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Contributions Map

Contributions by Country

Country Contributions Between Climbers Crags Summits Climbs Ascents
1 United Kingdom 10239 22nd May 2025 – 7th July 2026 106 13 0 553 993
2 France 3357 22nd May 2025 – 3rd July 2026 32 13 0 169 319
3 USA 1715 30th July 2025 – 3rd July 2026 25 56 0 161 84
4 Japan 1433 19th July 2025 – 23rd June 2026 14 25 0 98 70
5 Spain 318 31st July 2025 – 5th July 2026 3 9 0 34 13
6 New Zealand 214 19th August 2025 – 26th June 2026 1 1 0 15 13
7 Switzerland 197 31st July 2025 – 4th July 2026 2 5 0 20 13
8 Canada 166 10th September 2025 – 2nd July 2026 1 9 0 24 3
9 Italy 158 12th August 2025 – 7th July 2026 2 7 0 18 6
10 Venezuela 137 7th October 2025 – 27th June 2026 1 3 0 3 10

Recent Contributions

Date Time User Type Name Attribute
3941 4th April 2026 07:48:42 UTC TdG climb Kandata crag_id
Before
None
After
33875
3942 4th April 2026 07:47:54 UTC TdG climb DAKIN crag_name
Before
None
After
Hinokage
3943 4th April 2026 07:47:54 UTC TdG climb DAKIN crag_id
Before
None
After
33979
3944 4th April 2026 07:47:54 UTC TdG climb DAKIN crag_location_breadcrumb
Before
None
After
Japan / Miyazaki / Nishiusuki District
3945 4th April 2026 07:47:54 UTC TdG climb DAKIN crag_location_breadcrumb_pretty
Before
None
After
<a href="/crags/location/Japan" class="text-muted">Japan</a> / <a href="/crags/location/Japan/Miyazaki" class="text-muted">Miyazaki</a> / <a href="/crags/location/Japan/Miyazaki/Nishiusuki District" class="text-muted">Nishiusuki District</a>
3946 4th April 2026 07:47:38 UTC TdG crag Hinokage latitude
Before
None
After
32.733754
3947 4th April 2026 07:47:38 UTC TdG crag Hinokage longitude
Before
None
After
131.412455
3948 4th April 2026 07:47:38 UTC TdG crag Hinokage crag_name
Before
None
After
Hinokage
3949 4th April 2026 07:44:20 UTC TdG climb Yips crag_name
Before
None
After
Awaji Island
3950 4th April 2026 07:44:20 UTC TdG climb Yips crag_id
Before
None
After
33978
3951 4th April 2026 07:44:20 UTC TdG climb Yips crag_location_breadcrumb
Before
None
After
Japan / Hyogo
3952 4th April 2026 07:44:20 UTC TdG climb Yips crag_location_breadcrumb_pretty
Before
None
After
<a href="/crags/location/Japan" class="text-muted">Japan</a> / <a href="/crags/location/Japan/Hyogo" class="text-muted">Hyogo</a>
3953 4th April 2026 07:43:54 UTC TdG crag Awaji Island crag_name
Before
None
After
Awaji Island
3954 4th April 2026 07:43:54 UTC TdG crag Awaji Island latitude
Before
None
After
34.331246
3955 4th April 2026 07:43:54 UTC TdG crag Awaji Island longitude
Before
None
After
134.813747
3956 3rd April 2026 05:51:27 UTC TdG climb Mushi notes_pretty
Before
<p>First ascentionist <a href="/climber/3093/toshimichi-kusano" rel="noopener noreferrer">Toshimichi Kusano</a>:</p> <blockquote> <p>After 'Kani', I already knew what I wanted to try next. The line started on Ninja Gaeshi, then reached out toward a seductive lip hold that seemed to beckon climbers closer — this would become Mushi (“Bug”). It was a legendary line, said to have been spotted and attempted by the British superstar Jerry Moffatt when he visited Japan in 1984. And yet no one had seriously tried it since.</p> <p>It wasn’t hard to see why. The first left-hand vertical hold is slick and tiny — enough to make most people give up right there. Still, I kept going. After that hold, I’d try lunging across from a left-hand crimp in a kind of cross move. No good. It didn’t feel possible.</p> <p>But I couldn’t stop thinking that maybe one day it would be. I started visiting Mitake more often. And really, at that point, that stunning and mysterious line felt like it belonged to me alone. There was no reason not to try.</p> <p>Then winter — the season when holds stay dry — came to an end. As always, spring brought a mix of urgency and doubt. Around then, I went to Mitake with Takahashi, a tall friend. We were trying to work the upper section, and he pushed me from below so I could stick to the wall. There was this tiny dimple I’d always noticed from the ground — I finally touched it. “This could work.”</p> <p>He pushed me up again, and this time I grabbed that dimple with my right hand and started the sequence. I launched my left hand for the lip — and stuck it. “It goes!”</p> <p>I can’t even remember if I went back for one more session or not, but now that I’d found the move, I was so excited to try again.</p> <p>It was a crisp, sunny day in May 1996. I felt good. I began my usual quiet warm-up. Every move on Mushi was big, but it wasn’t cold, so my body moved well. I matched my right hand to that little dimple. I still had strength. I popped to the lip. My hand stuck. From here, it was unknown territory. But the holds were clear, my body moved naturally — and I climbed it. I stood on top of the boulder.</p> <p>In Japanese, when someone is obsessed with something, we call them a bug for it — like a “climbing bug.” I wanted climbers to become bugs for climbing, and of course, to move across the rock like insects, freely and playfully. That’s why I named the line Mushi.</p> </blockquote>
After
<p>First ascensionist <a href="/climber/3093/toshimichi-kusano" rel="noopener noreferrer">Toshimichi Kusano</a>:</p> <blockquote> <p>After 'Kani', I already knew what I wanted to try next. The line started on Ninja Gaeshi, then reached out toward a seductive lip hold that seemed to beckon climbers closer — this would become Mushi (“Bug”). It was a legendary line, said to have been spotted and attempted by the British superstar Jerry Moffatt when he visited Japan in 1984. And yet no one had seriously tried it since.</p> <p>It wasn’t hard to see why. The first left-hand vertical hold is slick and tiny — enough to make most people give up right there. Still, I kept going. After that hold, I’d try lunging across from a left-hand crimp in a kind of cross move. No good. It didn’t feel possible.</p> <p>But I couldn’t stop thinking that maybe one day it would be. I started visiting Mitake more often. And really, at that point, that stunning and mysterious line felt like it belonged to me alone. There was no reason not to try.</p> <p>Then winter — the season when holds stay dry — came to an end. As always, spring brought a mix of urgency and doubt. Around then, I went to Mitake with Takahashi, a tall friend. We were trying to work the upper section, and he pushed me from below so I could stick to the wall. There was this tiny dimple I’d always noticed from the ground — I finally touched it. “This could work.”</p> <p>He pushed me up again, and this time I grabbed that dimple with my right hand and started the sequence. I launched my left hand for the lip — and stuck it. “It goes!”</p> <p>I can’t even remember if I went back for one more session or not, but now that I’d found the move, I was so excited to try again.</p> <p>It was a crisp, sunny day in May 1996. I felt good. I began my usual quiet warm-up. Every move on Mushi was big, but it wasn’t cold, so my body moved well. I matched my right hand to that little dimple. I still had strength. I popped to the lip. My hand stuck. From here, it was unknown territory. But the holds were clear, my body moved naturally — and I climbed it. I stood on top of the boulder.</p> <p>In Japanese, when someone is obsessed with something, we call them a bug for it — like a “climbing bug.” I wanted climbers to become bugs for climbing, and of course, to move across the rock like insects, freely and playfully. That’s why I named the line Mushi.</p> </blockquote> <h3>References</h3> <p>[1] Mitake Bouldering Guide</p>
3957 3rd April 2026 05:51:27 UTC TdG climb Mushi notes
Before
First ascentionist [Toshimichi Kusano](/climber/3093/toshimichi-kusano): > After 'Kani', I already knew what I wanted to try next. The line started on Ninja Gaeshi, then reached out toward a seductive lip hold that seemed to beckon climbers closer — this would become Mushi (“Bug”). It was a legendary line, said to have been spotted and attempted by the British superstar Jerry Moffatt when he visited Japan in 1984. And yet no one had seriously tried it since. >It wasn’t hard to see why. The first left-hand vertical hold is slick and tiny — enough to make most people give up right there. Still, I kept going. After that hold, I’d try lunging across from a left-hand crimp in a kind of cross move. No good. It didn’t feel possible. >But I couldn’t stop thinking that maybe one day it would be. I started visiting Mitake more often. And really, at that point, that stunning and mysterious line felt like it belonged to me alone. There was no reason not to try. >Then winter — the season when holds stay dry — came to an end. As always, spring brought a mix of urgency and doubt. Around then, I went to Mitake with Takahashi, a tall friend. We were trying to work the upper section, and he pushed me from below so I could stick to the wall. There was this tiny dimple I’d always noticed from the ground — I finally touched it. “This could work.” >He pushed me up again, and this time I grabbed that dimple with my right hand and started the sequence. I launched my left hand for the lip — and stuck it. “It goes!” >I can’t even remember if I went back for one more session or not, but now that I’d found the move, I was so excited to try again. >It was a crisp, sunny day in May 1996. I felt good. I began my usual quiet warm-up. Every move on Mushi was big, but it wasn’t cold, so my body moved well. I matched my right hand to that little dimple. I still had strength. I popped to the lip. My hand stuck. From here, it was unknown territory. But the holds were clear, my body moved naturally — and I climbed it. I stood on top of the boulder. >In Japanese, when someone is obsessed with something, we call them a bug for it — like a “climbing bug.” I wanted climbers to become bugs for climbing, and of course, to move across the rock like insects, freely and playfully. That’s why I named the line Mushi.
After
First ascensionist [Toshimichi Kusano](/climber/3093/toshimichi-kusano): > After 'Kani', I already knew what I wanted to try next. The line started on Ninja Gaeshi, then reached out toward a seductive lip hold that seemed to beckon climbers closer — this would become Mushi (“Bug”). It was a legendary line, said to have been spotted and attempted by the British superstar Jerry Moffatt when he visited Japan in 1984. And yet no one had seriously tried it since. >It wasn’t hard to see why. The first left-hand vertical hold is slick and tiny — enough to make most people give up right there. Still, I kept going. After that hold, I’d try lunging across from a left-hand crimp in a kind of cross move. No good. It didn’t feel possible. >But I couldn’t stop thinking that maybe one day it would be. I started visiting Mitake more often. And really, at that point, that stunning and mysterious line felt like it belonged to me alone. There was no reason not to try. >Then winter — the season when holds stay dry — came to an end. As always, spring brought a mix of urgency and doubt. Around then, I went to Mitake with Takahashi, a tall friend. We were trying to work the upper section, and he pushed me from below so I could stick to the wall. There was this tiny dimple I’d always noticed from the ground — I finally touched it. “This could work.” >He pushed me up again, and this time I grabbed that dimple with my right hand and started the sequence. I launched my left hand for the lip — and stuck it. “It goes!” >I can’t even remember if I went back for one more session or not, but now that I’d found the move, I was so excited to try again. >It was a crisp, sunny day in May 1996. I felt good. I began my usual quiet warm-up. Every move on Mushi was big, but it wasn’t cold, so my body moved well. I matched my right hand to that little dimple. I still had strength. I popped to the lip. My hand stuck. From here, it was unknown territory. But the holds were clear, my body moved naturally — and I climbed it. I stood on top of the boulder. >In Japanese, when someone is obsessed with something, we call them a bug for it — like a “climbing bug.” I wanted climbers to become bugs for climbing, and of course, to move across the rock like insects, freely and playfully. That’s why I named the line Mushi. ### References [1] Mitake Bouldering Guide
Diff
--- before

+++ after

@@ -1,4 +1,4 @@

-First ascentionist [Toshimichi Kusano](/climber/3093/toshimichi-kusano):
+First ascensionist [Toshimichi Kusano](/climber/3093/toshimichi-kusano):

> After 'Kani', I already knew what I wanted to try next. The line started on Ninja Gaeshi, then reached out toward a seductive lip hold that seemed to beckon climbers closer — this would become Mushi (“Bug”). It was a legendary line, said to have been spotted and attempted by the British superstar Jerry Moffatt when he visited Japan in 1984. And yet no one had seriously tried it since.

@@ -14,4 +14,8 @@


>It was a crisp, sunny day in May 1996. I felt good. I began my usual quiet warm-up. Every move on Mushi was big, but it wasn’t cold, so my body moved well. I matched my right hand to that little dimple. I still had strength. I popped to the lip. My hand stuck. From here, it was unknown territory. But the holds were clear, my body moved naturally — and I climbed it. I stood on top of the boulder.

->In Japanese, when someone is obsessed with something, we call them a bug for it — like a “climbing bug.” I wanted climbers to become bugs for climbing, and of course, to move across the rock like insects, freely and playfully. That’s why I named the line Mushi.
+>In Japanese, when someone is obsessed with something, we call them a bug for it — like a “climbing bug.” I wanted climbers to become bugs for climbing, and of course, to move across the rock like insects, freely and playfully. That’s why I named the line Mushi.
+
+### References
+
+[1] Mitake Bouldering Guide
3958 3rd April 2026 05:50:21 UTC TdG climb Mushi notes
Before
None
After
First ascentionist [Toshimichi Kusano](/climber/3093/toshimichi-kusano): > After 'Kani', I already knew what I wanted to try next. The line started on Ninja Gaeshi, then reached out toward a seductive lip hold that seemed to beckon climbers closer — this would become Mushi (“Bug”). It was a legendary line, said to have been spotted and attempted by the British superstar Jerry Moffatt when he visited Japan in 1984. And yet no one had seriously tried it since. >It wasn’t hard to see why. The first left-hand vertical hold is slick and tiny — enough to make most people give up right there. Still, I kept going. After that hold, I’d try lunging across from a left-hand crimp in a kind of cross move. No good. It didn’t feel possible. >But I couldn’t stop thinking that maybe one day it would be. I started visiting Mitake more often. And really, at that point, that stunning and mysterious line felt like it belonged to me alone. There was no reason not to try. >Then winter — the season when holds stay dry — came to an end. As always, spring brought a mix of urgency and doubt. Around then, I went to Mitake with Takahashi, a tall friend. We were trying to work the upper section, and he pushed me from below so I could stick to the wall. There was this tiny dimple I’d always noticed from the ground — I finally touched it. “This could work.” >He pushed me up again, and this time I grabbed that dimple with my right hand and started the sequence. I launched my left hand for the lip — and stuck it. “It goes!” >I can’t even remember if I went back for one more session or not, but now that I’d found the move, I was so excited to try again. >It was a crisp, sunny day in May 1996. I felt good. I began my usual quiet warm-up. Every move on Mushi was big, but it wasn’t cold, so my body moved well. I matched my right hand to that little dimple. I still had strength. I popped to the lip. My hand stuck. From here, it was unknown territory. But the holds were clear, my body moved naturally — and I climbed it. I stood on top of the boulder. >In Japanese, when someone is obsessed with something, we call them a bug for it — like a “climbing bug.” I wanted climbers to become bugs for climbing, and of course, to move across the rock like insects, freely and playfully. That’s why I named the line Mushi.
Diff
--- before

+++ after

@@ -1 +1,17 @@

-
+First ascentionist [Toshimichi Kusano](/climber/3093/toshimichi-kusano):
+
+> After 'Kani', I already knew what I wanted to try next. The line started on Ninja Gaeshi, then reached out toward a seductive lip hold that seemed to beckon climbers closer — this would become Mushi (“Bug”). It was a legendary line, said to have been spotted and attempted by the British superstar Jerry Moffatt when he visited Japan in 1984. And yet no one had seriously tried it since.
+
+>It wasn’t hard to see why. The first left-hand vertical hold is slick and tiny — enough to make most people give up right there. Still, I kept going. After that hold, I’d try lunging across from a left-hand crimp in a kind of cross move. No good. It didn’t feel possible.
+
+>But I couldn’t stop thinking that maybe one day it would be. I started visiting Mitake more often. And really, at that point, that stunning and mysterious line felt like it belonged to me alone. There was no reason not to try.
+
+>Then winter — the season when holds stay dry — came to an end. As always, spring brought a mix of urgency and doubt. Around then, I went to Mitake with Takahashi, a tall friend. We were trying to work the upper section, and he pushed me from below so I could stick to the wall. There was this tiny dimple I’d always noticed from the ground — I finally touched it. “This could work.”
+
+>He pushed me up again, and this time I grabbed that dimple with my right hand and started the sequence. I launched my left hand for the lip — and stuck it. “It goes!”
+
+>I can’t even remember if I went back for one more session or not, but now that I’d found the move, I was so excited to try again.
+
+>It was a crisp, sunny day in May 1996. I felt good. I began my usual quiet warm-up. Every move on Mushi was big, but it wasn’t cold, so my body moved well. I matched my right hand to that little dimple. I still had strength. I popped to the lip. My hand stuck. From here, it was unknown territory. But the holds were clear, my body moved naturally — and I climbed it. I stood on top of the boulder.
+
+>In Japanese, when someone is obsessed with something, we call them a bug for it — like a “climbing bug.” I wanted climbers to become bugs for climbing, and of course, to move across the rock like insects, freely and playfully. That’s why I named the line Mushi.
3959 3rd April 2026 05:50:21 UTC TdG climb Mushi notes_pretty
Before
None
After
<p>First ascentionist <a href="/climber/3093/toshimichi-kusano" rel="noopener noreferrer">Toshimichi Kusano</a>:</p> <blockquote> <p>After 'Kani', I already knew what I wanted to try next. The line started on Ninja Gaeshi, then reached out toward a seductive lip hold that seemed to beckon climbers closer — this would become Mushi (“Bug”). It was a legendary line, said to have been spotted and attempted by the British superstar Jerry Moffatt when he visited Japan in 1984. And yet no one had seriously tried it since.</p> <p>It wasn’t hard to see why. The first left-hand vertical hold is slick and tiny — enough to make most people give up right there. Still, I kept going. After that hold, I’d try lunging across from a left-hand crimp in a kind of cross move. No good. It didn’t feel possible.</p> <p>But I couldn’t stop thinking that maybe one day it would be. I started visiting Mitake more often. And really, at that point, that stunning and mysterious line felt like it belonged to me alone. There was no reason not to try.</p> <p>Then winter — the season when holds stay dry — came to an end. As always, spring brought a mix of urgency and doubt. Around then, I went to Mitake with Takahashi, a tall friend. We were trying to work the upper section, and he pushed me from below so I could stick to the wall. There was this tiny dimple I’d always noticed from the ground — I finally touched it. “This could work.”</p> <p>He pushed me up again, and this time I grabbed that dimple with my right hand and started the sequence. I launched my left hand for the lip — and stuck it. “It goes!”</p> <p>I can’t even remember if I went back for one more session or not, but now that I’d found the move, I was so excited to try again.</p> <p>It was a crisp, sunny day in May 1996. I felt good. I began my usual quiet warm-up. Every move on Mushi was big, but it wasn’t cold, so my body moved well. I matched my right hand to that little dimple. I still had strength. I popped to the lip. My hand stuck. From here, it was unknown territory. But the holds were clear, my body moved naturally — and I climbed it. I stood on top of the boulder.</p> <p>In Japanese, when someone is obsessed with something, we call them a bug for it — like a “climbing bug.” I wanted climbers to become bugs for climbing, and of course, to move across the rock like insects, freely and playfully. That’s why I named the line Mushi.</p> </blockquote>
3960 2nd April 2026 05:36:13 UTC TdG climb Central Wall Direct crag_location_breadcrumb_pretty
Before
None
After
<a href="/crags/location/United Kingdom" class="text-muted">United Kingdom</a> / <a href="/crags/location/United Kingdom/England" class="text-muted">England</a> / <a href="/crags/location/United Kingdom/England/Skipton" class="text-muted">Skipton</a>

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