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1 United Kingdom 10229 22nd May 2025 – 3rd July 2026 106 13 0 552 993
2 France 3356 22nd May 2025 – 3rd July 2026 32 13 0 168 319
3 USA 1715 30th July 2025 – 3rd July 2026 25 56 0 161 84
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9 Italy 154 12th August 2025 – 3rd July 2026 2 7 0 17 6
10 Venezuela 137 7th October 2025 – 27th June 2026 1 3 0 3 10

Recent Contributions

Date Time User Type Name Attribute
2961 27th April 2026 09:34:14 UTC TdG climb Hall of Mirrors notes_pretty
Before
<blockquote> <p>The history of the Hall of Mirrors is now fairly well known. Between 1976 and September 1980, the route grew by a process of accretion, countless attempts by different teams involving various and often enough conflicting personalities. However, for the sake of convenience, the growth of the route may be divided into three distinct stages, dominated, in succession, by the skills and philosophies of three different prime motivators, Mark Wilford, Dave Austin, and Chris Cantwell. Every advance up the wall was likewise preceded by some major change in equipment, technique, or strategy. These include siege climbing from portaledges, the provisional use of aid chains, and the appearance of the Galibier “Contact” shoe, with its softer, more malleable, and adhesive rubber.</p> <p>During the drought of 1976-77, Mark Wilford of Colorado Springs established the route’s first two pitches, titling his effort The Opening of Misty Beethoven, after a highly overrated, though somewhat programmatic, pornographic film. After such an ambitious beginning, it is not clear why he stopped so soon. But the route is highly tempermental at best, and its conditions were undoubtedly at their greasiest after a scorching, bone- dry summer. By self-admission, Wilford had never friction climbed before either. He had no way of knowing in advance that using chalk would increase the rating of the second pitch several additional grades. So, the hypothetical third pitch must have appeared impossible, although it was to be rated finally only 5.10a.</p> <p>It was at this point that Dave Austin decided to administer a salutory dose of technical hygiene. Backed by experience he had gained on A Mother’s Lament, Austin realized the use of chalk was anathema to advanced foonting* because the particles that fell down from his hands destroyed adhesion between shoe rubber and the smooth rock surface. After recruiting Chris Cantwell and me from the Lodge parking lot, Austin now added pitches three through eight to a route renamed the Hall of Mirrors. Even with the aid of fixed ropes and siege tactics, however, we were unable to complete the Unfinished Ninth, a pitch that was eventually to be rated 5.12b.</p> <p>Accompanied at one time or another by either Scott Cole or Scott Burk, Cantwell took over the lead. In the fall of 1979 he had obtained a prototype pair of “Contacts,” a new softer rubber shoe by Galibier that permitted better friction on higher-angle stone. He finished the Ninth and, over the next year, undaunted by storms and earthquakes, pushed the route up to the base of the 13th pitch. Here he decided, after drilling a few miraculous bolts up a nearly vertical prow, that a bolt ladder was finally necessary.</p> <p>However, when Austin accompanied Cantwell up the fixed lines to this new high point, there was disagreement. Austin believed that following a ramp a few feet to the right would have eliminated the need for a ladder. Drilling could have been accomplished from all-natural stances, Austin argued. But in order to make the line harder for the sake of difficulty as an end in itself, Cantwell had refused to compromise with the natural rock environment and, instead, had deliberately chosen to construct a pre-placed “free ladder” up what he referred to as the “line of strength.” Feeling such tactics were unconscionable, Austin elected to drop out. Still, Cantwell persevered. After freeing the 13th, at a tentative 5.13 standard, he went on to add two more hard pitches before intercepting the Coonyard to Rim route. On this final push, in September 1980, Scott Burke was his partner.</p> <p>Before they were freed, Half Dome and the west face of El Capitan had been conventional aid routes for over twenty years. The rationale behind freeing the northwest face of Half Dome was based on the fact that it was America’s first grade six. But Hall of Mirrors was the first time a Yosemite grade six had been conceived of as a free climb from its inception. However, it is especially significant that the Cantwell-Austin break underscores the conflicting face-climbing traditions that were introduced at the start of this article. Cantwell wished to maximize difficulty by constructing a well-protected free line, while Austin wished to preserve boldness by following the natural line of greatest weakness.</p> <ul> <li>Foonting is a technical Yosemite term used in friction climbing. It involves “smearing” on high-angle slabs while rapidly “padding” upward; moving up, in essence, faster than moving back down.</li> </ul> </blockquote> <h3>References</h3> <p>[1] <a href="https://publications.americanalpineclub.org/articles/12198204100/Method-and-Madness-Evolution-of-Yosemite-Face-Climbing-Standards">https://publications.americanalpineclub.org/articles/12198204100/Method-and-Madness-Evolution-of-Yosemite-Face-Climbing-Standards</a></p>
After
<blockquote> <p>The history of the Hall of Mirrors is now fairly well known. Between 1976 and September 1980, the route grew by a process of accretion, countless attempts by different teams involving various and often enough conflicting personalities. However, for the sake of convenience, the growth of the route may be divided into three distinct stages, dominated, in succession, by the skills and philosophies of three different prime motivators, Mark Wilford, Dave Austin, and Chris Cantwell. Every advance up the wall was likewise preceded by some major change in equipment, technique, or strategy. These include siege climbing from portaledges, the provisional use of aid chains, and the appearance of the Galibier “Contact” shoe, with its softer, more malleable, and adhesive rubber.</p> <p>During the drought of 1976-77, Mark Wilford of Colorado Springs established the route’s first two pitches, titling his effort The Opening of Misty Beethoven, after a highly overrated, though somewhat programmatic, pornographic film. After such an ambitious beginning, it is not clear why he stopped so soon. But the route is highly tempermental at best, and its conditions were undoubtedly at their greasiest after a scorching, bone- dry summer. By self-admission, Wilford had never friction climbed before either. He had no way of knowing in advance that using chalk would increase the rating of the second pitch several additional grades. So, the hypothetical third pitch must have appeared impossible, although it was to be rated finally only 5.10a.</p> <p>It was at this point that Dave Austin decided to administer a salutory dose of technical hygiene. Backed by experience he had gained on A Mother’s Lament, Austin realized the use of chalk was anathema to advanced foonting* because the particles that fell down from his hands destroyed adhesion between shoe rubber and the smooth rock surface. After recruiting Chris Cantwell and me from the Lodge parking lot, Austin now added pitches three through eight to a route renamed the Hall of Mirrors. Even with the aid of fixed ropes and siege tactics, however, we were unable to complete the Unfinished Ninth, a pitch that was eventually to be rated 5.12b.</p> <p>Accompanied at one time or another by either Scott Cole or Scott Burk, Cantwell took over the lead. In the fall of 1979 he had obtained a prototype pair of “Contacts,” a new softer rubber shoe by Galibier that permitted better friction on higher-angle stone. He finished the Ninth and, over the next year, undaunted by storms and earthquakes, pushed the route up to the base of the 13th pitch. Here he decided, after drilling a few miraculous bolts up a nearly vertical prow, that a bolt ladder was finally necessary.</p> <p>However, when Austin accompanied Cantwell up the fixed lines to this new high point, there was disagreement. Austin believed that following a ramp a few feet to the right would have eliminated the need for a ladder. Drilling could have been accomplished from all-natural stances, Austin argued. But in order to make the line harder for the sake of difficulty as an end in itself, Cantwell had refused to compromise with the natural rock environment and, instead, had deliberately chosen to construct a pre-placed “free ladder” up what he referred to as the “line of strength.” Feeling such tactics were unconscionable, Austin elected to drop out. Still, Cantwell persevered. After freeing the 13th, at a tentative 5.13 standard, he went on to add two more hard pitches before intercepting the Coonyard to Rim route. On this final push, in September 1980, Scott Burke was his partner.</p> <p>Before they were freed, Half Dome and the west face of El Capitan had been conventional aid routes for over twenty years. The rationale behind freeing the northwest face of Half Dome was based on the fact that it was America’s first grade six. But Hall of Mirrors was the first time a Yosemite grade six had been conceived of as a free climb from its inception. However, it is especially significant that the Cantwell-Austin break underscores the conflicting face-climbing traditions that were introduced at the start of this article. Cantwell wished to maximize difficulty by constructing a well-protected free line, while Austin wished to preserve boldness by following the natural line of greatest weakness.</p> <ul> <li>Foonting is a technical Yosemite term used in friction climbing. It involves “smearing” on high-angle slabs while rapidly “padding” upward; moving up, in essence, faster than moving back down.</li> </ul> </blockquote> <h3>References</h3> <p>[1] <a href="https://publications.americanalpineclub.org/articles/12198204100/Method-and-Madness-Evolution-of-Yosemite-Face-Climbing-Standards" rel="noopener noreferrer">https://publications.americanalpineclub.org/articles/12198204100/Method-and-Madness-Evolution-of-Yosemite-Face-Climbing-Standards</a></p>
2962 27th April 2026 09:28:54 UTC TdG crag Wolfberg notes_pretty
Before
None
After
<p>Southern Cederberg, South Africa.</p>
2963 27th April 2026 09:28:54 UTC TdG crag Wolfberg notes
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Southern Cederberg, South Africa.
Diff
--- before

+++ after

@@ -1 +1 @@

-
+Southern Cederberg, South Africa.
2964 27th April 2026 09:27:48 UTC TdG climb Bonanno Pisano crag_location_breadcrumb
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None
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2965 27th April 2026 09:27:48 UTC TdG climb Bonanno Pisano crag_name
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None
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Wolfberg
2966 27th April 2026 09:27:48 UTC TdG climb Bonanno Pisano crag_id
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None
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34095
2967 27th April 2026 09:27:48 UTC TdG climb Bonanno Pisano crag_location_breadcrumb_pretty
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None
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2968 27th April 2026 09:27:11 UTC TdG crag Wolfberg crag_name
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Wolfberg
2969 27th April 2026 09:27:11 UTC TdG crag Wolfberg ukc_url
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None
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https://www.ukclimbing.com/logbook/crags/wolfberg-12159/
2970 27th April 2026 09:27:11 UTC TdG crag Wolfberg rock_type_id
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None
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12
2971 27th April 2026 09:27:11 UTC TdG crag Wolfberg latitude
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-32.471463
2972 27th April 2026 09:27:11 UTC TdG crag Wolfberg longitude
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None
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19.277873
2973 27th April 2026 09:25:13 UTC TdG climb The Bull crag_location_breadcrumb
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None
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Canada / British Columbia / Squamish-Lillooet
2974 27th April 2026 09:25:13 UTC TdG climb The Bull crag_id
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34094
2975 27th April 2026 09:25:13 UTC TdG climb The Bull crag_name
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None
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Lakeside in the Woods
2976 27th April 2026 09:25:13 UTC TdG climb The Bull crag_location_breadcrumb_pretty
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None
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<a href="/crags/location/Canada" class="text-muted">Canada</a> / <a href="/crags/location/Canada/British Columbia" class="text-muted">British Columbia</a> / <a href="/crags/location/Canada/British Columbia/Squamish-Lillooet" class="text-muted">Squamish-Lillooet</a>
2977 27th April 2026 09:24:44 UTC TdG crag Lakeside in the Woods latitude
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None
After
49.64521
2978 27th April 2026 09:24:44 UTC TdG crag Lakeside in the Woods rock_type_id
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3
2979 27th April 2026 09:24:44 UTC TdG crag Lakeside in the Woods longitude
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None
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-123.20835
2980 27th April 2026 09:24:44 UTC TdG crag Lakeside in the Woods crag_name
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None
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Lakeside in the Woods

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