Mono

	Country	Contributions	Between	Climbers	Crags	Climbs	Ascents
1	United Kingdom	11146	22nd May 2025 – 12th September 2026	114	13	586	1083
2	France	3430	22nd May 2025 – 29th August 2026	32	13	172	326
3	USA	1770	30th July 2025 – 14th August 2026	26	56	167	88
4	Japan	1478	19th July 2025 – 14th August 2026	14	25	107	73
5	Spain	319	31st July 2025 – 14th August 2026	3	9	35	13
6	Switzerland	229	31st July 2025 – 9th August 2026	2	5	21	15
7	New Zealand	216	19th August 2025 – 14th August 2026	1	1	17	13
8	Canada	170	10th September 2025 – 14th August 2026	1	9	25	3
9	Italy	166	12th August 2025 – 16th August 2026	2	7	19	7
10	Germany	151	8th November 2025 – 6th August 2026	4	6	10	5

	Date	Time	User	Type	Name	Attribute
101	18th August 2026	15:05:38 UTC	Mono	climber	Johnny Dawes	notes_pretty
Before <p>Johnny Dawes made an indelible contribution to British climbing in the 1980s and ‘90s.</p> <p>Whilst contemporaries such as <a href="/climber/130/ben-moon" rel="noopener noreferrer">Ben Moon</a> and <a href="/climber/131/jerry-moffatt" rel="noopener noreferrer">Jerry Moffatt</a> pushed physical standards forwards, Johnny took a swerve sideways (probably getting the vehicle on two wheels in the process), bringing his restless innovation in movement to bear on some of the country’s most spectacular lines. </p> <p>Dawes’s teenage years were spent honing his skills on the buildings around his school, but it wasn’t long before he made his presence known on the grit: the bold friction slab <a href="/climb/6009/jugged-hare" rel="noopener noreferrer">Jugged Hare</a> (E6), climbed in EBs in 1983 was an aperitif for what was to come. </p> <p>Jerry Moffatt had climbed <a href="/climb/881/ulysses'-bow" rel="noopener noreferrer">Ulysses' Bow</a> (E6) in 1983 after extensive top rope practice. Just one year later Dawes soloed it onsight. He made the route look easy, but as those who tried to follow him <a href="/climb/922/ulysses-or-bust" rel="noopener noreferrer">found out the hard way</a>, it was anything but. </p> <p>A host of hard gritstone classics followed: <a href="/climb/3475/braille-trail" rel="noopener noreferrer">Braille Trail</a> (E7), <a href="/climb/5798/benign-lives" rel="noopener noreferrer">Benign Lives</a> (E7), <a href="/climb/1450/the-salmon" rel="noopener noreferrer">The Salmon</a> (E7); <a href="/climb/2973/sad-amongst-friends" rel="noopener noreferrer">Sad Amongst Friends</a> (E7) and <a href="/climb/5782/silk" rel="noopener noreferrer">Silk</a> (E5) were climbed ground up. </p> <p>In 1985, the North Wales slate beckoned, where Dawes found an affinity with its slabby style, slightly unhinged sparse bolting ethic, and social scene of misfits and miscreants. <a href="/climb/1167/dawes-of-perception" rel="noopener noreferrer">Dawes of Perception</a> (E7) set a benchmark for difficulty and boldness that came to define the medium, whilst his best link on <a href="/climb/52/the-meltdown" rel="noopener noreferrer">The Meltdown</a> project was worth at least 8c. </p> <p>But the best was yet to come. 1986 was Dawes’ <em>annus mirabilis</em>. The highlights included: <a href="/climb/585/gaia" rel="noopener noreferrer">Gaia</a> (E8), <a href="/climb/586/end-of-the-affair" rel="noopener noreferrer">End of the Affair</a> (E8), and <a href="/climb/622/slab-and-crack" rel="noopener noreferrer">Slab and Crack</a> (E8) on the grit; <a href="/climb/1187/conan-the-librarian" rel="noopener noreferrer">Conan the Librarian</a> (E7) and <a href="/climb/1003/come-to-mother" rel="noopener noreferrer">Come to Mother</a> (E7) on Gogarth; <a href="/climb/700/coeur-de-lion" rel="noopener noreferrer">Coeur de Lion</a> (E8) and the majestic <a href="/climb/699/the-quarryman" rel="noopener noreferrer">The Quarryman</a> (E8) on the slate. </p> <p>But it was <a href="/climb/601/indian-face" rel="noopener noreferrer">Indian Face</a> (E9) that topped them all, a harrowing quest up the Great Wall of <a href="/crag/457/clogwyn-du'r-arddu" rel="noopener noreferrer">Clogwyn Du'r Arddu</a> and the country’s first E9. The route established a level of boldness that still may not have been surpassed, and it has become a near-mythical part of British climbing lore.</p> <p>The eighties was a time of conflicting styles as climbing evolved. The Indian Face was pre-inspected, but to a level that would be considered minimal by today’s standards. Although the more accessible classics such as <a href="/climb/586/end-of-the-affair" rel="noopener noreferrer">End of the Affair</a> (E8) and <a href="/climb/585/gaia" rel="noopener noreferrer">Gaia</a> (E8) are now regularly headpointed, few have matched the spirit and style of Dawes’s first ascents: End of the Affair was attempted ground-up with a terrifying fall, whilst the bold final moves on Gaia were climbed onsight. </p> <p>The ground-up approach reached a new high watermark in 1988 when Dawes succeeded on the first ascent of <a href="/climb/1648/hardback-thesaurus" rel="noopener noreferrer">Hardback Thesaurus</a> (E8) on Gogarth, but not before taking gear-ripping falls that were enough to make you feel sea sick. It remains one of the hardest ground-up first ascents. </p> <p>The eighties also saw trips to <a href="/crag/778/sròn-uladail" rel="noopener noreferrer">Sròn Uladail</a> to free climb <a href="/climb/3047/the-scoop" rel="noopener noreferrer">The Scoop</a> (E7) and <a href="/climb/7131/moskill-grooves" rel="noopener noreferrer">Moskill Grooves</a> (E6), multipitch monsters winding their way through the crag’s 50m-overhanging girth. </p> <p>The 1990s saw the bar for slab climbing raised further with <a href="/climb/797/the-very-big-and-the-very-small" rel="noopener noreferrer">The Very Big and the Very Small</a> (8b+) on the slate and <a href="/climb/4123/smoked-salmon" rel="noopener noreferrer">Smoked Salmon</a> (E8) and <a href="/climb/900/the-angel's-share" rel="noopener noreferrer">The Angel's Share</a> (7C) on the grit, the latter taking a harder line, above a harder landing, than is usually climbed today. A one-handed solo of <a href="/climb/920/downhill-racer" rel="noopener noreferrer">Downhill Racer</a> was a typically Dawesian antic – he rated his effort E8. </p> <p>In 1993, an attempt on Himalayan big wall <a href="/summit/52/meru-peak" rel="noopener noreferrer">Meru Shark’s Fin</a> was abandoned when Dawes dropped a boot at 6000m. </p> <p>In 1995 he repeated his friend <a href="/climber/540/nick-dixon" rel="noopener noreferrer">Nick Dixon</a>’s masterpiece <a href="/climb/647/face-mecca" rel="noopener noreferrer">Face Mecca</a> (E9), taking a parallel line to Indian Face. This marked the end of the superbold era. </p> <p>The following years were spent conjuring up futuristic projects such as <a href="/climb/6959/wizard-ridge" rel="noopener noreferrer">Wizard Ridge</a> and <a href="/climb/5479/promontory-scoop" rel="noopener noreferrer">Promontory Scoop</a>, whilst exploring ever-more inventive approaches to movement. In 2018 he pulled a second-go ascent of an 8b+ slab in <a href="/crag/2660/la-pedriza" rel="noopener noreferrer">La Pedriza</a> out the bag and teamed up with longstanding friend <a href="/climber/540/nick-dixon" rel="noopener noreferrer">Nick Dixon</a> to add a bold new E7 <a href="/climb/8246/island" rel="noopener noreferrer">Island</a> to <a href="/crag/457/clogwyn-du'r-arddu" rel="noopener noreferrer">Clogwyn Du'r Arddu</a>.</p> <p>Dawes was captured climbing at his best in the 1986 film <em>Stone Monkey</em> by Alun Hughes, a cult classic that was shown on terrestrial television several times. In 1996 Dawes made <em>Best Forgotten Art</em>, a film about gritstone crack climbing that was the easy listening antidote to Ben And Jerry’s techno-energised <em>The Real Thing</em>, released around the same time. Like a tweed jacket in a Sheffield nightclub, the contrast between the two films perhaps encapsulates Dawes’ place in his era: a climber who stood alongside the sport’s leading performers, yet always seemed to be playing a different game.</p> <blockquote> <p><a href="/climber/3087/jon-barton" rel="noopener noreferrer">Jon Barton</a>: Do you think you ever shocked anybody Johnny?</p> <p>Well I'd been at this mad party over in Wales. I left in the early hours to drive over to Sheffield, I like driving at night when the roads are quiet. I could tell you about the Snake Pass first thing at dawn, but that's boring hippy stuff. I got to Sheffield, and broke into the back of <a href="/climber/1215/alan-rouse" rel="noopener noreferrer">Al Rouse's</a> house. I was in the kitchen making coffee, admiring Al's new decorating efforts, I went up stairs and jumped into his room and onto the bed, to be faced by two worried looking strangers hiding under the duvet. Al had moved out some weeks earlier.</p> <p>JB: No Johnny, did you ever shock anybody with your climbing? [5]</p> </blockquote> <h3>References</h3> <p>[1] Interview with <a href="/climber/702/niall-grimes" rel="noopener noreferrer">Niall Grimes</a> and <a href="/climber/540/nick-dixon" rel="noopener noreferrer">Nick Dixon</a> <a href="https://www.youtube.com/watch?v=5gfAxYENlmU" rel="noopener noreferrer">https://www.youtube.com/watch?v=5gfAxYENlmU</a></p> <p>[2] Features in <a href="https://www.youtube.com/watch?v=Jkj3Buhfi2k" rel="noopener noreferrer">80's Birth of Extreme</a></p> <p>[3] Interview for the film <em>Stone Monkey</em>, <a href="https://www.youtube.com/watch?v=QdeaV_vfp5Q" rel="noopener noreferrer">https://www.youtube.com/watch?v=QdeaV_vfp5Q</a></p> <p>[4] <a href="https://www.youtube.com/watch?v=D88mEgfHJ-I" rel="noopener noreferrer">https://www.youtube.com/watch?v=D88mEgfHJ-I</a></p> <p>[5] Interview with <a href="/climber/3087/jon-barton" rel="noopener noreferrer">Jon Barton</a>, On The Edge 63 (1996) <a href="/library/11066/on-the-edge-63" rel="noopener noreferrer">/library/11066/on-the-edge-63</a></p> <p>[6] <em>What Climbing Has Taught Me</em> (2025) <a href="https://www.youtube.com/watch?v=5L_uSJH7-30" rel="noopener noreferrer">https://www.youtube.com/watch?v=5L_uSJH7-30</a></p> After <p>Johnny Dawes made an indelible contribution to British climbing in the 1980s and ‘90s.</p> <p>Whilst contemporaries such as <a href="/climber/130/ben-moon" rel="noopener noreferrer">Ben Moon</a> and <a href="/climber/131/jerry-moffatt" rel="noopener noreferrer">Jerry Moffatt</a> pushed physical standards forwards, Johnny took a swerve sideways (probably getting the vehicle on two wheels in the process), bringing his restless innovation in movement to bear on some of the country’s most spectacular lines. </p> <p>Dawes’s teenage years were spent honing his skills on the buildings around his school, but it wasn’t long before he made his presence known on the grit: the bold friction slab <a href="/climb/6009/jugged-hare" rel="noopener noreferrer">Jugged Hare</a> (E6), climbed in EBs in 1983 was an aperitif for what was to come. </p> <p>Jerry Moffatt had climbed <a href="/climb/881/ulysses'-bow" rel="noopener noreferrer">Ulysses' Bow</a> (E6) in 1983 after extensive top rope practice. Just one year later Dawes soloed it onsight. He made the route look easy, but as those who tried to follow him <a href="/climb/922/ulysses-or-bust" rel="noopener noreferrer">found out the hard way</a>, it was anything but. </p> <p>A host of hard gritstone classics followed: <a href="/climb/3475/braille-trail" rel="noopener noreferrer">Braille Trail</a> (E7), <a href="/climb/5798/benign-lives" rel="noopener noreferrer">Benign Lives</a> (E7), <a href="/climb/1450/the-salmon" rel="noopener noreferrer">The Salmon</a> (E7); <a href="/climb/2973/sad-amongst-friends" rel="noopener noreferrer">Sad Amongst Friends</a> (E7) and <a href="/climb/5782/silk" rel="noopener noreferrer">Silk</a> (E5) were climbed ground up. </p> <p>In 1985, the North Wales slate beckoned, where Dawes found an affinity with its slabby style, slightly unhinged sparse bolting ethic, and social scene of misfits and miscreants. <a href="/climb/1167/dawes-of-perception" rel="noopener noreferrer">Dawes of Perception</a> (E7) set a benchmark for difficulty and boldness that came to define the medium, whilst his best link on <a href="/climb/52/the-meltdown" rel="noopener noreferrer">The Meltdown</a> project was worth at least 8c. </p> <p>But the best was yet to come. 1986 was Dawes’ <em>annus mirabilis</em>. The highlights included: <a href="/climb/585/gaia" rel="noopener noreferrer">Gaia</a> (E8), <a href="/climb/586/end-of-the-affair" rel="noopener noreferrer">End of the Affair</a> (E8), and <a href="/climb/622/slab-and-crack" rel="noopener noreferrer">Slab and Crack</a> (E8) on the grit; <a href="/climb/1187/conan-the-librarian" rel="noopener noreferrer">Conan the Librarian</a> (E7) and <a href="/climb/1003/come-to-mother" rel="noopener noreferrer">Come to Mother</a> (E7) on Gogarth; <a href="/climb/700/coeur-de-lion" rel="noopener noreferrer">Coeur de Lion</a> (E8) and the majestic <a href="/climb/699/the-quarryman" rel="noopener noreferrer">The Quarryman</a> (E8) on the slate. </p> <p>But it was <a href="/climb/601/indian-face" rel="noopener noreferrer">Indian Face</a> (E9) that topped them all, a harrowing quest up the Great Wall of <a href="/crag/457/clogwyn-du'r-arddu" rel="noopener noreferrer">Clogwyn Du'r Arddu</a> and the country’s first E9. The route established a level of boldness that still may not have been surpassed, and it has become a near-mythical part of British climbing lore.</p> <p>The eighties was a time of conflicting styles as climbing evolved. The Indian Face was pre-inspected, but to a level that would be considered minimal by today’s standards. Although the more accessible classics such as <a href="/climb/586/end-of-the-affair" rel="noopener noreferrer">End of the Affair</a> (E8) and <a href="/climb/585/gaia" rel="noopener noreferrer">Gaia</a> (E8) are now regularly headpointed, few have matched the spirit and style of Dawes’s first ascents: End of the Affair was attempted ground-up with a terrifying fall, whilst the bold final moves on Gaia were climbed onsight. </p> <p>The ground-up approach reached a new high watermark in 1988 when Dawes succeeded on the first ascent of <a href="/climb/1648/hardback-thesaurus" rel="noopener noreferrer">Hardback Thesaurus</a> (E8) on Gogarth, but not before taking gear-ripping falls that were enough to make you feel sea sick. It remains one of the hardest ground-up first ascents. </p> <p>The eighties also saw trips to <a href="/crag/778/sròn-uladail" rel="noopener noreferrer">Sròn Uladail</a> to free climb <a href="/climb/3047/the-scoop" rel="noopener noreferrer">The Scoop</a> (E7) and <a href="/climb/7131/moskill-grooves" rel="noopener noreferrer">Moskill Grooves</a> (E6), multipitch monsters winding their way through the crag’s 50m-overhanging girth. </p> <p>The 1990s saw the bar for slab climbing raised further with <a href="/climb/797/the-very-big-and-the-very-small" rel="noopener noreferrer">The Very Big and the Very Small</a> (8b+) on the slate and <a href="/climb/4123/smoked-salmon" rel="noopener noreferrer">Smoked Salmon</a> (E8) and <a href="/climb/900/the-angel's-share" rel="noopener noreferrer">The Angel's Share</a> (7C) on the grit, the latter taking a harder line, above a harder landing, than is usually climbed today. A one-handed solo of <a href="/climb/920/downhill-racer" rel="noopener noreferrer">Downhill Racer</a> was a typically Dawesian antic – he rated his effort E8. </p> <p>In 1993, an attempt on Himalayan big wall <a href="/summit/52/meru-peak" rel="noopener noreferrer">Meru Shark’s Fin</a> was abandoned when Dawes dropped a boot at 6000m. </p> <p>In 1995 he repeated his friend <a href="/climber/540/nick-dixon" rel="noopener noreferrer">Nick Dixon</a>’s masterpiece <a href="/climb/647/face-mecca" rel="noopener noreferrer">Face Mecca</a> (E9), taking a parallel line to Indian Face. This marked the end of the superbold era. </p> <p>The following years were spent conjuring up futuristic projects such as <a href="/climb/6959/wizard-ridge" rel="noopener noreferrer">Wizard Ridge</a> and <a href="/climb/5479/promontory-scoop" rel="noopener noreferrer">Promontory Scoop</a>, whilst exploring ever-more inventive approaches to movement. In 2018 he pulled a second-go ascent of an 8b+ slab in <a href="/crag/2660/la-pedriza" rel="noopener noreferrer">La Pedriza</a> out the bag and teamed up with longstanding friend <a href="/climber/540/nick-dixon" rel="noopener noreferrer">Nick Dixon</a> to add a bold new E7, <a href="/climb/8246/island" rel="noopener noreferrer">Island</a>, to <a href="/crag/457/clogwyn-du'r-arddu" rel="noopener noreferrer">Clogwyn Du'r Arddu</a>.</p> <p>Dawes was captured climbing at his best in the 1986 film <em>Stone Monkey</em> by Alun Hughes, a cult classic that was shown on terrestrial television several times. In 1996 Dawes made <em>Best Forgotten Art</em>, a film about gritstone crack climbing that was the easy listening antidote to Ben And Jerry’s techno-energised <em>The Real Thing</em>, released around the same time. Like a tweed jacket in a Sheffield nightclub, the contrast between the two films perhaps encapsulates Dawes’ place in his era: a climber who stood alongside the sport’s leading performers, yet always seemed to be playing a different game.</p> <blockquote> <p><a href="/climber/3087/jon-barton" rel="noopener noreferrer">Jon Barton</a>: Do you think you ever shocked anybody Johnny?</p> <p>Well I'd been at this mad party over in Wales. I left in the early hours to drive over to Sheffield, I like driving at night when the roads are quiet. I could tell you about the Snake Pass first thing at dawn, but that's boring hippy stuff. I got to Sheffield, and broke into the back of <a href="/climber/1215/alan-rouse" rel="noopener noreferrer">Al Rouse's</a> house. I was in the kitchen making coffee, admiring Al's new decorating efforts, I went up stairs and jumped into his room and onto the bed, to be faced by two worried looking strangers hiding under the duvet. Al had moved out some weeks earlier.</p> <p>JB: No Johnny, did you ever shock anybody with your climbing? [5]</p> </blockquote> <h3>References</h3> <p>[1] Interview with <a href="/climber/702/niall-grimes" rel="noopener noreferrer">Niall Grimes</a> and <a href="/climber/540/nick-dixon" rel="noopener noreferrer">Nick Dixon</a> <a href="https://www.youtube.com/watch?v=5gfAxYENlmU" rel="noopener noreferrer">https://www.youtube.com/watch?v=5gfAxYENlmU</a></p> <p>[2] Features in <a href="https://www.youtube.com/watch?v=Jkj3Buhfi2k" rel="noopener noreferrer">80's Birth of Extreme</a></p> <p>[3] Interview for the film <em>Stone Monkey</em>, <a href="https://www.youtube.com/watch?v=QdeaV_vfp5Q" rel="noopener noreferrer">https://www.youtube.com/watch?v=QdeaV_vfp5Q</a></p> <p>[4] <a href="https://www.youtube.com/watch?v=D88mEgfHJ-I" rel="noopener noreferrer">https://www.youtube.com/watch?v=D88mEgfHJ-I</a></p> <p>[5] Interview with <a href="/climber/3087/jon-barton" rel="noopener noreferrer">Jon Barton</a>, On The Edge 63 (1996) <a href="/library/11066/on-the-edge-63" rel="noopener noreferrer">/library/11066/on-the-edge-63</a></p> <p>[6] <em>What Climbing Has Taught Me</em> (2025) <a href="https://www.youtube.com/watch?v=5L_uSJH7-30" rel="noopener noreferrer">https://www.youtube.com/watch?v=5L_uSJH7-30</a></p>
102	18th August 2026	15:05:38 UTC	Mono	climber	Johnny Dawes	notes
Before Johnny Dawes made an indelible contribution to British climbing in the 1980s and ‘90s. Whilst contemporaries such as [Ben Moon](/climber/130/ben-moon) and [Jerry Moffatt](/climber/131/jerry-moffatt) pushed physical standards forwards, Johnny took a swerve sideways (probably getting the vehicle on two wheels in the process), bringing his restless innovation in movement to bear on some of the country’s most spectacular lines. Dawes’s teenage years were spent honing his skills on the buildings around his school, but it wasn’t long before he made his presence known on the grit: the bold friction slab [Jugged Hare](/climb/6009/jugged-hare) (E6), climbed in EBs in 1983 was an aperitif for what was to come. Jerry Moffatt had climbed [Ulysses' Bow](/climb/881/ulysses'-bow) (E6) in 1983 after extensive top rope practice. Just one year later Dawes soloed it onsight. He made the route look easy, but as those who tried to follow him [found out the hard way](/climb/922/ulysses-or-bust), it was anything but. A host of hard gritstone classics followed: [Braille Trail](/climb/3475/braille-trail) (E7), [Benign Lives](/climb/5798/benign-lives) (E7), [The Salmon](/climb/1450/the-salmon) (E7); [Sad Amongst Friends](/climb/2973/sad-amongst-friends) (E7) and [Silk](/climb/5782/silk) (E5) were climbed ground up. In 1985, the North Wales slate beckoned, where Dawes found an affinity with its slabby style, slightly unhinged sparse bolting ethic, and social scene of misfits and miscreants. [Dawes of Perception](/climb/1167/dawes-of-perception) (E7) set a benchmark for difficulty and boldness that came to define the medium, whilst his best link on [The Meltdown](/climb/52/the-meltdown) project was worth at least 8c. But the best was yet to come. 1986 was Dawes’ annus mirabilis. The highlights included: [Gaia](/climb/585/gaia) (E8), [End of the Affair](/climb/586/end-of-the-affair) (E8), and [Slab and Crack](/climb/622/slab-and-crack) (E8) on the grit; [Conan the Librarian](/climb/1187/conan-the-librarian) (E7) and [Come to Mother](/climb/1003/come-to-mother) (E7) on Gogarth; [Coeur de Lion](/climb/700/coeur-de-lion) (E8) and the majestic [The Quarryman](/climb/699/the-quarryman) (E8) on the slate. But it was [Indian Face](/climb/601/indian-face) (E9) that topped them all, a harrowing quest up the Great Wall of [Clogwyn Du'r Arddu](/crag/457/clogwyn-du'r-arddu) and the country’s first E9. The route established a level of boldness that still may not have been surpassed, and it has become a near-mythical part of British climbing lore. The eighties was a time of conflicting styles as climbing evolved. The Indian Face was pre-inspected, but to a level that would be considered minimal by today’s standards. Although the more accessible classics such as [End of the Affair](/climb/586/end-of-the-affair) (E8) and [Gaia](/climb/585/gaia) (E8) are now regularly headpointed, few have matched the spirit and style of Dawes’s first ascents: End of the Affair was attempted ground-up with a terrifying fall, whilst the bold final moves on Gaia were climbed onsight. The ground-up approach reached a new high watermark in 1988 when Dawes succeeded on the first ascent of [Hardback Thesaurus](/climb/1648/hardback-thesaurus) (E8) on Gogarth, but not before taking gear-ripping falls that were enough to make you feel sea sick. It remains one of the hardest ground-up first ascents. The eighties also saw trips to [Sròn Uladail](/crag/778/sròn-uladail) to free climb [The Scoop](/climb/3047/the-scoop) (E7) and [Moskill Grooves](/climb/7131/moskill-grooves) (E6), multipitch monsters winding their way through the crag’s 50m-overhanging girth. The 1990s saw the bar for slab climbing raised further with [The Very Big and the Very Small](/climb/797/the-very-big-and-the-very-small) (8b+) on the slate and [Smoked Salmon](/climb/4123/smoked-salmon) (E8) and [The Angel's Share](/climb/900/the-angel's-share) (7C) on the grit, the latter taking a harder line, above a harder landing, than is usually climbed today. A one-handed solo of [Downhill Racer](/climb/920/downhill-racer) was a typically Dawesian antic – he rated his effort E8. In 1993, an attempt on Himalayan big wall [Meru Shark’s Fin](/summit/52/meru-peak) was abandoned when Dawes dropped a boot at 6000m. In 1995 he repeated his friend [Nick Dixon](/climber/540/nick-dixon)’s masterpiece [Face Mecca](/climb/647/face-mecca) (E9), taking a parallel line to Indian Face. This marked the end of the superbold era. The following years were spent conjuring up futuristic projects such as [Wizard Ridge](/climb/6959/wizard-ridge) and [Promontory Scoop](/climb/5479/promontory-scoop), whilst exploring ever-more inventive approaches to movement. In 2018 he pulled a second-go ascent of an 8b+ slab in [La Pedriza](/crag/2660/la-pedriza) out the bag and teamed up with longstanding friend [Nick Dixon](/climber/540/nick-dixon) to add a bold new E7 [Island](/climb/8246/island) to [Clogwyn Du'r Arddu](/crag/457/clogwyn-du'r-arddu). Dawes was captured climbing at his best in the 1986 film Stone Monkey by Alun Hughes, a cult classic that was shown on terrestrial television several times. In 1996 Dawes made Best Forgotten Art, a film about gritstone crack climbing that was the easy listening antidote to Ben And Jerry’s techno-energised The Real Thing, released around the same time. Like a tweed jacket in a Sheffield nightclub, the contrast between the two films perhaps encapsulates Dawes’ place in his era: a climber who stood alongside the sport’s leading performers, yet always seemed to be playing a different game. > [Jon Barton](/climber/3087/jon-barton): Do you think you ever shocked anybody Johnny? > Well I'd been at this mad party over in Wales. I left in the early hours to drive over to Sheffield, I like driving at night when the roads are quiet. I could tell you about the Snake Pass first thing at dawn, but that's boring hippy stuff. I got to Sheffield, and broke into the back of [Al Rouse's](/climber/1215/alan-rouse) house. I was in the kitchen making coffee, admiring Al's new decorating efforts, I went up stairs and jumped into his room and onto the bed, to be faced by two worried looking strangers hiding under the duvet. Al had moved out some weeks earlier. > JB: No Johnny, did you ever shock anybody with your climbing? [5] ### References [1] Interview with [Niall Grimes](/climber/702/niall-grimes) and [Nick Dixon](/climber/540/nick-dixon) [https://www.youtube.com/watch?v=5gfAxYENlmU](https://www.youtube.com/watch?v=5gfAxYENlmU) [2] Features in [80's Birth of Extreme](https://www.youtube.com/watch?v=Jkj3Buhfi2k) [3] Interview for the film Stone Monkey, [https://www.youtube.com/watch?v=QdeaV_vfp5Q](https://www.youtube.com/watch?v=QdeaV_vfp5Q) [4] [https://www.youtube.com/watch?v=D88mEgfHJ-I](https://www.youtube.com/watch?v=D88mEgfHJ-I) [5] Interview with [Jon Barton](/climber/3087/jon-barton), On The Edge 63 (1996) [/library/11066/on-the-edge-63](/library/11066/on-the-edge-63) [6] What Climbing Has Taught Me (2025) [https://www.youtube.com/watch?v=5L_uSJH7-30](https://www.youtube.com/watch?v=5L_uSJH7-30) After Johnny Dawes made an indelible contribution to British climbing in the 1980s and ‘90s. Whilst contemporaries such as [Ben Moon](/climber/130/ben-moon) and [Jerry Moffatt](/climber/131/jerry-moffatt) pushed physical standards forwards, Johnny took a swerve sideways (probably getting the vehicle on two wheels in the process), bringing his restless innovation in movement to bear on some of the country’s most spectacular lines. Dawes’s teenage years were spent honing his skills on the buildings around his school, but it wasn’t long before he made his presence known on the grit: the bold friction slab [Jugged Hare](/climb/6009/jugged-hare) (E6), climbed in EBs in 1983 was an aperitif for what was to come. Jerry Moffatt had climbed [Ulysses' Bow](/climb/881/ulysses'-bow) (E6) in 1983 after extensive top rope practice. Just one year later Dawes soloed it onsight. He made the route look easy, but as those who tried to follow him [found out the hard way](/climb/922/ulysses-or-bust), it was anything but. A host of hard gritstone classics followed: [Braille Trail](/climb/3475/braille-trail) (E7), [Benign Lives](/climb/5798/benign-lives) (E7), [The Salmon](/climb/1450/the-salmon) (E7); [Sad Amongst Friends](/climb/2973/sad-amongst-friends) (E7) and [Silk](/climb/5782/silk) (E5) were climbed ground up. In 1985, the North Wales slate beckoned, where Dawes found an affinity with its slabby style, slightly unhinged sparse bolting ethic, and social scene of misfits and miscreants. [Dawes of Perception](/climb/1167/dawes-of-perception) (E7) set a benchmark for difficulty and boldness that came to define the medium, whilst his best link on [The Meltdown](/climb/52/the-meltdown) project was worth at least 8c. But the best was yet to come. 1986 was Dawes’ annus mirabilis. The highlights included: [Gaia](/climb/585/gaia) (E8), [End of the Affair](/climb/586/end-of-the-affair) (E8), and [Slab and Crack](/climb/622/slab-and-crack) (E8) on the grit; [Conan the Librarian](/climb/1187/conan-the-librarian) (E7) and [Come to Mother](/climb/1003/come-to-mother) (E7) on Gogarth; [Coeur de Lion](/climb/700/coeur-de-lion) (E8) and the majestic [The Quarryman](/climb/699/the-quarryman) (E8) on the slate. But it was [Indian Face](/climb/601/indian-face) (E9) that topped them all, a harrowing quest up the Great Wall of [Clogwyn Du'r Arddu](/crag/457/clogwyn-du'r-arddu) and the country’s first E9. The route established a level of boldness that still may not have been surpassed, and it has become a near-mythical part of British climbing lore. The eighties was a time of conflicting styles as climbing evolved. The Indian Face was pre-inspected, but to a level that would be considered minimal by today’s standards. Although the more accessible classics such as [End of the Affair](/climb/586/end-of-the-affair) (E8) and [Gaia](/climb/585/gaia) (E8) are now regularly headpointed, few have matched the spirit and style of Dawes’s first ascents: End of the Affair was attempted ground-up with a terrifying fall, whilst the bold final moves on Gaia were climbed onsight. The ground-up approach reached a new high watermark in 1988 when Dawes succeeded on the first ascent of [Hardback Thesaurus](/climb/1648/hardback-thesaurus) (E8) on Gogarth, but not before taking gear-ripping falls that were enough to make you feel sea sick. It remains one of the hardest ground-up first ascents. The eighties also saw trips to [Sròn Uladail](/crag/778/sròn-uladail) to free climb [The Scoop](/climb/3047/the-scoop) (E7) and [Moskill Grooves](/climb/7131/moskill-grooves) (E6), multipitch monsters winding their way through the crag’s 50m-overhanging girth. The 1990s saw the bar for slab climbing raised further with [The Very Big and the Very Small](/climb/797/the-very-big-and-the-very-small) (8b+) on the slate and [Smoked Salmon](/climb/4123/smoked-salmon) (E8) and [The Angel's Share](/climb/900/the-angel's-share) (7C) on the grit, the latter taking a harder line, above a harder landing, than is usually climbed today. A one-handed solo of [Downhill Racer](/climb/920/downhill-racer) was a typically Dawesian antic – he rated his effort E8. In 1993, an attempt on Himalayan big wall [Meru Shark’s Fin](/summit/52/meru-peak) was abandoned when Dawes dropped a boot at 6000m. In 1995 he repeated his friend [Nick Dixon](/climber/540/nick-dixon)’s masterpiece [Face Mecca](/climb/647/face-mecca) (E9), taking a parallel line to Indian Face. This marked the end of the superbold era. The following years were spent conjuring up futuristic projects such as [Wizard Ridge](/climb/6959/wizard-ridge) and [Promontory Scoop](/climb/5479/promontory-scoop), whilst exploring ever-more inventive approaches to movement. In 2018 he pulled a second-go ascent of an 8b+ slab in [La Pedriza](/crag/2660/la-pedriza) out the bag and teamed up with longstanding friend [Nick Dixon](/climber/540/nick-dixon) to add a bold new E7, [Island](/climb/8246/island), to [Clogwyn Du'r Arddu](/crag/457/clogwyn-du'r-arddu). Dawes was captured climbing at his best in the 1986 film Stone Monkey by Alun Hughes, a cult classic that was shown on terrestrial television several times. In 1996 Dawes made Best Forgotten Art, a film about gritstone crack climbing that was the easy listening antidote to Ben And Jerry’s techno-energised The Real Thing, released around the same time. Like a tweed jacket in a Sheffield nightclub, the contrast between the two films perhaps encapsulates Dawes’ place in his era: a climber who stood alongside the sport’s leading performers, yet always seemed to be playing a different game. > [Jon Barton](/climber/3087/jon-barton): Do you think you ever shocked anybody Johnny? > Well I'd been at this mad party over in Wales. I left in the early hours to drive over to Sheffield, I like driving at night when the roads are quiet. I could tell you about the Snake Pass first thing at dawn, but that's boring hippy stuff. I got to Sheffield, and broke into the back of [Al Rouse's](/climber/1215/alan-rouse) house. I was in the kitchen making coffee, admiring Al's new decorating efforts, I went up stairs and jumped into his room and onto the bed, to be faced by two worried looking strangers hiding under the duvet. Al had moved out some weeks earlier. > JB: No Johnny, did you ever shock anybody with your climbing? [5] ### References [1] Interview with [Niall Grimes](/climber/702/niall-grimes) and [Nick Dixon](/climber/540/nick-dixon) [https://www.youtube.com/watch?v=5gfAxYENlmU](https://www.youtube.com/watch?v=5gfAxYENlmU) [2] Features in [80's Birth of Extreme](https://www.youtube.com/watch?v=Jkj3Buhfi2k) [3] Interview for the film Stone Monkey, [https://www.youtube.com/watch?v=QdeaV_vfp5Q](https://www.youtube.com/watch?v=QdeaV_vfp5Q) [4] [https://www.youtube.com/watch?v=D88mEgfHJ-I](https://www.youtube.com/watch?v=D88mEgfHJ-I) [5] Interview with [Jon Barton](/climber/3087/jon-barton), On The Edge 63 (1996) [/library/11066/on-the-edge-63](/library/11066/on-the-edge-63) [6] What Climbing Has Taught Me (2025) [https://www.youtube.com/watch?v=5L_uSJH7-30](https://www.youtube.com/watch?v=5L_uSJH7-30) Diff --- before +++ after @@ -26,7 +26,7 @@ In 1995 he repeated his friend [Nick Dixon](/climber/540/nick-dixon)’s masterpiece [Face Mecca](/climb/647/face-mecca) (E9), taking a parallel line to Indian Face. This marked the end of the superbold era. -The following years were spent conjuring up futuristic projects such as [Wizard Ridge](/climb/6959/wizard-ridge) and [Promontory Scoop](/climb/5479/promontory-scoop), whilst exploring ever-more inventive approaches to movement. In 2018 he pulled a second-go ascent of an 8b+ slab in [La Pedriza](/crag/2660/la-pedriza) out the bag and teamed up with longstanding friend [Nick Dixon](/climber/540/nick-dixon) to add a bold new E7 [Island](/climb/8246/island) to [Clogwyn Du'r Arddu](/crag/457/clogwyn-du'r-arddu). +The following years were spent conjuring up futuristic projects such as [Wizard Ridge](/climb/6959/wizard-ridge) and [Promontory Scoop](/climb/5479/promontory-scoop), whilst exploring ever-more inventive approaches to movement. In 2018 he pulled a second-go ascent of an 8b+ slab in [La Pedriza](/crag/2660/la-pedriza) out the bag and teamed up with longstanding friend [Nick Dixon](/climber/540/nick-dixon) to add a bold new E7, [Island](/climb/8246/island), to [Clogwyn Du'r Arddu](/crag/457/clogwyn-du'r-arddu). Dawes was captured climbing at his best in the 1986 film Stone Monkey by Alun Hughes, a cult classic that was shown on terrestrial television several times. In 1996 Dawes made Best Forgotten Art, a film about gritstone crack climbing that was the easy listening antidote to Ben And Jerry’s techno-energised The Real Thing, released around the same time. Like a tweed jacket in a Sheffield nightclub, the contrast between the two films perhaps encapsulates Dawes’ place in his era: a climber who stood alongside the sport’s leading performers, yet always seemed to be playing a different game.
103	18th August 2026	12:06:40 UTC	Mono	climber	Johnny Dawes	notes_pretty
Before <p>Johnny Dawes made an indelible contribution to British climbing in the 1980s and ‘90s.</p> <p>Whilst contemporaries such as <a href="/climber/130/ben-moon" rel="noopener noreferrer">Ben Moon</a> and <a href="/climber/131/jerry-moffatt" rel="noopener noreferrer">Jerry Moffatt</a> pushed physical standards forwards, Johnny took a swerve sideways (probably getting the vehicle on two wheels in the process), bringing his restless innovation in movement to bear on some of the country’s most spectacular lines. </p> <p>Dawes’s teenage years were spent honing his skills on the buildings around his school, but it wasn’t long before he made his presence known on the grit: the bold friction slab <a href="/climb/6009/jugged-hare" rel="noopener noreferrer">Jugged Hare</a> (E6), climbed in EBs in 1983 was an aperitif for what was to come. </p> <p>Jerry Moffatt had climbed <a href="/climb/881/ulysses'-bow" rel="noopener noreferrer">Ulysses' Bow</a> (E6) in 1983 after extensive top rope practice. Just one year later Dawes soloed it onsight. He made the route look easy, but as those who tried to follow him <a href="/climb/922/ulysses-or-bust" rel="noopener noreferrer">found out the hard way</a>, it was anything but. </p> <p>A host of hard gritstone classics followed: <a href="/climb/3475/braille-trail" rel="noopener noreferrer">Braille Trail</a> (E7), <a href="/climb/5798/benign-lives" rel="noopener noreferrer">Benign Lives</a> (E7), <a href="/climb/1450/the-salmon" rel="noopener noreferrer">The Salmon</a> (E7); <a href="/climb/2973/sad-amongst-friends" rel="noopener noreferrer">Sad Amongst Friends</a> (E7) and <a href="/climb/5782/silk" rel="noopener noreferrer">Silk</a> (E5) were climbed ground up. </p> <p>In 1985, the North Wales slate beckoned, where Dawes found an affinity with its slabby style, slightly unhinged sparse bolting ethic, and social scene of misfits and miscreants. <a href="/climb/1167/dawes-of-perception" rel="noopener noreferrer">Dawes of Perception</a> (E7) set a benchmark for difficulty and boldness that came to define the medium, whilst his best link on <a href="/climb/52/the-meltdown" rel="noopener noreferrer">The Meltdown</a> project was worth at least 8c. </p> <p>But the best was yet to come. 1986 was Dawes’ <em>annus mirabilis</em>. The highlights included: <a href="/climb/585/gaia" rel="noopener noreferrer">Gaia</a> (E8), <a href="/climb/586/end-of-the-affair" rel="noopener noreferrer">End of the Affair</a> (E8), and <a href="/climb/622/slab-and-crack" rel="noopener noreferrer">Slab and Crack</a> (E8) on the grit; <a href="/climb/1187/conan-the-librarian" rel="noopener noreferrer">Conan the Librarian</a> (E7) and <a href="/climb/1003/come-to-mother" rel="noopener noreferrer">Come to Mother</a> (E7) on Gogarth; <a href="/climb/700/coeur-de-lion" rel="noopener noreferrer">Coeur de Lion</a> (E8) and the majestic <a href="/climb/699/the-quarryman" rel="noopener noreferrer">The Quarryman</a> (E8) on the slate. </p> <p>But it was <a href="/climb/601/indian-face" rel="noopener noreferrer">Indian Face</a> (E9) that topped them all, a harrowing quest up the Great Wall of <a href="/crag/457/clogwyn-du'r-arddu" rel="noopener noreferrer">Clogwyn Du'r Arddu</a> and the country’s first E9. The route established a level of boldness that still may not have been surpassed, and it has become a near-mythical part of British climbing lore.</p> <p>The eighties was a time of conflicting styles as climbing evolved. The Indian Face was pre-inspected, but to a level that would be considered minimal by today’s standards. Although the more accessible classics such as <a href="/climb/586/end-of-the-affair" rel="noopener noreferrer">End of the Affair</a> (E8) and <a href="/climb/585/gaia" rel="noopener noreferrer">Gaia</a> (E8) are now regularly headpointed, few have matched the spirit and style of Dawes’s first ascents: End of the Affair was attempted ground-up with a terrifying fall, whilst the bold final moves on Gaia were climbed onsight. </p> <p>The ground-up approach reached a new high watermark in 1988 when Dawes succeeded on the first ascent of <a href="/climb/1648/hardback-thesaurus" rel="noopener noreferrer">Hardback Thesaurus</a> (E8) on Gogarth, but not before taking gear-ripping falls that were enough to make you feel sea sick. It remains one of the hardest ground-up first ascents. </p> <p>The eighties also saw trips to <a href="/crag/778/sròn-uladail" rel="noopener noreferrer">Sròn Uladail</a> to free climb <a href="/climb/3047/the-scoop" rel="noopener noreferrer">The Scoop</a> (E7) and <a href="/climb/7131/moskill-grooves" rel="noopener noreferrer">Moskill Grooves</a> (E6), multipitch monsters winding their way through the crag’s 50m-overhanging girth. </p> <p>The 1990s saw the bar for slab climbing raised further with <a href="/climb/797/the-very-big-and-the-very-small" rel="noopener noreferrer">The Very Big and the Very Small</a> (8b+) on the slate and <a href="/climb/4123/smoked-salmon" rel="noopener noreferrer">Smoked Salmon</a> (E8) and <a href="/climb/900/the-angel's-share" rel="noopener noreferrer">The Angel's Share</a> (7C) on the grit, the latter taking a harder line, above a harder landing, than is usually climbed today. A one-handed solo of <a href="/climb/920/downhill-racer" rel="noopener noreferrer">Downhill Racer</a> was a typically Dawesian antic – he rated his effort E8. </p> <p>In 1993, an attempt on Himalayan big wall <a href="/summit/52/meru-peak" rel="noopener noreferrer">Meru Shark’s Fin</a> was abandoned when Dawes dropped a boot at 6000m. </p> <p>In 1995 he repeated his friend <a href="/climber/540/nick-dixon" rel="noopener noreferrer">Nick Dixon</a>’s masterpiece <a href="/climb/647/face-mecca" rel="noopener noreferrer">Face Mecca</a> (E9), taking a parallel line to Indian Face. This marked the end of the superbold era. </p> <p>The following years were spent conjuring up futuristic projects such as <a href="/climb/6959/wizard-ridge" rel="noopener noreferrer">Wizard Ridge</a> and <a href="/climb/5479/promontory-scoop" rel="noopener noreferrer">Promontory Scoop</a>, whilst exploring ever-more inventive approaches to movement. In 2018 he pulled an ascent of an 8b+ slab in <a href="/crag/2660/la-pedriza" rel="noopener noreferrer">La Pedriza</a> out the bag. </p> <p>Dawes was captured climbing at his best in the 1986 film <em>Stone Monkey</em> by Alun Hughes, a cult classic that was shown on terrestrial television several times. In 1996 Dawes made <em>Best Forgotten Art</em>, a film about gritstone crack climbing that was the easy listening antidote to Ben And Jerry’s techno-energised <em>The Real Thing</em>, released around the same time. Like a tweed jacket in a Sheffield nightclub, the contrast between the two films perhaps encapsulates Dawes’ place in his era: a climber who stood alongside the sport’s leading performers, yet always seemed to be playing a different game.</p> <blockquote> <p><a href="/climber/3087/jon-barton" rel="noopener noreferrer">Jon Barton</a>: Do you think you ever shocked anybody Johnny?</p> <p>Well I'd been at this mad party over in Wales. I left in the early hours to drive over to Sheffield, I like driving at night when the roads are quiet. I could tell you about the Snake Pass first thing at dawn, but that's boring hippy stuff. I got to Sheffield, and broke into the back of <a href="/climber/1215/alan-rouse" rel="noopener noreferrer">Al Rouse's</a> house. I was in the kitchen making coffee, admiring Al's new decorating efforts, I went up stairs and jumped into his room and onto the bed, to be faced by two worried looking strangers hiding under the duvet. Al had moved out some weeks earlier.</p> <p>JB: No Johnny, did you ever shock anybody with your climbing? [5]</p> </blockquote> <h3>References</h3> <p>[1] Interview with <a href="/climber/702/niall-grimes" rel="noopener noreferrer">Niall Grimes</a> and <a href="/climber/540/nick-dixon" rel="noopener noreferrer">Nick Dixon</a> <a href="https://www.youtube.com/watch?v=5gfAxYENlmU" rel="noopener noreferrer">https://www.youtube.com/watch?v=5gfAxYENlmU</a></p> <p>[2] Features in <a href="https://www.youtube.com/watch?v=Jkj3Buhfi2k" rel="noopener noreferrer">80's Birth of Extreme</a></p> <p>[3] Interview for the film <em>Stone Monkey</em>, <a href="https://www.youtube.com/watch?v=QdeaV_vfp5Q" rel="noopener noreferrer">https://www.youtube.com/watch?v=QdeaV_vfp5Q</a></p> <p>[4] <a href="https://www.youtube.com/watch?v=D88mEgfHJ-I" rel="noopener noreferrer">https://www.youtube.com/watch?v=D88mEgfHJ-I</a></p> <p>[5] Interview with <a href="/climber/3087/jon-barton" rel="noopener noreferrer">Jon Barton</a>, On The Edge 63 (1996) <a href="/library/11066/on-the-edge-63" rel="noopener noreferrer">/library/11066/on-the-edge-63</a></p> <p>[6] <em>What Climbing Has Taught Me</em> (2025) <a href="https://www.youtube.com/watch?v=5L_uSJH7-30" rel="noopener noreferrer">https://www.youtube.com/watch?v=5L_uSJH7-30</a></p> After <p>Johnny Dawes made an indelible contribution to British climbing in the 1980s and ‘90s.</p> <p>Whilst contemporaries such as <a href="/climber/130/ben-moon" rel="noopener noreferrer">Ben Moon</a> and <a href="/climber/131/jerry-moffatt" rel="noopener noreferrer">Jerry Moffatt</a> pushed physical standards forwards, Johnny took a swerve sideways (probably getting the vehicle on two wheels in the process), bringing his restless innovation in movement to bear on some of the country’s most spectacular lines. </p> <p>Dawes’s teenage years were spent honing his skills on the buildings around his school, but it wasn’t long before he made his presence known on the grit: the bold friction slab <a href="/climb/6009/jugged-hare" rel="noopener noreferrer">Jugged Hare</a> (E6), climbed in EBs in 1983 was an aperitif for what was to come. </p> <p>Jerry Moffatt had climbed <a href="/climb/881/ulysses'-bow" rel="noopener noreferrer">Ulysses' Bow</a> (E6) in 1983 after extensive top rope practice. Just one year later Dawes soloed it onsight. He made the route look easy, but as those who tried to follow him <a href="/climb/922/ulysses-or-bust" rel="noopener noreferrer">found out the hard way</a>, it was anything but. </p> <p>A host of hard gritstone classics followed: <a href="/climb/3475/braille-trail" rel="noopener noreferrer">Braille Trail</a> (E7), <a href="/climb/5798/benign-lives" rel="noopener noreferrer">Benign Lives</a> (E7), <a href="/climb/1450/the-salmon" rel="noopener noreferrer">The Salmon</a> (E7); <a href="/climb/2973/sad-amongst-friends" rel="noopener noreferrer">Sad Amongst Friends</a> (E7) and <a href="/climb/5782/silk" rel="noopener noreferrer">Silk</a> (E5) were climbed ground up. </p> <p>In 1985, the North Wales slate beckoned, where Dawes found an affinity with its slabby style, slightly unhinged sparse bolting ethic, and social scene of misfits and miscreants. <a href="/climb/1167/dawes-of-perception" rel="noopener noreferrer">Dawes of Perception</a> (E7) set a benchmark for difficulty and boldness that came to define the medium, whilst his best link on <a href="/climb/52/the-meltdown" rel="noopener noreferrer">The Meltdown</a> project was worth at least 8c. </p> <p>But the best was yet to come. 1986 was Dawes’ <em>annus mirabilis</em>. The highlights included: <a href="/climb/585/gaia" rel="noopener noreferrer">Gaia</a> (E8), <a href="/climb/586/end-of-the-affair" rel="noopener noreferrer">End of the Affair</a> (E8), and <a href="/climb/622/slab-and-crack" rel="noopener noreferrer">Slab and Crack</a> (E8) on the grit; <a href="/climb/1187/conan-the-librarian" rel="noopener noreferrer">Conan the Librarian</a> (E7) and <a href="/climb/1003/come-to-mother" rel="noopener noreferrer">Come to Mother</a> (E7) on Gogarth; <a href="/climb/700/coeur-de-lion" rel="noopener noreferrer">Coeur de Lion</a> (E8) and the majestic <a href="/climb/699/the-quarryman" rel="noopener noreferrer">The Quarryman</a> (E8) on the slate. </p> <p>But it was <a href="/climb/601/indian-face" rel="noopener noreferrer">Indian Face</a> (E9) that topped them all, a harrowing quest up the Great Wall of <a href="/crag/457/clogwyn-du'r-arddu" rel="noopener noreferrer">Clogwyn Du'r Arddu</a> and the country’s first E9. The route established a level of boldness that still may not have been surpassed, and it has become a near-mythical part of British climbing lore.</p> <p>The eighties was a time of conflicting styles as climbing evolved. The Indian Face was pre-inspected, but to a level that would be considered minimal by today’s standards. Although the more accessible classics such as <a href="/climb/586/end-of-the-affair" rel="noopener noreferrer">End of the Affair</a> (E8) and <a href="/climb/585/gaia" rel="noopener noreferrer">Gaia</a> (E8) are now regularly headpointed, few have matched the spirit and style of Dawes’s first ascents: End of the Affair was attempted ground-up with a terrifying fall, whilst the bold final moves on Gaia were climbed onsight. </p> <p>The ground-up approach reached a new high watermark in 1988 when Dawes succeeded on the first ascent of <a href="/climb/1648/hardback-thesaurus" rel="noopener noreferrer">Hardback Thesaurus</a> (E8) on Gogarth, but not before taking gear-ripping falls that were enough to make you feel sea sick. It remains one of the hardest ground-up first ascents. </p> <p>The eighties also saw trips to <a href="/crag/778/sròn-uladail" rel="noopener noreferrer">Sròn Uladail</a> to free climb <a href="/climb/3047/the-scoop" rel="noopener noreferrer">The Scoop</a> (E7) and <a href="/climb/7131/moskill-grooves" rel="noopener noreferrer">Moskill Grooves</a> (E6), multipitch monsters winding their way through the crag’s 50m-overhanging girth. </p> <p>The 1990s saw the bar for slab climbing raised further with <a href="/climb/797/the-very-big-and-the-very-small" rel="noopener noreferrer">The Very Big and the Very Small</a> (8b+) on the slate and <a href="/climb/4123/smoked-salmon" rel="noopener noreferrer">Smoked Salmon</a> (E8) and <a href="/climb/900/the-angel's-share" rel="noopener noreferrer">The Angel's Share</a> (7C) on the grit, the latter taking a harder line, above a harder landing, than is usually climbed today. A one-handed solo of <a href="/climb/920/downhill-racer" rel="noopener noreferrer">Downhill Racer</a> was a typically Dawesian antic – he rated his effort E8. </p> <p>In 1993, an attempt on Himalayan big wall <a href="/summit/52/meru-peak" rel="noopener noreferrer">Meru Shark’s Fin</a> was abandoned when Dawes dropped a boot at 6000m. </p> <p>In 1995 he repeated his friend <a href="/climber/540/nick-dixon" rel="noopener noreferrer">Nick Dixon</a>’s masterpiece <a href="/climb/647/face-mecca" rel="noopener noreferrer">Face Mecca</a> (E9), taking a parallel line to Indian Face. This marked the end of the superbold era. </p> <p>The following years were spent conjuring up futuristic projects such as <a href="/climb/6959/wizard-ridge" rel="noopener noreferrer">Wizard Ridge</a> and <a href="/climb/5479/promontory-scoop" rel="noopener noreferrer">Promontory Scoop</a>, whilst exploring ever-more inventive approaches to movement. In 2018 he pulled a second-go ascent of an 8b+ slab in <a href="/crag/2660/la-pedriza" rel="noopener noreferrer">La Pedriza</a> out the bag and teamed up with longstanding friend <a href="/climber/540/nick-dixon" rel="noopener noreferrer">Nick Dixon</a> to add a bold new E7 <a href="/climb/8246/island" rel="noopener noreferrer">Island</a> to <a href="/crag/457/clogwyn-du'r-arddu" rel="noopener noreferrer">Clogwyn Du'r Arddu</a>.</p> <p>Dawes was captured climbing at his best in the 1986 film <em>Stone Monkey</em> by Alun Hughes, a cult classic that was shown on terrestrial television several times. In 1996 Dawes made <em>Best Forgotten Art</em>, a film about gritstone crack climbing that was the easy listening antidote to Ben And Jerry’s techno-energised <em>The Real Thing</em>, released around the same time. Like a tweed jacket in a Sheffield nightclub, the contrast between the two films perhaps encapsulates Dawes’ place in his era: a climber who stood alongside the sport’s leading performers, yet always seemed to be playing a different game.</p> <blockquote> <p><a href="/climber/3087/jon-barton" rel="noopener noreferrer">Jon Barton</a>: Do you think you ever shocked anybody Johnny?</p> <p>Well I'd been at this mad party over in Wales. I left in the early hours to drive over to Sheffield, I like driving at night when the roads are quiet. I could tell you about the Snake Pass first thing at dawn, but that's boring hippy stuff. I got to Sheffield, and broke into the back of <a href="/climber/1215/alan-rouse" rel="noopener noreferrer">Al Rouse's</a> house. I was in the kitchen making coffee, admiring Al's new decorating efforts, I went up stairs and jumped into his room and onto the bed, to be faced by two worried looking strangers hiding under the duvet. Al had moved out some weeks earlier.</p> <p>JB: No Johnny, did you ever shock anybody with your climbing? [5]</p> </blockquote> <h3>References</h3> <p>[1] Interview with <a href="/climber/702/niall-grimes" rel="noopener noreferrer">Niall Grimes</a> and <a href="/climber/540/nick-dixon" rel="noopener noreferrer">Nick Dixon</a> <a href="https://www.youtube.com/watch?v=5gfAxYENlmU" rel="noopener noreferrer">https://www.youtube.com/watch?v=5gfAxYENlmU</a></p> <p>[2] Features in <a href="https://www.youtube.com/watch?v=Jkj3Buhfi2k" rel="noopener noreferrer">80's Birth of Extreme</a></p> <p>[3] Interview for the film <em>Stone Monkey</em>, <a href="https://www.youtube.com/watch?v=QdeaV_vfp5Q" rel="noopener noreferrer">https://www.youtube.com/watch?v=QdeaV_vfp5Q</a></p> <p>[4] <a href="https://www.youtube.com/watch?v=D88mEgfHJ-I" rel="noopener noreferrer">https://www.youtube.com/watch?v=D88mEgfHJ-I</a></p> <p>[5] Interview with <a href="/climber/3087/jon-barton" rel="noopener noreferrer">Jon Barton</a>, On The Edge 63 (1996) <a href="/library/11066/on-the-edge-63" rel="noopener noreferrer">/library/11066/on-the-edge-63</a></p> <p>[6] <em>What Climbing Has Taught Me</em> (2025) <a href="https://www.youtube.com/watch?v=5L_uSJH7-30" rel="noopener noreferrer">https://www.youtube.com/watch?v=5L_uSJH7-30</a></p>
104	18th August 2026	12:06:40 UTC	Mono	climber	Johnny Dawes	notes
Before Johnny Dawes made an indelible contribution to British climbing in the 1980s and ‘90s. Whilst contemporaries such as [Ben Moon](/climber/130/ben-moon) and [Jerry Moffatt](/climber/131/jerry-moffatt) pushed physical standards forwards, Johnny took a swerve sideways (probably getting the vehicle on two wheels in the process), bringing his restless innovation in movement to bear on some of the country’s most spectacular lines. Dawes’s teenage years were spent honing his skills on the buildings around his school, but it wasn’t long before he made his presence known on the grit: the bold friction slab [Jugged Hare](/climb/6009/jugged-hare) (E6), climbed in EBs in 1983 was an aperitif for what was to come. Jerry Moffatt had climbed [Ulysses' Bow](/climb/881/ulysses'-bow) (E6) in 1983 after extensive top rope practice. Just one year later Dawes soloed it onsight. He made the route look easy, but as those who tried to follow him [found out the hard way](/climb/922/ulysses-or-bust), it was anything but. A host of hard gritstone classics followed: [Braille Trail](/climb/3475/braille-trail) (E7), [Benign Lives](/climb/5798/benign-lives) (E7), [The Salmon](/climb/1450/the-salmon) (E7); [Sad Amongst Friends](/climb/2973/sad-amongst-friends) (E7) and [Silk](/climb/5782/silk) (E5) were climbed ground up. In 1985, the North Wales slate beckoned, where Dawes found an affinity with its slabby style, slightly unhinged sparse bolting ethic, and social scene of misfits and miscreants. [Dawes of Perception](/climb/1167/dawes-of-perception) (E7) set a benchmark for difficulty and boldness that came to define the medium, whilst his best link on [The Meltdown](/climb/52/the-meltdown) project was worth at least 8c. But the best was yet to come. 1986 was Dawes’ annus mirabilis. The highlights included: [Gaia](/climb/585/gaia) (E8), [End of the Affair](/climb/586/end-of-the-affair) (E8), and [Slab and Crack](/climb/622/slab-and-crack) (E8) on the grit; [Conan the Librarian](/climb/1187/conan-the-librarian) (E7) and [Come to Mother](/climb/1003/come-to-mother) (E7) on Gogarth; [Coeur de Lion](/climb/700/coeur-de-lion) (E8) and the majestic [The Quarryman](/climb/699/the-quarryman) (E8) on the slate. But it was [Indian Face](/climb/601/indian-face) (E9) that topped them all, a harrowing quest up the Great Wall of [Clogwyn Du'r Arddu](/crag/457/clogwyn-du'r-arddu) and the country’s first E9. The route established a level of boldness that still may not have been surpassed, and it has become a near-mythical part of British climbing lore. The eighties was a time of conflicting styles as climbing evolved. The Indian Face was pre-inspected, but to a level that would be considered minimal by today’s standards. Although the more accessible classics such as [End of the Affair](/climb/586/end-of-the-affair) (E8) and [Gaia](/climb/585/gaia) (E8) are now regularly headpointed, few have matched the spirit and style of Dawes’s first ascents: End of the Affair was attempted ground-up with a terrifying fall, whilst the bold final moves on Gaia were climbed onsight. The ground-up approach reached a new high watermark in 1988 when Dawes succeeded on the first ascent of [Hardback Thesaurus](/climb/1648/hardback-thesaurus) (E8) on Gogarth, but not before taking gear-ripping falls that were enough to make you feel sea sick. It remains one of the hardest ground-up first ascents. The eighties also saw trips to [Sròn Uladail](/crag/778/sròn-uladail) to free climb [The Scoop](/climb/3047/the-scoop) (E7) and [Moskill Grooves](/climb/7131/moskill-grooves) (E6), multipitch monsters winding their way through the crag’s 50m-overhanging girth. The 1990s saw the bar for slab climbing raised further with [The Very Big and the Very Small](/climb/797/the-very-big-and-the-very-small) (8b+) on the slate and [Smoked Salmon](/climb/4123/smoked-salmon) (E8) and [The Angel's Share](/climb/900/the-angel's-share) (7C) on the grit, the latter taking a harder line, above a harder landing, than is usually climbed today. A one-handed solo of [Downhill Racer](/climb/920/downhill-racer) was a typically Dawesian antic – he rated his effort E8. In 1993, an attempt on Himalayan big wall [Meru Shark’s Fin](/summit/52/meru-peak) was abandoned when Dawes dropped a boot at 6000m. In 1995 he repeated his friend [Nick Dixon](/climber/540/nick-dixon)’s masterpiece [Face Mecca](/climb/647/face-mecca) (E9), taking a parallel line to Indian Face. This marked the end of the superbold era. The following years were spent conjuring up futuristic projects such as [Wizard Ridge](/climb/6959/wizard-ridge) and [Promontory Scoop](/climb/5479/promontory-scoop), whilst exploring ever-more inventive approaches to movement. In 2018 he pulled an ascent of an 8b+ slab in [La Pedriza](/crag/2660/la-pedriza) out the bag. Dawes was captured climbing at his best in the 1986 film Stone Monkey by Alun Hughes, a cult classic that was shown on terrestrial television several times. In 1996 Dawes made Best Forgotten Art, a film about gritstone crack climbing that was the easy listening antidote to Ben And Jerry’s techno-energised The Real Thing, released around the same time. Like a tweed jacket in a Sheffield nightclub, the contrast between the two films perhaps encapsulates Dawes’ place in his era: a climber who stood alongside the sport’s leading performers, yet always seemed to be playing a different game. > [Jon Barton](/climber/3087/jon-barton): Do you think you ever shocked anybody Johnny? > Well I'd been at this mad party over in Wales. I left in the early hours to drive over to Sheffield, I like driving at night when the roads are quiet. I could tell you about the Snake Pass first thing at dawn, but that's boring hippy stuff. I got to Sheffield, and broke into the back of [Al Rouse's](/climber/1215/alan-rouse) house. I was in the kitchen making coffee, admiring Al's new decorating efforts, I went up stairs and jumped into his room and onto the bed, to be faced by two worried looking strangers hiding under the duvet. Al had moved out some weeks earlier. > JB: No Johnny, did you ever shock anybody with your climbing? [5] ### References [1] Interview with [Niall Grimes](/climber/702/niall-grimes) and [Nick Dixon](/climber/540/nick-dixon) [https://www.youtube.com/watch?v=5gfAxYENlmU](https://www.youtube.com/watch?v=5gfAxYENlmU) [2] Features in [80's Birth of Extreme](https://www.youtube.com/watch?v=Jkj3Buhfi2k) [3] Interview for the film Stone Monkey, [https://www.youtube.com/watch?v=QdeaV_vfp5Q](https://www.youtube.com/watch?v=QdeaV_vfp5Q) [4] [https://www.youtube.com/watch?v=D88mEgfHJ-I](https://www.youtube.com/watch?v=D88mEgfHJ-I) [5] Interview with [Jon Barton](/climber/3087/jon-barton), On The Edge 63 (1996) [/library/11066/on-the-edge-63](/library/11066/on-the-edge-63) [6] What Climbing Has Taught Me (2025) [https://www.youtube.com/watch?v=5L_uSJH7-30](https://www.youtube.com/watch?v=5L_uSJH7-30) After Johnny Dawes made an indelible contribution to British climbing in the 1980s and ‘90s. Whilst contemporaries such as [Ben Moon](/climber/130/ben-moon) and [Jerry Moffatt](/climber/131/jerry-moffatt) pushed physical standards forwards, Johnny took a swerve sideways (probably getting the vehicle on two wheels in the process), bringing his restless innovation in movement to bear on some of the country’s most spectacular lines. Dawes’s teenage years were spent honing his skills on the buildings around his school, but it wasn’t long before he made his presence known on the grit: the bold friction slab [Jugged Hare](/climb/6009/jugged-hare) (E6), climbed in EBs in 1983 was an aperitif for what was to come. Jerry Moffatt had climbed [Ulysses' Bow](/climb/881/ulysses'-bow) (E6) in 1983 after extensive top rope practice. Just one year later Dawes soloed it onsight. He made the route look easy, but as those who tried to follow him [found out the hard way](/climb/922/ulysses-or-bust), it was anything but. A host of hard gritstone classics followed: [Braille Trail](/climb/3475/braille-trail) (E7), [Benign Lives](/climb/5798/benign-lives) (E7), [The Salmon](/climb/1450/the-salmon) (E7); [Sad Amongst Friends](/climb/2973/sad-amongst-friends) (E7) and [Silk](/climb/5782/silk) (E5) were climbed ground up. In 1985, the North Wales slate beckoned, where Dawes found an affinity with its slabby style, slightly unhinged sparse bolting ethic, and social scene of misfits and miscreants. [Dawes of Perception](/climb/1167/dawes-of-perception) (E7) set a benchmark for difficulty and boldness that came to define the medium, whilst his best link on [The Meltdown](/climb/52/the-meltdown) project was worth at least 8c. But the best was yet to come. 1986 was Dawes’ annus mirabilis. The highlights included: [Gaia](/climb/585/gaia) (E8), [End of the Affair](/climb/586/end-of-the-affair) (E8), and [Slab and Crack](/climb/622/slab-and-crack) (E8) on the grit; [Conan the Librarian](/climb/1187/conan-the-librarian) (E7) and [Come to Mother](/climb/1003/come-to-mother) (E7) on Gogarth; [Coeur de Lion](/climb/700/coeur-de-lion) (E8) and the majestic [The Quarryman](/climb/699/the-quarryman) (E8) on the slate. But it was [Indian Face](/climb/601/indian-face) (E9) that topped them all, a harrowing quest up the Great Wall of [Clogwyn Du'r Arddu](/crag/457/clogwyn-du'r-arddu) and the country’s first E9. The route established a level of boldness that still may not have been surpassed, and it has become a near-mythical part of British climbing lore. The eighties was a time of conflicting styles as climbing evolved. The Indian Face was pre-inspected, but to a level that would be considered minimal by today’s standards. Although the more accessible classics such as [End of the Affair](/climb/586/end-of-the-affair) (E8) and [Gaia](/climb/585/gaia) (E8) are now regularly headpointed, few have matched the spirit and style of Dawes’s first ascents: End of the Affair was attempted ground-up with a terrifying fall, whilst the bold final moves on Gaia were climbed onsight. The ground-up approach reached a new high watermark in 1988 when Dawes succeeded on the first ascent of [Hardback Thesaurus](/climb/1648/hardback-thesaurus) (E8) on Gogarth, but not before taking gear-ripping falls that were enough to make you feel sea sick. It remains one of the hardest ground-up first ascents. The eighties also saw trips to [Sròn Uladail](/crag/778/sròn-uladail) to free climb [The Scoop](/climb/3047/the-scoop) (E7) and [Moskill Grooves](/climb/7131/moskill-grooves) (E6), multipitch monsters winding their way through the crag’s 50m-overhanging girth. The 1990s saw the bar for slab climbing raised further with [The Very Big and the Very Small](/climb/797/the-very-big-and-the-very-small) (8b+) on the slate and [Smoked Salmon](/climb/4123/smoked-salmon) (E8) and [The Angel's Share](/climb/900/the-angel's-share) (7C) on the grit, the latter taking a harder line, above a harder landing, than is usually climbed today. A one-handed solo of [Downhill Racer](/climb/920/downhill-racer) was a typically Dawesian antic – he rated his effort E8. In 1993, an attempt on Himalayan big wall [Meru Shark’s Fin](/summit/52/meru-peak) was abandoned when Dawes dropped a boot at 6000m. In 1995 he repeated his friend [Nick Dixon](/climber/540/nick-dixon)’s masterpiece [Face Mecca](/climb/647/face-mecca) (E9), taking a parallel line to Indian Face. This marked the end of the superbold era. The following years were spent conjuring up futuristic projects such as [Wizard Ridge](/climb/6959/wizard-ridge) and [Promontory Scoop](/climb/5479/promontory-scoop), whilst exploring ever-more inventive approaches to movement. In 2018 he pulled a second-go ascent of an 8b+ slab in [La Pedriza](/crag/2660/la-pedriza) out the bag and teamed up with longstanding friend [Nick Dixon](/climber/540/nick-dixon) to add a bold new E7 [Island](/climb/8246/island) to [Clogwyn Du'r Arddu](/crag/457/clogwyn-du'r-arddu). Dawes was captured climbing at his best in the 1986 film Stone Monkey by Alun Hughes, a cult classic that was shown on terrestrial television several times. In 1996 Dawes made Best Forgotten Art, a film about gritstone crack climbing that was the easy listening antidote to Ben And Jerry’s techno-energised The Real Thing, released around the same time. Like a tweed jacket in a Sheffield nightclub, the contrast between the two films perhaps encapsulates Dawes’ place in his era: a climber who stood alongside the sport’s leading performers, yet always seemed to be playing a different game. > [Jon Barton](/climber/3087/jon-barton): Do you think you ever shocked anybody Johnny? > Well I'd been at this mad party over in Wales. I left in the early hours to drive over to Sheffield, I like driving at night when the roads are quiet. I could tell you about the Snake Pass first thing at dawn, but that's boring hippy stuff. I got to Sheffield, and broke into the back of [Al Rouse's](/climber/1215/alan-rouse) house. I was in the kitchen making coffee, admiring Al's new decorating efforts, I went up stairs and jumped into his room and onto the bed, to be faced by two worried looking strangers hiding under the duvet. Al had moved out some weeks earlier. > JB: No Johnny, did you ever shock anybody with your climbing? [5] ### References [1] Interview with [Niall Grimes](/climber/702/niall-grimes) and [Nick Dixon](/climber/540/nick-dixon) [https://www.youtube.com/watch?v=5gfAxYENlmU](https://www.youtube.com/watch?v=5gfAxYENlmU) [2] Features in [80's Birth of Extreme](https://www.youtube.com/watch?v=Jkj3Buhfi2k) [3] Interview for the film Stone Monkey, [https://www.youtube.com/watch?v=QdeaV_vfp5Q](https://www.youtube.com/watch?v=QdeaV_vfp5Q) [4] [https://www.youtube.com/watch?v=D88mEgfHJ-I](https://www.youtube.com/watch?v=D88mEgfHJ-I) [5] Interview with [Jon Barton](/climber/3087/jon-barton), On The Edge 63 (1996) [/library/11066/on-the-edge-63](/library/11066/on-the-edge-63) [6] What Climbing Has Taught Me (2025) [https://www.youtube.com/watch?v=5L_uSJH7-30](https://www.youtube.com/watch?v=5L_uSJH7-30) Diff --- before +++ after @@ -26,7 +26,7 @@ In 1995 he repeated his friend [Nick Dixon](/climber/540/nick-dixon)’s masterpiece [Face Mecca](/climb/647/face-mecca) (E9), taking a parallel line to Indian Face. This marked the end of the superbold era. -The following years were spent conjuring up futuristic projects such as [Wizard Ridge](/climb/6959/wizard-ridge) and [Promontory Scoop](/climb/5479/promontory-scoop), whilst exploring ever-more inventive approaches to movement. In 2018 he pulled an ascent of an 8b+ slab in [La Pedriza](/crag/2660/la-pedriza) out the bag. +The following years were spent conjuring up futuristic projects such as [Wizard Ridge](/climb/6959/wizard-ridge) and [Promontory Scoop](/climb/5479/promontory-scoop), whilst exploring ever-more inventive approaches to movement. In 2018 he pulled a second-go ascent of an 8b+ slab in [La Pedriza](/crag/2660/la-pedriza) out the bag and teamed up with longstanding friend [Nick Dixon](/climber/540/nick-dixon) to add a bold new E7 [Island](/climb/8246/island) to [Clogwyn Du'r Arddu](/crag/457/clogwyn-du'r-arddu). Dawes was captured climbing at his best in the 1986 film Stone Monkey by Alun Hughes, a cult classic that was shown on terrestrial television several times. In 1996 Dawes made Best Forgotten Art, a film about gritstone crack climbing that was the easy listening antidote to Ben And Jerry’s techno-energised The Real Thing, released around the same time. Like a tweed jacket in a Sheffield nightclub, the contrast between the two films perhaps encapsulates Dawes’ place in his era: a climber who stood alongside the sport’s leading performers, yet always seemed to be playing a different game.
105	18th August 2026	12:04:06 UTC	Mono	ascent	Nick Dixon's ascent of Island	Pre-Placed Gear
Before `None` After `1`
106	18th August 2026	12:03:53 UTC	Mono	ascent	Nick Dixon's ascent of Island	notes_pretty
Before `<p>Lead on Johnny's gear</p> <h3>References</h3> <p>[1] <a href="https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634" rel="noopener noreferrer">https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634</a></p>` After `<p>Led on Johnny's gear</p> <h3>References</h3> <p>[1] <a href="https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634" rel="noopener noreferrer">https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634</a></p>`
107	18th August 2026	12:03:53 UTC	Mono	ascent	Nick Dixon's ascent of Island	notes
Before `Lead on Johnny's gear ### References [1] [https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634](https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634)` After `Led on Johnny's gear ### References [1] [https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634](https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634)` Diff `--- before +++ after @@ -1,4 +1,4 @@ -Lead on Johnny's gear +Led on Johnny's gear ### References`
108	18th August 2026	12:03:45 UTC	Mono	ascent	Johnny Dawes's ascent of Island	notes
Before `None` After `### References [1] [https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634](https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634)` Diff `--- before +++ after @@ -1 +1,3 @@ - +### References + +[1] [https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634](https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634)`
109	18th August 2026	12:03:45 UTC	Mono	ascent	Johnny Dawes's ascent of Island	notes_pretty
Before `None` After `<h3>References</h3> <p>[1] <a href="https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634" rel="noopener noreferrer">https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634</a></p>`
110	18th August 2026	12:03:37 UTC	Mono	ascent	Nick Dixon's ascent of Island	Ascent #
Before `None` After `2`
111	18th August 2026	12:03:37 UTC	Mono	ascent	Nick Dixon's ascent of Island	climber_id
Before `None` After `540`
112	18th August 2026	12:03:37 UTC	Mono	ascent	Nick Dixon's ascent of Island	ascent_style_id
Before `None` After `1`
113	18th August 2026	12:03:37 UTC	Mono	ascent	Nick Dixon's ascent of Island	notes
Before `None` After `Lead on Johnny's gear ### References [1] [https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634](https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634)` Diff `--- before +++ after @@ -1 +1,5 @@ - +Lead on Johnny's gear + +### References + +[1] [https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634](https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634)`
114	18th August 2026	12:03:37 UTC	Mono	ascent	Nick Dixon's ascent of Island	notes_pretty
Before `None` After `<p>Lead on Johnny's gear</p> <h3>References</h3> <p>[1] <a href="https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634" rel="noopener noreferrer">https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634</a></p>`
115	18th August 2026	12:03:37 UTC	Mono	ascent	Nick Dixon's ascent of Island	ascent_dt_start
Before `None` After `2018-07-05`
116	18th August 2026	12:03:37 UTC	Mono	ascent	Nick Dixon's ascent of Island	ascent_type_id
Before `None` After `1`
117	18th August 2026	12:03:37 UTC	Mono	ascent	Nick Dixon's ascent of Island	climb_id
Before `None` After `8246`
118	18th August 2026	12:03:37 UTC	Mono	ascent	Nick Dixon's ascent of Island	ascent_dt_end
Before `None` After `2018-07-05`
119	18th August 2026	12:02:38 UTC	Mono	ascent	Johnny Dawes's ascent of Island	Ascent #
Before `None` After `1`
120	18th August 2026	12:02:38 UTC	Mono	ascent	Johnny Dawes's ascent of Island	ascent_dt_end
Before `None` After `2018-07-05`

Before

<p>Johnny Dawes made an indelible contribution to British climbing in the 1980s and ‘90s.</p>
<p>Whilst contemporaries such as <a href="/climber/130/ben-moon" rel="noopener noreferrer">Ben Moon</a>  and <a href="/climber/131/jerry-moffatt" rel="noopener noreferrer">Jerry Moffatt</a> pushed physical standards forwards, Johnny took a swerve sideways (probably getting the vehicle on two wheels in the process), bringing his restless innovation in movement to bear on some of the country’s most spectacular lines. </p>
<p>Dawes’s teenage years were spent honing his skills on the buildings around his school, but it wasn’t long before he made his presence known on the grit: the bold friction slab <a href="/climb/6009/jugged-hare" rel="noopener noreferrer">Jugged Hare</a> (E6), climbed in EBs in 1983 was an aperitif for what was to come. </p>
<p>Jerry Moffatt had climbed <a href="/climb/881/ulysses'-bow" rel="noopener noreferrer">Ulysses' Bow</a> (E6) in 1983 after extensive top rope practice. Just one year later Dawes soloed it onsight. He made the route look easy, but as those who tried to follow him <a href="/climb/922/ulysses-or-bust" rel="noopener noreferrer">found out the hard way</a>, it was anything but. </p>
<p>A host of hard gritstone classics followed: <a href="/climb/3475/braille-trail" rel="noopener noreferrer">Braille Trail</a> (E7), <a href="/climb/5798/benign-lives" rel="noopener noreferrer">Benign Lives</a> (E7), <a href="/climb/1450/the-salmon" rel="noopener noreferrer">The Salmon</a> (E7); <a href="/climb/2973/sad-amongst-friends" rel="noopener noreferrer">Sad Amongst Friends</a> (E7) and <a href="/climb/5782/silk" rel="noopener noreferrer">Silk</a> (E5) were climbed ground up. </p>
<p>In 1985, the North Wales slate beckoned, where Dawes found an affinity with its slabby style, slightly unhinged sparse bolting ethic, and social scene of misfits and miscreants. <a href="/climb/1167/dawes-of-perception" rel="noopener noreferrer">Dawes of Perception</a> (E7) set a benchmark for difficulty and boldness that came to define the medium, whilst his best link on <a href="/climb/52/the-meltdown" rel="noopener noreferrer">The Meltdown</a> project was worth at least 8c. </p>
<p>But the best was yet to come. 1986 was Dawes’ <em>annus mirabilis</em>. The highlights included: <a href="/climb/585/gaia" rel="noopener noreferrer">Gaia</a> (E8), <a href="/climb/586/end-of-the-affair" rel="noopener noreferrer">End of the Affair</a> (E8), and <a href="/climb/622/slab-and-crack" rel="noopener noreferrer">Slab and Crack</a> (E8) on the grit; <a href="/climb/1187/conan-the-librarian" rel="noopener noreferrer">Conan the Librarian</a> (E7) and <a href="/climb/1003/come-to-mother" rel="noopener noreferrer">Come to Mother</a> (E7) on Gogarth; <a href="/climb/700/coeur-de-lion" rel="noopener noreferrer">Coeur de Lion</a> (E8) and the majestic <a href="/climb/699/the-quarryman" rel="noopener noreferrer">The Quarryman</a> (E8) on the slate. </p>
<p>But it was <a href="/climb/601/indian-face" rel="noopener noreferrer">Indian Face</a> (E9) that topped them all, a harrowing quest up the Great Wall of <a href="/crag/457/clogwyn-du'r-arddu" rel="noopener noreferrer">Clogwyn Du'r Arddu</a> and the country’s first E9. The route established a level of boldness that still may not have been surpassed, and it has become a near-mythical part of British climbing lore.</p>
<p>The eighties was a time of conflicting styles as climbing evolved. The Indian Face was pre-inspected, but to a level that would be considered minimal by today’s standards. Although the more accessible classics such as <a href="/climb/586/end-of-the-affair" rel="noopener noreferrer">End of the Affair</a> (E8) and <a href="/climb/585/gaia" rel="noopener noreferrer">Gaia</a> (E8) are now regularly headpointed, few have matched the spirit and style of Dawes’s first ascents: End of the Affair was attempted ground-up with a terrifying fall, whilst the bold final moves on Gaia were climbed onsight. </p>
<p>The ground-up approach reached a new high watermark in 1988 when Dawes succeeded on the first ascent of <a href="/climb/1648/hardback-thesaurus" rel="noopener noreferrer">Hardback Thesaurus</a> (E8) on Gogarth, but not before taking gear-ripping falls that were enough to make you feel sea sick. It remains one of the hardest ground-up first ascents. </p>
<p>The eighties also saw trips to <a href="/crag/778/sròn-uladail" rel="noopener noreferrer">Sròn Uladail</a> to free climb <a href="/climb/3047/the-scoop" rel="noopener noreferrer">The Scoop</a> (E7) and <a href="/climb/7131/moskill-grooves" rel="noopener noreferrer">Moskill Grooves</a> (E6), multipitch monsters winding their way through the crag’s 50m-overhanging girth. </p>
<p>The 1990s saw the bar for slab climbing raised further with <a href="/climb/797/the-very-big-and-the-very-small" rel="noopener noreferrer">The Very Big and the Very Small</a> (8b+) on the slate and <a href="/climb/4123/smoked-salmon" rel="noopener noreferrer">Smoked Salmon</a> (E8) and <a href="/climb/900/the-angel's-share" rel="noopener noreferrer">The Angel's Share</a> (7C) on the grit, the latter taking a harder line, above a harder landing, than is usually climbed today. A one-handed solo of <a href="/climb/920/downhill-racer" rel="noopener noreferrer">Downhill Racer</a> was a typically Dawesian antic – he rated his effort E8. </p>
<p>In 1993, an attempt on Himalayan big wall <a href="/summit/52/meru-peak" rel="noopener noreferrer">Meru Shark’s Fin</a> was abandoned when Dawes dropped a boot at 6000m. </p>
<p>In 1995 he repeated his friend <a href="/climber/540/nick-dixon" rel="noopener noreferrer">Nick Dixon</a>’s masterpiece <a href="/climb/647/face-mecca" rel="noopener noreferrer">Face Mecca</a> (E9), taking a parallel line to Indian Face. This marked the end of the superbold era. </p>
<p>The following years were spent conjuring up futuristic projects such as <a href="/climb/6959/wizard-ridge" rel="noopener noreferrer">Wizard Ridge</a> and <a href="/climb/5479/promontory-scoop" rel="noopener noreferrer">Promontory Scoop</a>, whilst exploring ever-more inventive approaches to movement. In 2018 he pulled a second-go ascent of an 8b+ slab in <a href="/crag/2660/la-pedriza" rel="noopener noreferrer">La Pedriza</a> out the bag and teamed up with longstanding friend <a href="/climber/540/nick-dixon" rel="noopener noreferrer">Nick Dixon</a> to add a bold new E7 <a href="/climb/8246/island" rel="noopener noreferrer">Island</a> to <a href="/crag/457/clogwyn-du'r-arddu" rel="noopener noreferrer">Clogwyn Du'r Arddu</a>.</p>
<p>Dawes was captured climbing at his best in the 1986 film <em>Stone Monkey</em> by Alun Hughes, a cult classic that was shown on terrestrial television several times. In 1996 Dawes made <em>Best Forgotten Art</em>, a film about gritstone crack climbing that was the easy listening antidote to Ben And Jerry’s techno-energised <em>The Real Thing</em>, released around the same time. Like a tweed jacket in a Sheffield nightclub, the contrast between the two films perhaps encapsulates Dawes’ place in his era: a climber who stood alongside the sport’s leading performers, yet always seemed to be playing a different game.</p>
<blockquote>
<p><a href="/climber/3087/jon-barton" rel="noopener noreferrer">Jon Barton</a>: Do you think you ever shocked anybody Johnny?</p>
<p>Well I'd been at this mad party over in Wales. I left in the early hours to drive over to Sheffield, I like driving at night when the roads are quiet. I could tell you about the Snake Pass first thing at dawn, but that's boring hippy stuff. I got to Sheffield, and broke into the back of <a href="/climber/1215/alan-rouse" rel="noopener noreferrer">Al Rouse's</a> house. I was in the kitchen making coffee, admiring Al's new decorating efforts, I went up stairs and jumped into his room and onto the bed, to be faced by two worried looking strangers hiding under the duvet. Al had moved out some weeks earlier.</p>
<p>JB: No Johnny, did you ever shock anybody with your climbing? [5]</p>
</blockquote>
<h3>References</h3>
<p>[1] Interview with <a href="/climber/702/niall-grimes" rel="noopener noreferrer">Niall Grimes</a> and <a href="/climber/540/nick-dixon" rel="noopener noreferrer">Nick Dixon</a> <a href="https://www.youtube.com/watch?v=5gfAxYENlmU" rel="noopener noreferrer">https://www.youtube.com/watch?v=5gfAxYENlmU</a></p>
<p>[2] Features in <a href="https://www.youtube.com/watch?v=Jkj3Buhfi2k" rel="noopener noreferrer">80's Birth of Extreme</a></p>
<p>[3] Interview for the film <em>Stone Monkey</em>, <a href="https://www.youtube.com/watch?v=QdeaV_vfp5Q" rel="noopener noreferrer">https://www.youtube.com/watch?v=QdeaV_vfp5Q</a></p>
<p>[4] <a href="https://www.youtube.com/watch?v=D88mEgfHJ-I" rel="noopener noreferrer">https://www.youtube.com/watch?v=D88mEgfHJ-I</a></p>
<p>[5] Interview with <a href="/climber/3087/jon-barton" rel="noopener noreferrer">Jon Barton</a>, On The Edge 63 (1996) <a href="/library/11066/on-the-edge-63" rel="noopener noreferrer">/library/11066/on-the-edge-63</a></p>
<p>[6] <em>What Climbing Has Taught Me</em> (2025) <a href="https://www.youtube.com/watch?v=5L_uSJH7-30" rel="noopener noreferrer">https://www.youtube.com/watch?v=5L_uSJH7-30</a></p>

After

<p>Johnny Dawes made an indelible contribution to British climbing in the 1980s and ‘90s.</p>
<p>Whilst contemporaries such as <a href="/climber/130/ben-moon" rel="noopener noreferrer">Ben Moon</a>  and <a href="/climber/131/jerry-moffatt" rel="noopener noreferrer">Jerry Moffatt</a> pushed physical standards forwards, Johnny took a swerve sideways (probably getting the vehicle on two wheels in the process), bringing his restless innovation in movement to bear on some of the country’s most spectacular lines. </p>
<p>Dawes’s teenage years were spent honing his skills on the buildings around his school, but it wasn’t long before he made his presence known on the grit: the bold friction slab <a href="/climb/6009/jugged-hare" rel="noopener noreferrer">Jugged Hare</a> (E6), climbed in EBs in 1983 was an aperitif for what was to come. </p>
<p>Jerry Moffatt had climbed <a href="/climb/881/ulysses'-bow" rel="noopener noreferrer">Ulysses' Bow</a> (E6) in 1983 after extensive top rope practice. Just one year later Dawes soloed it onsight. He made the route look easy, but as those who tried to follow him <a href="/climb/922/ulysses-or-bust" rel="noopener noreferrer">found out the hard way</a>, it was anything but. </p>
<p>A host of hard gritstone classics followed: <a href="/climb/3475/braille-trail" rel="noopener noreferrer">Braille Trail</a> (E7), <a href="/climb/5798/benign-lives" rel="noopener noreferrer">Benign Lives</a> (E7), <a href="/climb/1450/the-salmon" rel="noopener noreferrer">The Salmon</a> (E7); <a href="/climb/2973/sad-amongst-friends" rel="noopener noreferrer">Sad Amongst Friends</a> (E7) and <a href="/climb/5782/silk" rel="noopener noreferrer">Silk</a> (E5) were climbed ground up. </p>
<p>In 1985, the North Wales slate beckoned, where Dawes found an affinity with its slabby style, slightly unhinged sparse bolting ethic, and social scene of misfits and miscreants. <a href="/climb/1167/dawes-of-perception" rel="noopener noreferrer">Dawes of Perception</a> (E7) set a benchmark for difficulty and boldness that came to define the medium, whilst his best link on <a href="/climb/52/the-meltdown" rel="noopener noreferrer">The Meltdown</a> project was worth at least 8c. </p>
<p>But the best was yet to come. 1986 was Dawes’ <em>annus mirabilis</em>. The highlights included: <a href="/climb/585/gaia" rel="noopener noreferrer">Gaia</a> (E8), <a href="/climb/586/end-of-the-affair" rel="noopener noreferrer">End of the Affair</a> (E8), and <a href="/climb/622/slab-and-crack" rel="noopener noreferrer">Slab and Crack</a> (E8) on the grit; <a href="/climb/1187/conan-the-librarian" rel="noopener noreferrer">Conan the Librarian</a> (E7) and <a href="/climb/1003/come-to-mother" rel="noopener noreferrer">Come to Mother</a> (E7) on Gogarth; <a href="/climb/700/coeur-de-lion" rel="noopener noreferrer">Coeur de Lion</a> (E8) and the majestic <a href="/climb/699/the-quarryman" rel="noopener noreferrer">The Quarryman</a> (E8) on the slate. </p>
<p>But it was <a href="/climb/601/indian-face" rel="noopener noreferrer">Indian Face</a> (E9) that topped them all, a harrowing quest up the Great Wall of <a href="/crag/457/clogwyn-du'r-arddu" rel="noopener noreferrer">Clogwyn Du'r Arddu</a> and the country’s first E9. The route established a level of boldness that still may not have been surpassed, and it has become a near-mythical part of British climbing lore.</p>
<p>The eighties was a time of conflicting styles as climbing evolved. The Indian Face was pre-inspected, but to a level that would be considered minimal by today’s standards. Although the more accessible classics such as <a href="/climb/586/end-of-the-affair" rel="noopener noreferrer">End of the Affair</a> (E8) and <a href="/climb/585/gaia" rel="noopener noreferrer">Gaia</a> (E8) are now regularly headpointed, few have matched the spirit and style of Dawes’s first ascents: End of the Affair was attempted ground-up with a terrifying fall, whilst the bold final moves on Gaia were climbed onsight. </p>
<p>The ground-up approach reached a new high watermark in 1988 when Dawes succeeded on the first ascent of <a href="/climb/1648/hardback-thesaurus" rel="noopener noreferrer">Hardback Thesaurus</a> (E8) on Gogarth, but not before taking gear-ripping falls that were enough to make you feel sea sick. It remains one of the hardest ground-up first ascents. </p>
<p>The eighties also saw trips to <a href="/crag/778/sròn-uladail" rel="noopener noreferrer">Sròn Uladail</a> to free climb <a href="/climb/3047/the-scoop" rel="noopener noreferrer">The Scoop</a> (E7) and <a href="/climb/7131/moskill-grooves" rel="noopener noreferrer">Moskill Grooves</a> (E6), multipitch monsters winding their way through the crag’s 50m-overhanging girth. </p>
<p>The 1990s saw the bar for slab climbing raised further with <a href="/climb/797/the-very-big-and-the-very-small" rel="noopener noreferrer">The Very Big and the Very Small</a> (8b+) on the slate and <a href="/climb/4123/smoked-salmon" rel="noopener noreferrer">Smoked Salmon</a> (E8) and <a href="/climb/900/the-angel's-share" rel="noopener noreferrer">The Angel's Share</a> (7C) on the grit, the latter taking a harder line, above a harder landing, than is usually climbed today. A one-handed solo of <a href="/climb/920/downhill-racer" rel="noopener noreferrer">Downhill Racer</a> was a typically Dawesian antic – he rated his effort E8. </p>
<p>In 1993, an attempt on Himalayan big wall <a href="/summit/52/meru-peak" rel="noopener noreferrer">Meru Shark’s Fin</a> was abandoned when Dawes dropped a boot at 6000m. </p>
<p>In 1995 he repeated his friend <a href="/climber/540/nick-dixon" rel="noopener noreferrer">Nick Dixon</a>’s masterpiece <a href="/climb/647/face-mecca" rel="noopener noreferrer">Face Mecca</a> (E9), taking a parallel line to Indian Face. This marked the end of the superbold era. </p>
<p>The following years were spent conjuring up futuristic projects such as <a href="/climb/6959/wizard-ridge" rel="noopener noreferrer">Wizard Ridge</a> and <a href="/climb/5479/promontory-scoop" rel="noopener noreferrer">Promontory Scoop</a>, whilst exploring ever-more inventive approaches to movement. In 2018 he pulled a second-go ascent of an 8b+ slab in <a href="/crag/2660/la-pedriza" rel="noopener noreferrer">La Pedriza</a> out the bag and teamed up with longstanding friend <a href="/climber/540/nick-dixon" rel="noopener noreferrer">Nick Dixon</a> to add a bold new E7, <a href="/climb/8246/island" rel="noopener noreferrer">Island</a>, to <a href="/crag/457/clogwyn-du'r-arddu" rel="noopener noreferrer">Clogwyn Du'r Arddu</a>.</p>
<p>Dawes was captured climbing at his best in the 1986 film <em>Stone Monkey</em> by Alun Hughes, a cult classic that was shown on terrestrial television several times. In 1996 Dawes made <em>Best Forgotten Art</em>, a film about gritstone crack climbing that was the easy listening antidote to Ben And Jerry’s techno-energised <em>The Real Thing</em>, released around the same time. Like a tweed jacket in a Sheffield nightclub, the contrast between the two films perhaps encapsulates Dawes’ place in his era: a climber who stood alongside the sport’s leading performers, yet always seemed to be playing a different game.</p>
<blockquote>
<p><a href="/climber/3087/jon-barton" rel="noopener noreferrer">Jon Barton</a>: Do you think you ever shocked anybody Johnny?</p>
<p>Well I'd been at this mad party over in Wales. I left in the early hours to drive over to Sheffield, I like driving at night when the roads are quiet. I could tell you about the Snake Pass first thing at dawn, but that's boring hippy stuff. I got to Sheffield, and broke into the back of <a href="/climber/1215/alan-rouse" rel="noopener noreferrer">Al Rouse's</a> house. I was in the kitchen making coffee, admiring Al's new decorating efforts, I went up stairs and jumped into his room and onto the bed, to be faced by two worried looking strangers hiding under the duvet. Al had moved out some weeks earlier.</p>
<p>JB: No Johnny, did you ever shock anybody with your climbing? [5]</p>
</blockquote>
<h3>References</h3>
<p>[1] Interview with <a href="/climber/702/niall-grimes" rel="noopener noreferrer">Niall Grimes</a> and <a href="/climber/540/nick-dixon" rel="noopener noreferrer">Nick Dixon</a> <a href="https://www.youtube.com/watch?v=5gfAxYENlmU" rel="noopener noreferrer">https://www.youtube.com/watch?v=5gfAxYENlmU</a></p>
<p>[2] Features in <a href="https://www.youtube.com/watch?v=Jkj3Buhfi2k" rel="noopener noreferrer">80's Birth of Extreme</a></p>
<p>[3] Interview for the film <em>Stone Monkey</em>, <a href="https://www.youtube.com/watch?v=QdeaV_vfp5Q" rel="noopener noreferrer">https://www.youtube.com/watch?v=QdeaV_vfp5Q</a></p>
<p>[4] <a href="https://www.youtube.com/watch?v=D88mEgfHJ-I" rel="noopener noreferrer">https://www.youtube.com/watch?v=D88mEgfHJ-I</a></p>
<p>[5] Interview with <a href="/climber/3087/jon-barton" rel="noopener noreferrer">Jon Barton</a>, On The Edge 63 (1996) <a href="/library/11066/on-the-edge-63" rel="noopener noreferrer">/library/11066/on-the-edge-63</a></p>
<p>[6] <em>What Climbing Has Taught Me</em> (2025) <a href="https://www.youtube.com/watch?v=5L_uSJH7-30" rel="noopener noreferrer">https://www.youtube.com/watch?v=5L_uSJH7-30</a></p>

Before

Johnny Dawes made an indelible contribution to British climbing in the 1980s and ‘90s.

Whilst contemporaries such as [Ben Moon](/climber/130/ben-moon)  and [Jerry Moffatt](/climber/131/jerry-moffatt) pushed physical standards forwards, Johnny took a swerve sideways (probably getting the vehicle on two wheels in the process), bringing his restless innovation in movement to bear on some of the country’s most spectacular lines. 

Dawes’s teenage years were spent honing his skills on the buildings around his school, but it wasn’t long before he made his presence known on the grit: the bold friction slab [Jugged Hare](/climb/6009/jugged-hare) (E6), climbed in EBs in 1983 was an aperitif for what was to come. 

Jerry Moffatt had climbed [Ulysses' Bow](/climb/881/ulysses'-bow) (E6) in 1983 after extensive top rope practice. Just one year later Dawes soloed it onsight. He made the route look easy, but as those who tried to follow him [found out the hard way](/climb/922/ulysses-or-bust), it was anything but. 

A host of hard gritstone classics followed: [Braille Trail](/climb/3475/braille-trail) (E7), [Benign Lives](/climb/5798/benign-lives) (E7), [The Salmon](/climb/1450/the-salmon) (E7); [Sad Amongst Friends](/climb/2973/sad-amongst-friends) (E7) and [Silk](/climb/5782/silk) (E5) were climbed ground up. 

In 1985, the North Wales slate beckoned, where Dawes found an affinity with its slabby style, slightly unhinged sparse bolting ethic, and social scene of misfits and miscreants. [Dawes of Perception](/climb/1167/dawes-of-perception) (E7) set a benchmark for difficulty and boldness that came to define the medium, whilst his best link on [The Meltdown](/climb/52/the-meltdown) project was worth at least 8c. 

But the best was yet to come. 1986 was Dawes’ *annus mirabilis*. The highlights included: [Gaia](/climb/585/gaia) (E8), [End of the Affair](/climb/586/end-of-the-affair) (E8), and [Slab and Crack](/climb/622/slab-and-crack) (E8) on the grit; [Conan the Librarian](/climb/1187/conan-the-librarian) (E7) and [Come to Mother](/climb/1003/come-to-mother) (E7) on Gogarth; [Coeur de Lion](/climb/700/coeur-de-lion) (E8) and the majestic [The Quarryman](/climb/699/the-quarryman) (E8) on the slate. 

But it was [Indian Face](/climb/601/indian-face) (E9) that topped them all, a harrowing quest up the Great Wall of [Clogwyn Du'r Arddu](/crag/457/clogwyn-du'r-arddu) and the country’s first E9. The route established a level of boldness that still may not have been surpassed, and it has become a near-mythical part of British climbing lore.

The eighties was a time of conflicting styles as climbing evolved. The Indian Face was pre-inspected, but to a level that would be considered minimal by today’s standards. Although the more accessible classics such as [End of the Affair](/climb/586/end-of-the-affair) (E8) and [Gaia](/climb/585/gaia) (E8) are now regularly headpointed, few have matched the spirit and style of Dawes’s first ascents: End of the Affair was attempted ground-up with a terrifying fall, whilst the bold final moves on Gaia were climbed onsight. 

The ground-up approach reached a new high watermark in 1988 when Dawes succeeded on the first ascent of [Hardback Thesaurus](/climb/1648/hardback-thesaurus) (E8) on Gogarth, but not before taking gear-ripping falls that were enough to make you feel sea sick. It remains one of the hardest ground-up first ascents. 

The eighties also saw trips to [Sròn Uladail](/crag/778/sròn-uladail) to free climb [The Scoop](/climb/3047/the-scoop) (E7) and [Moskill Grooves](/climb/7131/moskill-grooves) (E6), multipitch monsters winding their way through the crag’s 50m-overhanging girth. 

The 1990s saw the bar for slab climbing raised further with [The Very Big and the Very Small](/climb/797/the-very-big-and-the-very-small) (8b+) on the slate and [Smoked Salmon](/climb/4123/smoked-salmon) (E8) and [The Angel's Share](/climb/900/the-angel's-share) (7C) on the grit, the latter taking a harder line, above a harder landing, than is usually climbed today. A one-handed solo of [Downhill Racer](/climb/920/downhill-racer) was a typically Dawesian antic – he rated his effort E8. 

In 1993, an attempt on Himalayan big wall [Meru Shark’s Fin](/summit/52/meru-peak) was abandoned when Dawes dropped a boot at 6000m. 

In 1995 he repeated his friend [Nick Dixon](/climber/540/nick-dixon)’s masterpiece [Face Mecca](/climb/647/face-mecca) (E9), taking a parallel line to Indian Face. This marked the end of the superbold era. 

The following years were spent conjuring up futuristic projects such as [Wizard Ridge](/climb/6959/wizard-ridge) and [Promontory Scoop](/climb/5479/promontory-scoop), whilst exploring ever-more inventive approaches to movement. In 2018 he pulled a second-go ascent of an 8b+ slab in [La Pedriza](/crag/2660/la-pedriza) out the bag and teamed up with longstanding friend [Nick Dixon](/climber/540/nick-dixon) to add a bold new E7 [Island](/climb/8246/island) to [Clogwyn Du'r Arddu](/crag/457/clogwyn-du'r-arddu).

Dawes was captured climbing at his best in the 1986 film *Stone Monkey* by Alun Hughes, a cult classic that was shown on terrestrial television several times. In 1996 Dawes made *Best Forgotten Art*, a film about gritstone crack climbing that was the easy listening antidote to Ben And Jerry’s techno-energised *The Real Thing*, released around the same time. Like a tweed jacket in a Sheffield nightclub, the contrast between the two films perhaps encapsulates Dawes’ place in his era: a climber who stood alongside the sport’s leading performers, yet always seemed to be playing a different game.


> [Jon Barton](/climber/3087/jon-barton): Do you think you ever shocked anybody Johnny?

> Well I'd been at this mad party over in Wales. I left in the early hours to drive over to Sheffield, I like driving at night when the roads are quiet. I could tell you about the Snake Pass first thing at dawn, but that's boring hippy stuff. I got to Sheffield, and broke into the back of [Al Rouse's](/climber/1215/alan-rouse) house. I was in the kitchen making coffee, admiring Al's new decorating efforts, I went up stairs and jumped into his room and onto the bed, to be faced by two worried looking strangers hiding under the duvet. Al had moved out some weeks earlier.

> JB: No Johnny, did you ever shock anybody with your climbing? [5]

### References

[1] Interview with [Niall Grimes](/climber/702/niall-grimes) and [Nick Dixon](/climber/540/nick-dixon) [https://www.youtube.com/watch?v=5gfAxYENlmU](https://www.youtube.com/watch?v=5gfAxYENlmU)

[2] Features in [80's Birth of Extreme](https://www.youtube.com/watch?v=Jkj3Buhfi2k)

[3] Interview for the film *Stone Monkey*, [https://www.youtube.com/watch?v=QdeaV_vfp5Q](https://www.youtube.com/watch?v=QdeaV_vfp5Q)

[4] [https://www.youtube.com/watch?v=D88mEgfHJ-I](https://www.youtube.com/watch?v=D88mEgfHJ-I)

[5] Interview with [Jon Barton](/climber/3087/jon-barton), On The Edge 63 (1996) [/library/11066/on-the-edge-63](/library/11066/on-the-edge-63)

[6] *What Climbing Has Taught Me* (2025) [https://www.youtube.com/watch?v=5L_uSJH7-30](https://www.youtube.com/watch?v=5L_uSJH7-30)

After

Johnny Dawes made an indelible contribution to British climbing in the 1980s and ‘90s.

Whilst contemporaries such as [Ben Moon](/climber/130/ben-moon)  and [Jerry Moffatt](/climber/131/jerry-moffatt) pushed physical standards forwards, Johnny took a swerve sideways (probably getting the vehicle on two wheels in the process), bringing his restless innovation in movement to bear on some of the country’s most spectacular lines. 

Dawes’s teenage years were spent honing his skills on the buildings around his school, but it wasn’t long before he made his presence known on the grit: the bold friction slab [Jugged Hare](/climb/6009/jugged-hare) (E6), climbed in EBs in 1983 was an aperitif for what was to come. 

Jerry Moffatt had climbed [Ulysses' Bow](/climb/881/ulysses'-bow) (E6) in 1983 after extensive top rope practice. Just one year later Dawes soloed it onsight. He made the route look easy, but as those who tried to follow him [found out the hard way](/climb/922/ulysses-or-bust), it was anything but. 

A host of hard gritstone classics followed: [Braille Trail](/climb/3475/braille-trail) (E7), [Benign Lives](/climb/5798/benign-lives) (E7), [The Salmon](/climb/1450/the-salmon) (E7); [Sad Amongst Friends](/climb/2973/sad-amongst-friends) (E7) and [Silk](/climb/5782/silk) (E5) were climbed ground up. 

In 1985, the North Wales slate beckoned, where Dawes found an affinity with its slabby style, slightly unhinged sparse bolting ethic, and social scene of misfits and miscreants. [Dawes of Perception](/climb/1167/dawes-of-perception) (E7) set a benchmark for difficulty and boldness that came to define the medium, whilst his best link on [The Meltdown](/climb/52/the-meltdown) project was worth at least 8c. 

But the best was yet to come. 1986 was Dawes’ *annus mirabilis*. The highlights included: [Gaia](/climb/585/gaia) (E8), [End of the Affair](/climb/586/end-of-the-affair) (E8), and [Slab and Crack](/climb/622/slab-and-crack) (E8) on the grit; [Conan the Librarian](/climb/1187/conan-the-librarian) (E7) and [Come to Mother](/climb/1003/come-to-mother) (E7) on Gogarth; [Coeur de Lion](/climb/700/coeur-de-lion) (E8) and the majestic [The Quarryman](/climb/699/the-quarryman) (E8) on the slate. 

But it was [Indian Face](/climb/601/indian-face) (E9) that topped them all, a harrowing quest up the Great Wall of [Clogwyn Du'r Arddu](/crag/457/clogwyn-du'r-arddu) and the country’s first E9. The route established a level of boldness that still may not have been surpassed, and it has become a near-mythical part of British climbing lore.

The eighties was a time of conflicting styles as climbing evolved. The Indian Face was pre-inspected, but to a level that would be considered minimal by today’s standards. Although the more accessible classics such as [End of the Affair](/climb/586/end-of-the-affair) (E8) and [Gaia](/climb/585/gaia) (E8) are now regularly headpointed, few have matched the spirit and style of Dawes’s first ascents: End of the Affair was attempted ground-up with a terrifying fall, whilst the bold final moves on Gaia were climbed onsight. 

The ground-up approach reached a new high watermark in 1988 when Dawes succeeded on the first ascent of [Hardback Thesaurus](/climb/1648/hardback-thesaurus) (E8) on Gogarth, but not before taking gear-ripping falls that were enough to make you feel sea sick. It remains one of the hardest ground-up first ascents. 

The eighties also saw trips to [Sròn Uladail](/crag/778/sròn-uladail) to free climb [The Scoop](/climb/3047/the-scoop) (E7) and [Moskill Grooves](/climb/7131/moskill-grooves) (E6), multipitch monsters winding their way through the crag’s 50m-overhanging girth. 

The 1990s saw the bar for slab climbing raised further with [The Very Big and the Very Small](/climb/797/the-very-big-and-the-very-small) (8b+) on the slate and [Smoked Salmon](/climb/4123/smoked-salmon) (E8) and [The Angel's Share](/climb/900/the-angel's-share) (7C) on the grit, the latter taking a harder line, above a harder landing, than is usually climbed today. A one-handed solo of [Downhill Racer](/climb/920/downhill-racer) was a typically Dawesian antic – he rated his effort E8. 

In 1993, an attempt on Himalayan big wall [Meru Shark’s Fin](/summit/52/meru-peak) was abandoned when Dawes dropped a boot at 6000m. 

In 1995 he repeated his friend [Nick Dixon](/climber/540/nick-dixon)’s masterpiece [Face Mecca](/climb/647/face-mecca) (E9), taking a parallel line to Indian Face. This marked the end of the superbold era. 

The following years were spent conjuring up futuristic projects such as [Wizard Ridge](/climb/6959/wizard-ridge) and [Promontory Scoop](/climb/5479/promontory-scoop), whilst exploring ever-more inventive approaches to movement. In 2018 he pulled a second-go ascent of an 8b+ slab in [La Pedriza](/crag/2660/la-pedriza) out the bag and teamed up with longstanding friend [Nick Dixon](/climber/540/nick-dixon) to add a bold new E7, [Island](/climb/8246/island), to [Clogwyn Du'r Arddu](/crag/457/clogwyn-du'r-arddu).

Dawes was captured climbing at his best in the 1986 film *Stone Monkey* by Alun Hughes, a cult classic that was shown on terrestrial television several times. In 1996 Dawes made *Best Forgotten Art*, a film about gritstone crack climbing that was the easy listening antidote to Ben And Jerry’s techno-energised *The Real Thing*, released around the same time. Like a tweed jacket in a Sheffield nightclub, the contrast between the two films perhaps encapsulates Dawes’ place in his era: a climber who stood alongside the sport’s leading performers, yet always seemed to be playing a different game.


> [Jon Barton](/climber/3087/jon-barton): Do you think you ever shocked anybody Johnny?

> Well I'd been at this mad party over in Wales. I left in the early hours to drive over to Sheffield, I like driving at night when the roads are quiet. I could tell you about the Snake Pass first thing at dawn, but that's boring hippy stuff. I got to Sheffield, and broke into the back of [Al Rouse's](/climber/1215/alan-rouse) house. I was in the kitchen making coffee, admiring Al's new decorating efforts, I went up stairs and jumped into his room and onto the bed, to be faced by two worried looking strangers hiding under the duvet. Al had moved out some weeks earlier.

> JB: No Johnny, did you ever shock anybody with your climbing? [5]

### References

[1] Interview with [Niall Grimes](/climber/702/niall-grimes) and [Nick Dixon](/climber/540/nick-dixon) [https://www.youtube.com/watch?v=5gfAxYENlmU](https://www.youtube.com/watch?v=5gfAxYENlmU)

[2] Features in [80's Birth of Extreme](https://www.youtube.com/watch?v=Jkj3Buhfi2k)

[3] Interview for the film *Stone Monkey*, [https://www.youtube.com/watch?v=QdeaV_vfp5Q](https://www.youtube.com/watch?v=QdeaV_vfp5Q)

[4] [https://www.youtube.com/watch?v=D88mEgfHJ-I](https://www.youtube.com/watch?v=D88mEgfHJ-I)

[5] Interview with [Jon Barton](/climber/3087/jon-barton), On The Edge 63 (1996) [/library/11066/on-the-edge-63](/library/11066/on-the-edge-63)

[6] *What Climbing Has Taught Me* (2025) [https://www.youtube.com/watch?v=5L_uSJH7-30](https://www.youtube.com/watch?v=5L_uSJH7-30)

Diff

--- before

+++ after

@@ -26,7 +26,7 @@

 

 In 1995 he repeated his friend [Nick Dixon](/climber/540/nick-dixon)’s masterpiece [Face Mecca](/climb/647/face-mecca) (E9), taking a parallel line to Indian Face. This marked the end of the superbold era. 

 

-The following years were spent conjuring up futuristic projects such as [Wizard Ridge](/climb/6959/wizard-ridge) and [Promontory Scoop](/climb/5479/promontory-scoop), whilst exploring ever-more inventive approaches to movement. In 2018 he pulled a second-go ascent of an 8b+ slab in [La Pedriza](/crag/2660/la-pedriza) out the bag and teamed up with longstanding friend [Nick Dixon](/climber/540/nick-dixon) to add a bold new E7 [Island](/climb/8246/island) to [Clogwyn Du'r Arddu](/crag/457/clogwyn-du'r-arddu).

+The following years were spent conjuring up futuristic projects such as [Wizard Ridge](/climb/6959/wizard-ridge) and [Promontory Scoop](/climb/5479/promontory-scoop), whilst exploring ever-more inventive approaches to movement. In 2018 he pulled a second-go ascent of an 8b+ slab in [La Pedriza](/crag/2660/la-pedriza) out the bag and teamed up with longstanding friend [Nick Dixon](/climber/540/nick-dixon) to add a bold new E7, [Island](/climb/8246/island), to [Clogwyn Du'r Arddu](/crag/457/clogwyn-du'r-arddu).

 

 Dawes was captured climbing at his best in the 1986 film *Stone Monkey* by Alun Hughes, a cult classic that was shown on terrestrial television several times. In 1996 Dawes made *Best Forgotten Art*, a film about gritstone crack climbing that was the easy listening antidote to Ben And Jerry’s techno-energised *The Real Thing*, released around the same time. Like a tweed jacket in a Sheffield nightclub, the contrast between the two films perhaps encapsulates Dawes’ place in his era: a climber who stood alongside the sport’s leading performers, yet always seemed to be playing a different game.

Before

<p>Johnny Dawes made an indelible contribution to British climbing in the 1980s and ‘90s.</p>
<p>Whilst contemporaries such as <a href="/climber/130/ben-moon" rel="noopener noreferrer">Ben Moon</a>  and <a href="/climber/131/jerry-moffatt" rel="noopener noreferrer">Jerry Moffatt</a> pushed physical standards forwards, Johnny took a swerve sideways (probably getting the vehicle on two wheels in the process), bringing his restless innovation in movement to bear on some of the country’s most spectacular lines. </p>
<p>Dawes’s teenage years were spent honing his skills on the buildings around his school, but it wasn’t long before he made his presence known on the grit: the bold friction slab <a href="/climb/6009/jugged-hare" rel="noopener noreferrer">Jugged Hare</a> (E6), climbed in EBs in 1983 was an aperitif for what was to come. </p>
<p>Jerry Moffatt had climbed <a href="/climb/881/ulysses'-bow" rel="noopener noreferrer">Ulysses' Bow</a> (E6) in 1983 after extensive top rope practice. Just one year later Dawes soloed it onsight. He made the route look easy, but as those who tried to follow him <a href="/climb/922/ulysses-or-bust" rel="noopener noreferrer">found out the hard way</a>, it was anything but. </p>
<p>A host of hard gritstone classics followed: <a href="/climb/3475/braille-trail" rel="noopener noreferrer">Braille Trail</a> (E7), <a href="/climb/5798/benign-lives" rel="noopener noreferrer">Benign Lives</a> (E7), <a href="/climb/1450/the-salmon" rel="noopener noreferrer">The Salmon</a> (E7); <a href="/climb/2973/sad-amongst-friends" rel="noopener noreferrer">Sad Amongst Friends</a> (E7) and <a href="/climb/5782/silk" rel="noopener noreferrer">Silk</a> (E5) were climbed ground up. </p>
<p>In 1985, the North Wales slate beckoned, where Dawes found an affinity with its slabby style, slightly unhinged sparse bolting ethic, and social scene of misfits and miscreants. <a href="/climb/1167/dawes-of-perception" rel="noopener noreferrer">Dawes of Perception</a> (E7) set a benchmark for difficulty and boldness that came to define the medium, whilst his best link on <a href="/climb/52/the-meltdown" rel="noopener noreferrer">The Meltdown</a> project was worth at least 8c. </p>
<p>But the best was yet to come. 1986 was Dawes’ <em>annus mirabilis</em>. The highlights included: <a href="/climb/585/gaia" rel="noopener noreferrer">Gaia</a> (E8), <a href="/climb/586/end-of-the-affair" rel="noopener noreferrer">End of the Affair</a> (E8), and <a href="/climb/622/slab-and-crack" rel="noopener noreferrer">Slab and Crack</a> (E8) on the grit; <a href="/climb/1187/conan-the-librarian" rel="noopener noreferrer">Conan the Librarian</a> (E7) and <a href="/climb/1003/come-to-mother" rel="noopener noreferrer">Come to Mother</a> (E7) on Gogarth; <a href="/climb/700/coeur-de-lion" rel="noopener noreferrer">Coeur de Lion</a> (E8) and the majestic <a href="/climb/699/the-quarryman" rel="noopener noreferrer">The Quarryman</a> (E8) on the slate. </p>
<p>But it was <a href="/climb/601/indian-face" rel="noopener noreferrer">Indian Face</a> (E9) that topped them all, a harrowing quest up the Great Wall of <a href="/crag/457/clogwyn-du'r-arddu" rel="noopener noreferrer">Clogwyn Du'r Arddu</a> and the country’s first E9. The route established a level of boldness that still may not have been surpassed, and it has become a near-mythical part of British climbing lore.</p>
<p>The eighties was a time of conflicting styles as climbing evolved. The Indian Face was pre-inspected, but to a level that would be considered minimal by today’s standards. Although the more accessible classics such as <a href="/climb/586/end-of-the-affair" rel="noopener noreferrer">End of the Affair</a> (E8) and <a href="/climb/585/gaia" rel="noopener noreferrer">Gaia</a> (E8) are now regularly headpointed, few have matched the spirit and style of Dawes’s first ascents: End of the Affair was attempted ground-up with a terrifying fall, whilst the bold final moves on Gaia were climbed onsight. </p>
<p>The ground-up approach reached a new high watermark in 1988 when Dawes succeeded on the first ascent of <a href="/climb/1648/hardback-thesaurus" rel="noopener noreferrer">Hardback Thesaurus</a> (E8) on Gogarth, but not before taking gear-ripping falls that were enough to make you feel sea sick. It remains one of the hardest ground-up first ascents. </p>
<p>The eighties also saw trips to <a href="/crag/778/sròn-uladail" rel="noopener noreferrer">Sròn Uladail</a> to free climb <a href="/climb/3047/the-scoop" rel="noopener noreferrer">The Scoop</a> (E7) and <a href="/climb/7131/moskill-grooves" rel="noopener noreferrer">Moskill Grooves</a> (E6), multipitch monsters winding their way through the crag’s 50m-overhanging girth. </p>
<p>The 1990s saw the bar for slab climbing raised further with <a href="/climb/797/the-very-big-and-the-very-small" rel="noopener noreferrer">The Very Big and the Very Small</a> (8b+) on the slate and <a href="/climb/4123/smoked-salmon" rel="noopener noreferrer">Smoked Salmon</a> (E8) and <a href="/climb/900/the-angel's-share" rel="noopener noreferrer">The Angel's Share</a> (7C) on the grit, the latter taking a harder line, above a harder landing, than is usually climbed today. A one-handed solo of <a href="/climb/920/downhill-racer" rel="noopener noreferrer">Downhill Racer</a> was a typically Dawesian antic – he rated his effort E8. </p>
<p>In 1993, an attempt on Himalayan big wall <a href="/summit/52/meru-peak" rel="noopener noreferrer">Meru Shark’s Fin</a> was abandoned when Dawes dropped a boot at 6000m. </p>
<p>In 1995 he repeated his friend <a href="/climber/540/nick-dixon" rel="noopener noreferrer">Nick Dixon</a>’s masterpiece <a href="/climb/647/face-mecca" rel="noopener noreferrer">Face Mecca</a> (E9), taking a parallel line to Indian Face. This marked the end of the superbold era. </p>
<p>The following years were spent conjuring up futuristic projects such as <a href="/climb/6959/wizard-ridge" rel="noopener noreferrer">Wizard Ridge</a> and <a href="/climb/5479/promontory-scoop" rel="noopener noreferrer">Promontory Scoop</a>, whilst exploring ever-more inventive approaches to movement. In 2018 he pulled an ascent of an 8b+ slab in <a href="/crag/2660/la-pedriza" rel="noopener noreferrer">La Pedriza</a> out the bag. </p>
<p>Dawes was captured climbing at his best in the 1986 film <em>Stone Monkey</em> by Alun Hughes, a cult classic that was shown on terrestrial television several times. In 1996 Dawes made <em>Best Forgotten Art</em>, a film about gritstone crack climbing that was the easy listening antidote to Ben And Jerry’s techno-energised <em>The Real Thing</em>, released around the same time. Like a tweed jacket in a Sheffield nightclub, the contrast between the two films perhaps encapsulates Dawes’ place in his era: a climber who stood alongside the sport’s leading performers, yet always seemed to be playing a different game.</p>
<blockquote>
<p><a href="/climber/3087/jon-barton" rel="noopener noreferrer">Jon Barton</a>: Do you think you ever shocked anybody Johnny?</p>
<p>Well I'd been at this mad party over in Wales. I left in the early hours to drive over to Sheffield, I like driving at night when the roads are quiet. I could tell you about the Snake Pass first thing at dawn, but that's boring hippy stuff. I got to Sheffield, and broke into the back of <a href="/climber/1215/alan-rouse" rel="noopener noreferrer">Al Rouse's</a> house. I was in the kitchen making coffee, admiring Al's new decorating efforts, I went up stairs and jumped into his room and onto the bed, to be faced by two worried looking strangers hiding under the duvet. Al had moved out some weeks earlier.</p>
<p>JB: No Johnny, did you ever shock anybody with your climbing? [5]</p>
</blockquote>
<h3>References</h3>
<p>[1] Interview with <a href="/climber/702/niall-grimes" rel="noopener noreferrer">Niall Grimes</a> and <a href="/climber/540/nick-dixon" rel="noopener noreferrer">Nick Dixon</a> <a href="https://www.youtube.com/watch?v=5gfAxYENlmU" rel="noopener noreferrer">https://www.youtube.com/watch?v=5gfAxYENlmU</a></p>
<p>[2] Features in <a href="https://www.youtube.com/watch?v=Jkj3Buhfi2k" rel="noopener noreferrer">80's Birth of Extreme</a></p>
<p>[3] Interview for the film <em>Stone Monkey</em>, <a href="https://www.youtube.com/watch?v=QdeaV_vfp5Q" rel="noopener noreferrer">https://www.youtube.com/watch?v=QdeaV_vfp5Q</a></p>
<p>[4] <a href="https://www.youtube.com/watch?v=D88mEgfHJ-I" rel="noopener noreferrer">https://www.youtube.com/watch?v=D88mEgfHJ-I</a></p>
<p>[5] Interview with <a href="/climber/3087/jon-barton" rel="noopener noreferrer">Jon Barton</a>, On The Edge 63 (1996) <a href="/library/11066/on-the-edge-63" rel="noopener noreferrer">/library/11066/on-the-edge-63</a></p>
<p>[6] <em>What Climbing Has Taught Me</em> (2025) <a href="https://www.youtube.com/watch?v=5L_uSJH7-30" rel="noopener noreferrer">https://www.youtube.com/watch?v=5L_uSJH7-30</a></p>

After

<p>Johnny Dawes made an indelible contribution to British climbing in the 1980s and ‘90s.</p>
<p>Whilst contemporaries such as <a href="/climber/130/ben-moon" rel="noopener noreferrer">Ben Moon</a>  and <a href="/climber/131/jerry-moffatt" rel="noopener noreferrer">Jerry Moffatt</a> pushed physical standards forwards, Johnny took a swerve sideways (probably getting the vehicle on two wheels in the process), bringing his restless innovation in movement to bear on some of the country’s most spectacular lines. </p>
<p>Dawes’s teenage years were spent honing his skills on the buildings around his school, but it wasn’t long before he made his presence known on the grit: the bold friction slab <a href="/climb/6009/jugged-hare" rel="noopener noreferrer">Jugged Hare</a> (E6), climbed in EBs in 1983 was an aperitif for what was to come. </p>
<p>Jerry Moffatt had climbed <a href="/climb/881/ulysses'-bow" rel="noopener noreferrer">Ulysses' Bow</a> (E6) in 1983 after extensive top rope practice. Just one year later Dawes soloed it onsight. He made the route look easy, but as those who tried to follow him <a href="/climb/922/ulysses-or-bust" rel="noopener noreferrer">found out the hard way</a>, it was anything but. </p>
<p>A host of hard gritstone classics followed: <a href="/climb/3475/braille-trail" rel="noopener noreferrer">Braille Trail</a> (E7), <a href="/climb/5798/benign-lives" rel="noopener noreferrer">Benign Lives</a> (E7), <a href="/climb/1450/the-salmon" rel="noopener noreferrer">The Salmon</a> (E7); <a href="/climb/2973/sad-amongst-friends" rel="noopener noreferrer">Sad Amongst Friends</a> (E7) and <a href="/climb/5782/silk" rel="noopener noreferrer">Silk</a> (E5) were climbed ground up. </p>
<p>In 1985, the North Wales slate beckoned, where Dawes found an affinity with its slabby style, slightly unhinged sparse bolting ethic, and social scene of misfits and miscreants. <a href="/climb/1167/dawes-of-perception" rel="noopener noreferrer">Dawes of Perception</a> (E7) set a benchmark for difficulty and boldness that came to define the medium, whilst his best link on <a href="/climb/52/the-meltdown" rel="noopener noreferrer">The Meltdown</a> project was worth at least 8c. </p>
<p>But the best was yet to come. 1986 was Dawes’ <em>annus mirabilis</em>. The highlights included: <a href="/climb/585/gaia" rel="noopener noreferrer">Gaia</a> (E8), <a href="/climb/586/end-of-the-affair" rel="noopener noreferrer">End of the Affair</a> (E8), and <a href="/climb/622/slab-and-crack" rel="noopener noreferrer">Slab and Crack</a> (E8) on the grit; <a href="/climb/1187/conan-the-librarian" rel="noopener noreferrer">Conan the Librarian</a> (E7) and <a href="/climb/1003/come-to-mother" rel="noopener noreferrer">Come to Mother</a> (E7) on Gogarth; <a href="/climb/700/coeur-de-lion" rel="noopener noreferrer">Coeur de Lion</a> (E8) and the majestic <a href="/climb/699/the-quarryman" rel="noopener noreferrer">The Quarryman</a> (E8) on the slate. </p>
<p>But it was <a href="/climb/601/indian-face" rel="noopener noreferrer">Indian Face</a> (E9) that topped them all, a harrowing quest up the Great Wall of <a href="/crag/457/clogwyn-du'r-arddu" rel="noopener noreferrer">Clogwyn Du'r Arddu</a> and the country’s first E9. The route established a level of boldness that still may not have been surpassed, and it has become a near-mythical part of British climbing lore.</p>
<p>The eighties was a time of conflicting styles as climbing evolved. The Indian Face was pre-inspected, but to a level that would be considered minimal by today’s standards. Although the more accessible classics such as <a href="/climb/586/end-of-the-affair" rel="noopener noreferrer">End of the Affair</a> (E8) and <a href="/climb/585/gaia" rel="noopener noreferrer">Gaia</a> (E8) are now regularly headpointed, few have matched the spirit and style of Dawes’s first ascents: End of the Affair was attempted ground-up with a terrifying fall, whilst the bold final moves on Gaia were climbed onsight. </p>
<p>The ground-up approach reached a new high watermark in 1988 when Dawes succeeded on the first ascent of <a href="/climb/1648/hardback-thesaurus" rel="noopener noreferrer">Hardback Thesaurus</a> (E8) on Gogarth, but not before taking gear-ripping falls that were enough to make you feel sea sick. It remains one of the hardest ground-up first ascents. </p>
<p>The eighties also saw trips to <a href="/crag/778/sròn-uladail" rel="noopener noreferrer">Sròn Uladail</a> to free climb <a href="/climb/3047/the-scoop" rel="noopener noreferrer">The Scoop</a> (E7) and <a href="/climb/7131/moskill-grooves" rel="noopener noreferrer">Moskill Grooves</a> (E6), multipitch monsters winding their way through the crag’s 50m-overhanging girth. </p>
<p>The 1990s saw the bar for slab climbing raised further with <a href="/climb/797/the-very-big-and-the-very-small" rel="noopener noreferrer">The Very Big and the Very Small</a> (8b+) on the slate and <a href="/climb/4123/smoked-salmon" rel="noopener noreferrer">Smoked Salmon</a> (E8) and <a href="/climb/900/the-angel's-share" rel="noopener noreferrer">The Angel's Share</a> (7C) on the grit, the latter taking a harder line, above a harder landing, than is usually climbed today. A one-handed solo of <a href="/climb/920/downhill-racer" rel="noopener noreferrer">Downhill Racer</a> was a typically Dawesian antic – he rated his effort E8. </p>
<p>In 1993, an attempt on Himalayan big wall <a href="/summit/52/meru-peak" rel="noopener noreferrer">Meru Shark’s Fin</a> was abandoned when Dawes dropped a boot at 6000m. </p>
<p>In 1995 he repeated his friend <a href="/climber/540/nick-dixon" rel="noopener noreferrer">Nick Dixon</a>’s masterpiece <a href="/climb/647/face-mecca" rel="noopener noreferrer">Face Mecca</a> (E9), taking a parallel line to Indian Face. This marked the end of the superbold era. </p>
<p>The following years were spent conjuring up futuristic projects such as <a href="/climb/6959/wizard-ridge" rel="noopener noreferrer">Wizard Ridge</a> and <a href="/climb/5479/promontory-scoop" rel="noopener noreferrer">Promontory Scoop</a>, whilst exploring ever-more inventive approaches to movement. In 2018 he pulled a second-go ascent of an 8b+ slab in <a href="/crag/2660/la-pedriza" rel="noopener noreferrer">La Pedriza</a> out the bag and teamed up with longstanding friend <a href="/climber/540/nick-dixon" rel="noopener noreferrer">Nick Dixon</a> to add a bold new E7 <a href="/climb/8246/island" rel="noopener noreferrer">Island</a> to <a href="/crag/457/clogwyn-du'r-arddu" rel="noopener noreferrer">Clogwyn Du'r Arddu</a>.</p>
<p>Dawes was captured climbing at his best in the 1986 film <em>Stone Monkey</em> by Alun Hughes, a cult classic that was shown on terrestrial television several times. In 1996 Dawes made <em>Best Forgotten Art</em>, a film about gritstone crack climbing that was the easy listening antidote to Ben And Jerry’s techno-energised <em>The Real Thing</em>, released around the same time. Like a tweed jacket in a Sheffield nightclub, the contrast between the two films perhaps encapsulates Dawes’ place in his era: a climber who stood alongside the sport’s leading performers, yet always seemed to be playing a different game.</p>
<blockquote>
<p><a href="/climber/3087/jon-barton" rel="noopener noreferrer">Jon Barton</a>: Do you think you ever shocked anybody Johnny?</p>
<p>Well I'd been at this mad party over in Wales. I left in the early hours to drive over to Sheffield, I like driving at night when the roads are quiet. I could tell you about the Snake Pass first thing at dawn, but that's boring hippy stuff. I got to Sheffield, and broke into the back of <a href="/climber/1215/alan-rouse" rel="noopener noreferrer">Al Rouse's</a> house. I was in the kitchen making coffee, admiring Al's new decorating efforts, I went up stairs and jumped into his room and onto the bed, to be faced by two worried looking strangers hiding under the duvet. Al had moved out some weeks earlier.</p>
<p>JB: No Johnny, did you ever shock anybody with your climbing? [5]</p>
</blockquote>
<h3>References</h3>
<p>[1] Interview with <a href="/climber/702/niall-grimes" rel="noopener noreferrer">Niall Grimes</a> and <a href="/climber/540/nick-dixon" rel="noopener noreferrer">Nick Dixon</a> <a href="https://www.youtube.com/watch?v=5gfAxYENlmU" rel="noopener noreferrer">https://www.youtube.com/watch?v=5gfAxYENlmU</a></p>
<p>[2] Features in <a href="https://www.youtube.com/watch?v=Jkj3Buhfi2k" rel="noopener noreferrer">80's Birth of Extreme</a></p>
<p>[3] Interview for the film <em>Stone Monkey</em>, <a href="https://www.youtube.com/watch?v=QdeaV_vfp5Q" rel="noopener noreferrer">https://www.youtube.com/watch?v=QdeaV_vfp5Q</a></p>
<p>[4] <a href="https://www.youtube.com/watch?v=D88mEgfHJ-I" rel="noopener noreferrer">https://www.youtube.com/watch?v=D88mEgfHJ-I</a></p>
<p>[5] Interview with <a href="/climber/3087/jon-barton" rel="noopener noreferrer">Jon Barton</a>, On The Edge 63 (1996) <a href="/library/11066/on-the-edge-63" rel="noopener noreferrer">/library/11066/on-the-edge-63</a></p>
<p>[6] <em>What Climbing Has Taught Me</em> (2025) <a href="https://www.youtube.com/watch?v=5L_uSJH7-30" rel="noopener noreferrer">https://www.youtube.com/watch?v=5L_uSJH7-30</a></p>

Before

Johnny Dawes made an indelible contribution to British climbing in the 1980s and ‘90s.

Whilst contemporaries such as [Ben Moon](/climber/130/ben-moon)  and [Jerry Moffatt](/climber/131/jerry-moffatt) pushed physical standards forwards, Johnny took a swerve sideways (probably getting the vehicle on two wheels in the process), bringing his restless innovation in movement to bear on some of the country’s most spectacular lines. 

Dawes’s teenage years were spent honing his skills on the buildings around his school, but it wasn’t long before he made his presence known on the grit: the bold friction slab [Jugged Hare](/climb/6009/jugged-hare) (E6), climbed in EBs in 1983 was an aperitif for what was to come. 

Jerry Moffatt had climbed [Ulysses' Bow](/climb/881/ulysses'-bow) (E6) in 1983 after extensive top rope practice. Just one year later Dawes soloed it onsight. He made the route look easy, but as those who tried to follow him [found out the hard way](/climb/922/ulysses-or-bust), it was anything but. 

A host of hard gritstone classics followed: [Braille Trail](/climb/3475/braille-trail) (E7), [Benign Lives](/climb/5798/benign-lives) (E7), [The Salmon](/climb/1450/the-salmon) (E7); [Sad Amongst Friends](/climb/2973/sad-amongst-friends) (E7) and [Silk](/climb/5782/silk) (E5) were climbed ground up. 

In 1985, the North Wales slate beckoned, where Dawes found an affinity with its slabby style, slightly unhinged sparse bolting ethic, and social scene of misfits and miscreants. [Dawes of Perception](/climb/1167/dawes-of-perception) (E7) set a benchmark for difficulty and boldness that came to define the medium, whilst his best link on [The Meltdown](/climb/52/the-meltdown) project was worth at least 8c. 

But the best was yet to come. 1986 was Dawes’ *annus mirabilis*. The highlights included: [Gaia](/climb/585/gaia) (E8), [End of the Affair](/climb/586/end-of-the-affair) (E8), and [Slab and Crack](/climb/622/slab-and-crack) (E8) on the grit; [Conan the Librarian](/climb/1187/conan-the-librarian) (E7) and [Come to Mother](/climb/1003/come-to-mother) (E7) on Gogarth; [Coeur de Lion](/climb/700/coeur-de-lion) (E8) and the majestic [The Quarryman](/climb/699/the-quarryman) (E8) on the slate. 

But it was [Indian Face](/climb/601/indian-face) (E9) that topped them all, a harrowing quest up the Great Wall of [Clogwyn Du'r Arddu](/crag/457/clogwyn-du'r-arddu) and the country’s first E9. The route established a level of boldness that still may not have been surpassed, and it has become a near-mythical part of British climbing lore.

The eighties was a time of conflicting styles as climbing evolved. The Indian Face was pre-inspected, but to a level that would be considered minimal by today’s standards. Although the more accessible classics such as [End of the Affair](/climb/586/end-of-the-affair) (E8) and [Gaia](/climb/585/gaia) (E8) are now regularly headpointed, few have matched the spirit and style of Dawes’s first ascents: End of the Affair was attempted ground-up with a terrifying fall, whilst the bold final moves on Gaia were climbed onsight. 

The ground-up approach reached a new high watermark in 1988 when Dawes succeeded on the first ascent of [Hardback Thesaurus](/climb/1648/hardback-thesaurus) (E8) on Gogarth, but not before taking gear-ripping falls that were enough to make you feel sea sick. It remains one of the hardest ground-up first ascents. 

The eighties also saw trips to [Sròn Uladail](/crag/778/sròn-uladail) to free climb [The Scoop](/climb/3047/the-scoop) (E7) and [Moskill Grooves](/climb/7131/moskill-grooves) (E6), multipitch monsters winding their way through the crag’s 50m-overhanging girth. 

The 1990s saw the bar for slab climbing raised further with [The Very Big and the Very Small](/climb/797/the-very-big-and-the-very-small) (8b+) on the slate and [Smoked Salmon](/climb/4123/smoked-salmon) (E8) and [The Angel's Share](/climb/900/the-angel's-share) (7C) on the grit, the latter taking a harder line, above a harder landing, than is usually climbed today. A one-handed solo of [Downhill Racer](/climb/920/downhill-racer) was a typically Dawesian antic – he rated his effort E8. 

In 1993, an attempt on Himalayan big wall [Meru Shark’s Fin](/summit/52/meru-peak) was abandoned when Dawes dropped a boot at 6000m. 

In 1995 he repeated his friend [Nick Dixon](/climber/540/nick-dixon)’s masterpiece [Face Mecca](/climb/647/face-mecca) (E9), taking a parallel line to Indian Face. This marked the end of the superbold era. 

The following years were spent conjuring up futuristic projects such as [Wizard Ridge](/climb/6959/wizard-ridge) and [Promontory Scoop](/climb/5479/promontory-scoop), whilst exploring ever-more inventive approaches to movement. In 2018 he pulled an ascent of an 8b+ slab in [La Pedriza](/crag/2660/la-pedriza) out the bag. 

Dawes was captured climbing at his best in the 1986 film *Stone Monkey* by Alun Hughes, a cult classic that was shown on terrestrial television several times. In 1996 Dawes made *Best Forgotten Art*, a film about gritstone crack climbing that was the easy listening antidote to Ben And Jerry’s techno-energised *The Real Thing*, released around the same time. Like a tweed jacket in a Sheffield nightclub, the contrast between the two films perhaps encapsulates Dawes’ place in his era: a climber who stood alongside the sport’s leading performers, yet always seemed to be playing a different game.


> [Jon Barton](/climber/3087/jon-barton): Do you think you ever shocked anybody Johnny?

> Well I'd been at this mad party over in Wales. I left in the early hours to drive over to Sheffield, I like driving at night when the roads are quiet. I could tell you about the Snake Pass first thing at dawn, but that's boring hippy stuff. I got to Sheffield, and broke into the back of [Al Rouse's](/climber/1215/alan-rouse) house. I was in the kitchen making coffee, admiring Al's new decorating efforts, I went up stairs and jumped into his room and onto the bed, to be faced by two worried looking strangers hiding under the duvet. Al had moved out some weeks earlier.

> JB: No Johnny, did you ever shock anybody with your climbing? [5]

### References

[1] Interview with [Niall Grimes](/climber/702/niall-grimes) and [Nick Dixon](/climber/540/nick-dixon) [https://www.youtube.com/watch?v=5gfAxYENlmU](https://www.youtube.com/watch?v=5gfAxYENlmU)

[2] Features in [80's Birth of Extreme](https://www.youtube.com/watch?v=Jkj3Buhfi2k)

[3] Interview for the film *Stone Monkey*, [https://www.youtube.com/watch?v=QdeaV_vfp5Q](https://www.youtube.com/watch?v=QdeaV_vfp5Q)

[4] [https://www.youtube.com/watch?v=D88mEgfHJ-I](https://www.youtube.com/watch?v=D88mEgfHJ-I)

[5] Interview with [Jon Barton](/climber/3087/jon-barton), On The Edge 63 (1996) [/library/11066/on-the-edge-63](/library/11066/on-the-edge-63)

[6] *What Climbing Has Taught Me* (2025) [https://www.youtube.com/watch?v=5L_uSJH7-30](https://www.youtube.com/watch?v=5L_uSJH7-30)

After

Johnny Dawes made an indelible contribution to British climbing in the 1980s and ‘90s.

Whilst contemporaries such as [Ben Moon](/climber/130/ben-moon)  and [Jerry Moffatt](/climber/131/jerry-moffatt) pushed physical standards forwards, Johnny took a swerve sideways (probably getting the vehicle on two wheels in the process), bringing his restless innovation in movement to bear on some of the country’s most spectacular lines. 

Dawes’s teenage years were spent honing his skills on the buildings around his school, but it wasn’t long before he made his presence known on the grit: the bold friction slab [Jugged Hare](/climb/6009/jugged-hare) (E6), climbed in EBs in 1983 was an aperitif for what was to come. 

Jerry Moffatt had climbed [Ulysses' Bow](/climb/881/ulysses'-bow) (E6) in 1983 after extensive top rope practice. Just one year later Dawes soloed it onsight. He made the route look easy, but as those who tried to follow him [found out the hard way](/climb/922/ulysses-or-bust), it was anything but. 

A host of hard gritstone classics followed: [Braille Trail](/climb/3475/braille-trail) (E7), [Benign Lives](/climb/5798/benign-lives) (E7), [The Salmon](/climb/1450/the-salmon) (E7); [Sad Amongst Friends](/climb/2973/sad-amongst-friends) (E7) and [Silk](/climb/5782/silk) (E5) were climbed ground up. 

In 1985, the North Wales slate beckoned, where Dawes found an affinity with its slabby style, slightly unhinged sparse bolting ethic, and social scene of misfits and miscreants. [Dawes of Perception](/climb/1167/dawes-of-perception) (E7) set a benchmark for difficulty and boldness that came to define the medium, whilst his best link on [The Meltdown](/climb/52/the-meltdown) project was worth at least 8c. 

But the best was yet to come. 1986 was Dawes’ *annus mirabilis*. The highlights included: [Gaia](/climb/585/gaia) (E8), [End of the Affair](/climb/586/end-of-the-affair) (E8), and [Slab and Crack](/climb/622/slab-and-crack) (E8) on the grit; [Conan the Librarian](/climb/1187/conan-the-librarian) (E7) and [Come to Mother](/climb/1003/come-to-mother) (E7) on Gogarth; [Coeur de Lion](/climb/700/coeur-de-lion) (E8) and the majestic [The Quarryman](/climb/699/the-quarryman) (E8) on the slate. 

But it was [Indian Face](/climb/601/indian-face) (E9) that topped them all, a harrowing quest up the Great Wall of [Clogwyn Du'r Arddu](/crag/457/clogwyn-du'r-arddu) and the country’s first E9. The route established a level of boldness that still may not have been surpassed, and it has become a near-mythical part of British climbing lore.

The eighties was a time of conflicting styles as climbing evolved. The Indian Face was pre-inspected, but to a level that would be considered minimal by today’s standards. Although the more accessible classics such as [End of the Affair](/climb/586/end-of-the-affair) (E8) and [Gaia](/climb/585/gaia) (E8) are now regularly headpointed, few have matched the spirit and style of Dawes’s first ascents: End of the Affair was attempted ground-up with a terrifying fall, whilst the bold final moves on Gaia were climbed onsight. 

The ground-up approach reached a new high watermark in 1988 when Dawes succeeded on the first ascent of [Hardback Thesaurus](/climb/1648/hardback-thesaurus) (E8) on Gogarth, but not before taking gear-ripping falls that were enough to make you feel sea sick. It remains one of the hardest ground-up first ascents. 

The eighties also saw trips to [Sròn Uladail](/crag/778/sròn-uladail) to free climb [The Scoop](/climb/3047/the-scoop) (E7) and [Moskill Grooves](/climb/7131/moskill-grooves) (E6), multipitch monsters winding their way through the crag’s 50m-overhanging girth. 

The 1990s saw the bar for slab climbing raised further with [The Very Big and the Very Small](/climb/797/the-very-big-and-the-very-small) (8b+) on the slate and [Smoked Salmon](/climb/4123/smoked-salmon) (E8) and [The Angel's Share](/climb/900/the-angel's-share) (7C) on the grit, the latter taking a harder line, above a harder landing, than is usually climbed today. A one-handed solo of [Downhill Racer](/climb/920/downhill-racer) was a typically Dawesian antic – he rated his effort E8. 

In 1993, an attempt on Himalayan big wall [Meru Shark’s Fin](/summit/52/meru-peak) was abandoned when Dawes dropped a boot at 6000m. 

In 1995 he repeated his friend [Nick Dixon](/climber/540/nick-dixon)’s masterpiece [Face Mecca](/climb/647/face-mecca) (E9), taking a parallel line to Indian Face. This marked the end of the superbold era. 

The following years were spent conjuring up futuristic projects such as [Wizard Ridge](/climb/6959/wizard-ridge) and [Promontory Scoop](/climb/5479/promontory-scoop), whilst exploring ever-more inventive approaches to movement. In 2018 he pulled a second-go ascent of an 8b+ slab in [La Pedriza](/crag/2660/la-pedriza) out the bag and teamed up with longstanding friend [Nick Dixon](/climber/540/nick-dixon) to add a bold new E7 [Island](/climb/8246/island) to [Clogwyn Du'r Arddu](/crag/457/clogwyn-du'r-arddu).

Dawes was captured climbing at his best in the 1986 film *Stone Monkey* by Alun Hughes, a cult classic that was shown on terrestrial television several times. In 1996 Dawes made *Best Forgotten Art*, a film about gritstone crack climbing that was the easy listening antidote to Ben And Jerry’s techno-energised *The Real Thing*, released around the same time. Like a tweed jacket in a Sheffield nightclub, the contrast between the two films perhaps encapsulates Dawes’ place in his era: a climber who stood alongside the sport’s leading performers, yet always seemed to be playing a different game.


> [Jon Barton](/climber/3087/jon-barton): Do you think you ever shocked anybody Johnny?

> Well I'd been at this mad party over in Wales. I left in the early hours to drive over to Sheffield, I like driving at night when the roads are quiet. I could tell you about the Snake Pass first thing at dawn, but that's boring hippy stuff. I got to Sheffield, and broke into the back of [Al Rouse's](/climber/1215/alan-rouse) house. I was in the kitchen making coffee, admiring Al's new decorating efforts, I went up stairs and jumped into his room and onto the bed, to be faced by two worried looking strangers hiding under the duvet. Al had moved out some weeks earlier.

> JB: No Johnny, did you ever shock anybody with your climbing? [5]

### References

[1] Interview with [Niall Grimes](/climber/702/niall-grimes) and [Nick Dixon](/climber/540/nick-dixon) [https://www.youtube.com/watch?v=5gfAxYENlmU](https://www.youtube.com/watch?v=5gfAxYENlmU)

[2] Features in [80's Birth of Extreme](https://www.youtube.com/watch?v=Jkj3Buhfi2k)

[3] Interview for the film *Stone Monkey*, [https://www.youtube.com/watch?v=QdeaV_vfp5Q](https://www.youtube.com/watch?v=QdeaV_vfp5Q)

[4] [https://www.youtube.com/watch?v=D88mEgfHJ-I](https://www.youtube.com/watch?v=D88mEgfHJ-I)

[5] Interview with [Jon Barton](/climber/3087/jon-barton), On The Edge 63 (1996) [/library/11066/on-the-edge-63](/library/11066/on-the-edge-63)

[6] *What Climbing Has Taught Me* (2025) [https://www.youtube.com/watch?v=5L_uSJH7-30](https://www.youtube.com/watch?v=5L_uSJH7-30)

Diff

--- before

+++ after

@@ -26,7 +26,7 @@

 

 In 1995 he repeated his friend [Nick Dixon](/climber/540/nick-dixon)’s masterpiece [Face Mecca](/climb/647/face-mecca) (E9), taking a parallel line to Indian Face. This marked the end of the superbold era. 

 

-The following years were spent conjuring up futuristic projects such as [Wizard Ridge](/climb/6959/wizard-ridge) and [Promontory Scoop](/climb/5479/promontory-scoop), whilst exploring ever-more inventive approaches to movement. In 2018 he pulled an ascent of an 8b+ slab in [La Pedriza](/crag/2660/la-pedriza) out the bag. 

+The following years were spent conjuring up futuristic projects such as [Wizard Ridge](/climb/6959/wizard-ridge) and [Promontory Scoop](/climb/5479/promontory-scoop), whilst exploring ever-more inventive approaches to movement. In 2018 he pulled a second-go ascent of an 8b+ slab in [La Pedriza](/crag/2660/la-pedriza) out the bag and teamed up with longstanding friend [Nick Dixon](/climber/540/nick-dixon) to add a bold new E7 [Island](/climb/8246/island) to [Clogwyn Du'r Arddu](/crag/457/clogwyn-du'r-arddu).

 

 Dawes was captured climbing at his best in the 1986 film *Stone Monkey* by Alun Hughes, a cult classic that was shown on terrestrial television several times. In 1996 Dawes made *Best Forgotten Art*, a film about gritstone crack climbing that was the easy listening antidote to Ben And Jerry’s techno-energised *The Real Thing*, released around the same time. Like a tweed jacket in a Sheffield nightclub, the contrast between the two films perhaps encapsulates Dawes’ place in his era: a climber who stood alongside the sport’s leading performers, yet always seemed to be playing a different game.

Before

None

After

1

Before

<p>Lead on Johnny's gear</p>
<h3>References</h3>
<p>[1] <a href="https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634" rel="noopener noreferrer">https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634</a></p>

After

<p>Led on Johnny's gear</p>
<h3>References</h3>
<p>[1] <a href="https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634" rel="noopener noreferrer">https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634</a></p>

Before

Lead on Johnny's gear

### References

[1] [https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634](https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634)

After

Led on Johnny's gear

### References

[1] [https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634](https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634)

Diff

--- before

+++ after

@@ -1,4 +1,4 @@

-Lead on Johnny's gear

+Led on Johnny's gear

 

 ### References

Before

None

After

### References

[1] [https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634](https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634)

Diff

--- before

+++ after

@@ -1 +1,3 @@

-
+### References

+

+[1] [https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634](https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634)

Before

None

After

<h3>References</h3>
<p>[1] <a href="https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634" rel="noopener noreferrer">https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634</a></p>

Before

None

After

2

Before

None

After

540

Before

None

After

1

Before

None

After

Lead on Johnny's gear

### References

[1] [https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634](https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634)

Diff

--- before

+++ after

@@ -1 +1,5 @@

-
+Lead on Johnny's gear

+

+### References

+

+[1] [https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634](https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634)

Before

None

After

<p>Lead on Johnny's gear</p>
<h3>References</h3>
<p>[1] <a href="https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634" rel="noopener noreferrer">https://www.ukclimbing.com/news/2018/07/indian_face_e9_6c_by_angus_kille-71634</a></p>

Before

None

After

2018-07-05

Before

None

After

1

Before

None

After

8246

Before

None

After

2018-07-05

Before

None

After

1

Before

None

After

2018-07-05

Badges

Contributions

Posts

1

6

168

23146

1

27

Contributions Map

Contributions by Country

Recent Contributions

< Page 6 >