the keys for a piano chord. I change feet three times to rest my lower legs, each time having to jump my foot out to put the other in. The finger-holds are too poor to hang on should the toes catch on each other. All those foot-changing mistakes on easy moves by runners come to mind. There is no resting. I must go and climb for the top. I swarm up towards the sunlight, gasping for air. A brittle hold stays under mistreatment and then I really blow it. Fearful of a smear on now-non-sticky boots I use an edge and move up, a fall fatal, but the automaton stabs back through, wobbling, but giving its all and I grasp a large sidepull and tube upward. The ropes dangle uselessly from my waist. <a href="/climber/1385/arthur-birtwistle">Arthur Birtwistle</a> on <a href="/climb/2043/diagonal">Diagonal</a>, I grasp incuts and the tight movement swerves to a glide as gravity swings skyward ...</p>
</blockquote>
<h3>References</h3>
<p>[1] <a href="https://www.youtube.com/watch?v=JMX4NAw0NSE">https://www.youtube.com/watch?v=JMX4NAw0NSE</a></p>
<p>[2] <a href="https://www.youtube.com/watch?v=sNb5_PYRhQA">https://www.youtube.com/watch?v=sNb5_PYRhQA</a></p>
<p>[3] Photos from the first ascent by <a href="/climber/2063/jonathan-reti">Jonathan Reti</a>. Jonathan was the only person at the crag that day with a camera. Later pictures of Johnny in white vest were not of the actual ascent. <a href="https://www.flickr.com/photos/30814373@N02/albums/72157712866661618/">https://www.flickr.com/photos/30814373@N02/albums/72157712866661618/</a></p>
<blockquote>
<p>That top crux was difficult for him and his method was pretty snatchy, which is why I moved out of the fall line in case he fluffed it. Shockingly bold.</p>
</blockquote>
|
|||||||
| 35 | 25th April 2024 | 12:58:23 | remus | ascent | Indian Face | notes | |
|
Before
> I went for the crux, the motion startling me like a car unexpectedly in gear in a crowded parking lot. I swarm through the roundness of the bulge to a crank on a brittle spike for a cluster of three crystals on the right; each finger crucial and separate like the keys for a piano chord. I change feet three times to rest my lower legs, each time having to jump my foot out to put the other in. The finger-holds are too poor to hang on should the toes catch on each other. All those foot-changing mistakes on easy moves by runners come to mind. There is no resting. I must go and climb for the top. I swarm up towards the sunlight, gasping for air. A brittle hold stays under mistreatment and then I really blow it. Fearful of a smear on now-non-sticky boots I use an edge and move up, a fall fatal, but the automaton stabs back through, wobbling, but giving its all and I grasp a large sidepull and tube upward. The ropes dangle uselessly from my waist. [Arthur Birtwistle](/climber/1385/arthur-birtwistle) on [Diagonal](/climb/2043/diagonal), I grasp incuts and the tight movement swerves to a glide as gravity swings skyward ...
### References
[1] [https://www.youtube.com/watch?v=JMX4NAw0NSE](https://www.youtube.com/watch?v=JMX4NAw0NSE)
[2] [https://www.youtube.com/watch?v=sNb5_PYRhQA](https://www.youtube.com/watch?v=sNb5_PYRhQA)
[3] Photos from the first ascent by [https://www.flickr.com/photos/30814373@N02/albums/72157712866661618/](https://www.flickr.com/photos/30814373@N02/albums/72157712866661618/)
After
> I went for the crux, the motion startling me like a car unexpectedly in gear in a crowded parking lot. I swarm through the roundness of the bulge to a crank on a brittle spike for a cluster of three crystals on the right; each finger crucial and separate like the keys for a piano chord. I change feet three times to rest my lower legs, each time having to jump my foot out to put the other in. The finger-holds are too poor to hang on should the toes catch on each other. All those foot-changing mistakes on easy moves by runners come to mind. There is no resting. I must go and climb for the top. I swarm up towards the sunlight, gasping for air. A brittle hold stays under mistreatment and then I really blow it. Fearful of a smear on now-non-sticky boots I use an edge and move up, a fall fatal, but the automaton stabs back through, wobbling, but giving its all and I grasp a large sidepull and tube upward. The ropes dangle uselessly from my waist. [Arthur Birtwistle](/climber/1385/arthur-birtwistle) on [Diagonal](/climb/2043/diagonal), I grasp incuts and the tight movement swerves to a glide as gravity swings skyward ...
### References
[1] [https://www.youtube.com/watch?v=JMX4NAw0NSE](https://www.youtube.com/watch?v=JMX4NAw0NSE)
[2] [https://www.youtube.com/watch?v=sNb5_PYRhQA](https://www.youtube.com/watch?v=sNb5_PYRhQA)
[3] Photos from the first ascent by [Jonathan Reti](/climber/2063/jonathan-reti). Jonathan was the only person at the crag that day with a camera. Later pictures of Johnny in white vest were not of the actual ascent. [https://www.flickr.com/photos/30814373@N02/albums/72157712866661618/](https://www.flickr.com/photos/30814373@N02/albums/72157712866661618/)
> That top crux was difficult for him and his method was pretty snatchy, which is why I moved out of the fall line in case he fluffed it. Shockingly bold.
Diff
--- before
+++ after
@@ -6,4 +6,6 @@
[2] [https://www.youtube.com/watch?v=sNb5_PYRhQA](https://www.youtube.com/watch?v=sNb5_PYRhQA)
-[3] Photos from the first ascent by [https://www.flickr.com/photos/30814373@N02/albums/72157712866661618/](https://www.flickr.com/photos/30814373@N02/albums/72157712866661618/)
+[3] Photos from the first ascent by [Jonathan Reti](/climber/2063/jonathan-reti). Jonathan was the only person at the crag that day with a camera. Later pictures of Johnny in white vest were not of the actual ascent. [https://www.flickr.com/photos/30814373@N02/albums/72157712866661618/](https://www.flickr.com/photos/30814373@N02/albums/72157712866661618/)
+
+> That top crux was difficult for him and his method was pretty snatchy, which is why I moved out of the fall line in case he fluffed it. Shockingly bold.
|
|||||||
| 36 | 25th April 2024 | 12:54:11 | remus | ascent | Indian Face | notes | |
|
Before
> I went for the crux, the motion startling me like a car unexpectedly in gear in a crowded parking lot. I swarm through the roundness of the bulge to a crank on a brittle spike for a cluster of three crystals on the right; each finger crucial and separate like the keys for a piano chord. I change feet three times to rest my lower legs, each time having to jump my foot out to put the other in. The finger-holds are too poor to hang on should the toes catch on each other. All those foot-changing mistakes on easy moves by runners come to mind. There is no resting. I must go and climb for the top. I swarm up towards the sunlight, gasping for air. A brittle hold stays under mistreatment and then I really blow it. Fearful of a smear on now-non-sticky boots I use an edge and move up, a fall fatal, but the automaton stabs back through, wobbling, but giving its all and I grasp a large sidepull and tube upward. The ropes dangle uselessly from my waist. [Arthur Birtwistle](/climber/1385/arthur-birtwistle) on [Diagonal](/climb/2043/diagonal), I grasp incuts and the tight movement swerves to a glide as gravity swings skyward ...
### References
[1] [https://www.youtube.com/watch?v=JMX4NAw0NSE](https://www.youtube.com/watch?v=JMX4NAw0NSE)
[2] [https://www.youtube.com/watch?v=sNb5_PYRhQA](https://www.youtube.com/watch?v=sNb5_PYRhQA)
[3] [https://www.facebook.com/rockarchivist/photos/a.149995619790657/149996096457276](https://www.facebook.com/rockarchivist/photos/a.149995619790657/149996096457276)
After
> I went for the crux, the motion startling me like a car unexpectedly in gear in a crowded parking lot. I swarm through the roundness of the bulge to a crank on a brittle spike for a cluster of three crystals on the right; each finger crucial and separate like the keys for a piano chord. I change feet three times to rest my lower legs, each time having to jump my foot out to put the other in. The finger-holds are too poor to hang on should the toes catch on each other. All those foot-changing mistakes on easy moves by runners come to mind. There is no resting. I must go and climb for the top. I swarm up towards the sunlight, gasping for air. A brittle hold stays under mistreatment and then I really blow it. Fearful of a smear on now-non-sticky boots I use an edge and move up, a fall fatal, but the automaton stabs back through, wobbling, but giving its all and I grasp a large sidepull and tube upward. The ropes dangle uselessly from my waist. [Arthur Birtwistle](/climber/1385/arthur-birtwistle) on [Diagonal](/climb/2043/diagonal), I grasp incuts and the tight movement swerves to a glide as gravity swings skyward ...
### References
[1] [https://www.youtube.com/watch?v=JMX4NAw0NSE](https://www.youtube.com/watch?v=JMX4NAw0NSE)
[2] [https://www.youtube.com/watch?v=sNb5_PYRhQA](https://www.youtube.com/watch?v=sNb5_PYRhQA)
[3] Photos from the first ascent by [https://www.flickr.com/photos/30814373@N02/albums/72157712866661618/](https://www.flickr.com/photos/30814373@N02/albums/72157712866661618/)
Diff
--- before
+++ after
@@ -6,4 +6,4 @@
[2] [https://www.youtube.com/watch?v=sNb5_PYRhQA](https://www.youtube.com/watch?v=sNb5_PYRhQA)
-[3] [https://www.facebook.com/rockarchivist/photos/a.149995619790657/149996096457276](https://www.facebook.com/rockarchivist/photos/a.149995619790657/149996096457276)
+[3] Photos from the first ascent by [https://www.flickr.com/photos/30814373@N02/albums/72157712866661618/](https://www.flickr.com/photos/30814373@N02/albums/72157712866661618/)
|
|||||||
| 37 | 25th April 2024 | 12:54:11 | remus | ascent | Indian Face | notes_pretty | |
|
Before
<blockquote>
<p>I went for the crux, the motion startling me like a car unexpectedly in gear in a crowded parking lot. I swarm through the roundness of the bulge to a crank on a brittle spike for a cluster of three crystals on the right; each finger crucial and separate like the keys for a piano chord. I change feet three times to rest my lower legs, each time having to jump my foot out to put the other in. The finger-holds are too poor to hang on should the toes catch on each other. All those foot-changing mistakes on easy moves by runners come to mind. There is no resting. I must go and climb for the top. I swarm up towards the sunlight, gasping for air. A brittle hold stays under mistreatment and then I really blow it. Fearful of a smear on now-non-sticky boots I use an edge and move up, a fall fatal, but the automaton stabs back through, wobbling, but giving its all and I grasp a large sidepull and tube upward. The ropes dangle uselessly from my waist. <a href="/climber/1385/arthur-birtwistle">Arthur Birtwistle</a> on <a href="/climb/2043/diagonal">Diagonal</a>, I grasp incuts and the tight movement swerves to a glide as gravity swings skyward ...</p>
</blockquote>
<h3>References</h3>
<p>[1] <a href="https://www.youtube.com/watch?v=JMX4NAw0NSE">https://www.youtube.com/watch?v=JMX4NAw0NSE</a></p>
<p>[2] <a href="https://www.youtube.com/watch?v=sNb5_PYRhQA">https://www.youtube.com/watch?v=sNb5_PYRhQA</a></p>
<p>[3] <a href="https://www.facebook.com/rockarchivist/photos/a.149995619790657/149996096457276">https://www.facebook.com/rockarchivist/photos/a.149995619790657/149996096457276</a></p>
After
<blockquote>
<p>I went for the crux, the motion startling me like a car unexpectedly in gear in a crowded parking lot. I swarm through the roundness of the bulge to a crank on a brittle spike for a cluster of three crystals on the right; each finger crucial and separate like the keys for a piano chord. I change feet three times to rest my lower legs, each time having to jump my foot out to put the other in. The finger-holds are too poor to hang on should the toes catch on each other. All those foot-changing mistakes on easy moves by runners come to mind. There is no resting. I must go and climb for the top. I swarm up towards the sunlight, gasping for air. A brittle hold stays under mistreatment and then I really blow it. Fearful of a smear on now-non-sticky boots I use an edge and move up, a fall fatal, but the automaton stabs back through, wobbling, but giving its all and I grasp a large sidepull and tube upward. The ropes dangle uselessly from my waist. <a href="/climber/1385/arthur-birtwistle">Arthur Birtwistle</a> on <a href="/climb/2043/diagonal">Diagonal</a>, I grasp incuts and the tight movement swerves to a glide as gravity swings skyward ...</p>
</blockquote>
<h3>References</h3>
<p>[1] <a href="https://www.youtube.com/watch?v=JMX4NAw0NSE">https://www.youtube.com/watch?v=JMX4NAw0NSE</a></p>
<p>[2] <a href="https://www.youtube.com/watch?v=sNb5_PYRhQA">https://www.youtube.com/watch?v=sNb5_PYRhQA</a></p>
<p>[3] Photos from the first ascent by <a href="https://www.flickr.com/photos/30814373@N02/albums/72157712866661618/">https://www.flickr.com/photos/30814373@N02/albums/72157712866661618/</a></p>
|
|||||||
| 38 | 23rd April 2024 | 16:22:41 | remus | ascent | Windows of Perception | notes | |
|
Before
None
After
[Iwan Arfon Jones](/climber/2060/iwan-arfon-jones):
> On the first ascent day Johnny had problems sorting out the bolt placement for the crux, so he clipped a loop positioned at the same height on the ab rope. It seemed like a fair solution. [1]
### References
[1] Llanberis Slate. United Kingdom: Ground Up, 2011.
Diff
--- before
+++ after
@@ -1 +1,7 @@
-
+[Iwan Arfon Jones](/climber/2060/iwan-arfon-jones):
+
+> On the first ascent day Johnny had problems sorting out the bolt placement for the crux, so he clipped a loop positioned at the same height on the ab rope. It seemed like a fair solution. [1]
+
+### References
+
+[1] Llanberis Slate. United Kingdom: Ground Up, 2011.
|
|||||||
| 39 | 23rd April 2024 | 16:22:41 | remus | ascent | Windows of Perception | notes_pretty | |
|
Before
None
After
<p><a href="/climber/2060/iwan-arfon-jones">Iwan Arfon Jones</a>:</p>
<blockquote>
<p>On the first ascent day Johnny had problems sorting out the bolt placement for the crux, so he clipped a loop positioned at the same height on the ab rope. It seemed like a fair solution. [1]</p>
</blockquote>
<h3>References</h3>
<p>[1] Llanberis Slate. United Kingdom: Ground Up, 2011.</p>
|
|||||||
| 40 | 23rd April 2024 | 16:07:06 | remus | ascent | Raped by Affection | suggested_grade_id | |
|
Before
None
After
60
|
|||||||